«I wouldn't listen to no such reports, Miss Lizzie,» said the waiter smoothly, from the narrow opening above his chin. «Kid Mullaly's not the guy to throw a lady like you down. Seltzer on the side?»
«Two years,» repeated Liz, softening a little to sentiment under the magic of the distiller's art. «I always used to play out on the street of evenin's 'cause there was nothin' doin' for me at home. For a long time I just sat on doorsteps and looked at the lights and the people goin' by. And then the Kid came along one evenin' and sized me up, and I was mashed on the spot for fair. The first drink he made me take I cried all night at home, and got a lickin' for makin' a noise. And now—say, Tommy, you ever see this Annie Karlson? If it wasn't for peroxide the chloroform limit would have put her out long ago. Oh, I'm lookin' for 'm. You tell the Kid if he comes in. Me? I'll cut his heart out. Leave it to me. Another whiskey, Tommy.»
A little unsteadily, but with watchful and brilliant eyes, Liz walked up the avenue. On the doorstep of a brick tenement a curly–haired child sat, puzzling over the convolutions of a tangled string. Liz flopped down beside her, with a crooked, shifting smile on her flushed face. But her eyes had grown clear and artless of a sudden.
«Let me show you how to make a cat's–cradle, kid,» she said, tucking her green silk skirt under her rusty shoes.
And while they sat there the lights were being turned on for the dance in the hall of the Small Hours Social Club. It was the bi–monthly dance, a dress affair in which the members took great pride and bestirred themselves huskily to further and adorn.
At 9 o'clock the President, Kid Mullaly, paced upon the floor with a lady on his arm. As the Loreley's was her hair golden. Her «yes» was softened to a «yah,» but its quality of assent was patent to the most Milesian ears. She stepped upon her own train and blushed, and—she smiled into the eyes of Kid Mullaly.
And then, as the two stood in the middle of the waxed floor, the thing happened to prevent which many lamps are burning nightly in many studies and libraries.
Out from the circle of spectators in the hall leaped Fate in a green silk skirt, under the nom de guerre of «Liz.» Her eyes were hard and blacker than jet. She did not scream or waver. Most unwomanly, she cried out one oath—the Kid's own favorite oath—and in his own deep voice; and then while the Small Hours Social Club went frantically to pieces, she made good her boast to Tommy, the waiter—made good as far as the length of her knife blade and the strength of her arm permitted.
And next came the primal instinct of self–preservation—or was it self–annihilation, the instinct that society has grafted on the natural branch?
Liz ran out and down the street swift and true as a woodcock flying through a grove of saplings at dusk.
And then followed the big city's biggest shame, its most ancient and rotten surviving canker, its pollution and disgrace, its blight and perversion, its forever infamy and guilt, fostered, unreproved and cherished, handed down from a long–ago century of the basest barbarity—the Hue and Cry. Nowhere but in the big cities does it survive, and here most of all, where the ultimate perfection of culture, citizenship and alleged superiority joins, bawling, in the chase.
They pursued—a shrieking mob of fathers, mothers, lovers and maidens—howling, yelling, calling, whistling, crying for blood. Well may the wolf in the big city stand outside the door. Well may his heart, the gentler, falter at the siege.
Knowing her way, and hungry for her surcease, she darted down the familiar ways until at last her feet struck the dull solidity of the rotting pier. And then it was but a few more panting steps—and good mother East River took Liz to her bosom, soothed her muddily but quickly, and settled in five minutes the problem that keeps lights burning o' nights in thousands of pastorates and colleges.
It's mighty funny what kind of dreams one has sometimes. Poets call them visions, but a vision is only a dream in blank verse. I dreamed the rest of this story.
I thought I was in the next world. I don't know how I got there; I suppose I had been riding on the Ninth avenue elevated or taking patent medicine or trying to pull Jim Jeffries's nose, or doing some such little injudicious stunt. But, anyhow, there I was, and there was a great crowd of us outside the courtroom where the judgments were going on. And every now and then a very beautiful and imposing court–officer angel would come outside the door and call another case.
While I was considering my own worldly sins and wondering whether there would be any use of my trying to prove an alibi by claiming that I lived in New Jersey, the bailiff angel came to the door and sang out:
«Case No. 99,852,743.»
Up stepped a plain–clothes man—there were lots of 'em there, dressed exactly like preachers and hustling us spirits around just like cops do on earth—and by the arm he dragged—whom, do you think? Why, Liz!
The court officer took her inside and closed the door. I went up to Mr. Fly–Cop and inquired about the case.
«A very sad one,» says he, laying the points of his manicured fingers together. «An utterly incorrigible girl. I am Special Terrestrial Officer the Reverend Jones. The case was assigned to me. The girl murdered her fiance and committed suicide. She had no defense. My report to the court relates the facts in detail, all of which are substantiated by reliable witnesses. The wages of sin is death. Praise the Lord.»
The court officer opened the door and stepped out.
«Poor girl,» said Special Terrestrial Officer the Reverend Jones, with a tear in his eye. «It was one of the saddest cases that I ever met with. Of course she was»—
«Discharged,» said the court officer. «Come here, Jonesy. First thing you know you'll be switched to the pot–pie squad. How would you like to be on the missionary force in the South Sea Islands—hey? Now, you quit making these false arrests, or you'll be transferred—see? The guilty party you've got to look for in this case is a red–haired, unshaven, untidy man, sitting by the window reading, in his stocking feet, while his children play in the streets. Get a move on you.»
Now, wasn't that a silly dream?
ACCORDING TO THEIR LIGHTS
Somewhere in the depths of the big city, where the unquiet dregs are forever being shaken together, young Murray and the Captain had met and become friends. Both were at the lowest ebb possible to their fortunes; both had fallen from at least an intermediate Heaven of respectability and importance, and both were typical products of the monstrous and peculiar social curriculum of their overweening and bumptious civic alma mater.
The captain was no longer a captain. One of those sudden moral cataclysms that sometimes sweep the city had hurled him from a high and profitable position in the Police Department, ripping off his badge and buttons and washing into the hands of his lawyers the solid pieces of real estate that his frugality had enabled him to accumulate. The passing of the flood left him low and dry. One month after his dishabilitation a saloon–keeper plucked him by the neck from his free–lunch counter as a tabby plucks a strange kitten from her nest, and cast him asphaltward. This seems low enough. But after that he acquired a pair of cloth top, button Congress gaiters and wrote complaining letters to the newspapers. And then he fought the attendant at the Municipal Lodging House who tried to give him a bath. When Murray first saw him he was holding the hand of an Italian woman who sold apples and garlic on Essex street, and quoting the words of a song book ballad.