'They are vile distractions, sir.'
'Would you not keep them for ornament?'
'Only in a privy for that's their natural region.'
'You are harsh, Master.'
'Can any sane man truly love women?'
Christopher Millfield laughed by way of reply. He liked Barnaby Gill and had learned much from watching the comedian in action on the stage, but he could not share his disgust with womanhood. Millfield aroused feminine interest wherever he went and he basked in it, viewing it as one of the few legitimate spoils of war for an actor.
Gill looked across at the handsome profile.
'May I put a question to you, sir?'
'Do not hesitate.'
'How came it that you knew Pomeroy V nor?'
'I knew but of it, Master Gill.'
'By what means?'
'The Admiral's Men.'
'Untalented rascals!'
'They had not your quality, 'tis true,' said the other tactfully, 'but they were able enough. And they knew where to earn the next meal when we were in the country. One of their number kept a list in his mind of every house in England where players were welcome.'
'That list was not too long to memorize,' said Gill ruefully. 'Far more doors are slammed in our faces than ever open to our entertainment.'
'Even so, sir. That is why I took some pains to con the list myself. Master Neville Pomeroy was on it along with others in the county of Hertfordshire.'
'And this friend of his in York?'
'Sir Clarence Marmion was also on that list. I think the Admiral's Men did play there during the last outbreak of the pestilence. But there are other houses where we may look for friendship, both here in this county and in Yorkshire itself.'
'We'll try your list some more.'
Gill's attention was diverted by a sight which made his nose wrinkle with distaste. Lawrence Firethorn burst into ribald laughter and leaned over to squeeze the shoulders of the mirthful Susan Becket. Their joviality set them apart from Westfield's Men who were still worrying about the kidnap of Richard Honeydew and the effect it would have on the standard of their work.
'Look at them!' snorted Gill.
'Like turtle doves,' said Millfield tolerantly.
'Pigs in a trough, sir! When they have finished gobbling their own discourse, they will roll together in the slime and he will tickle the teats of that old sow.'
'Mistress Becket is neither so low nor beastly.'
'She is a monster. Put her on the stage and you would need three boys to play her, stuffed together in the one dress like rabbits in a sack. While Martin Yeo would personate her, John Tallis would serve in the office of one buttock and Stephen Judd t'other. It is a pity that Dick Honeydew is not here or he could take on the role of her left breast and wear that gross beauty spot.'
'For shame, Master Gill!'
'I speak but as I feel.'
'Her tavern gave us good food and rest.'
'So would any other where we paid.'
'I like the lady.'
'I took you for a man of finer taste.'
Millfield looked at Firethorn and his companion.
'She keeps him much amused.'
'Any woman can do that.'
'Does his wife raise no objection?'
'A hundred by the minute, sir, but she is back in Shoreditch and he is here. Were Margery to view this scene before us, she would pluck off his stones and wear them as earrings to ward off any other women. Alas, she is not here. She defends his castle in London.'
'Stoutly?'
'As any army under siege. I pity the man who tries to take her fortress, Master Millfield. Though he bring the biggest battering ram in Christendom, it will not suffice. Margery will drown him in boiling oil.'
'Out, you rogue! Away, you rascal, you hedge-bird, you pannier-man's whelp! Do not wave your paltry reckoning at me, you pimp, you dog's-head, you trendle-tail! Marry, look off, sir! Go, snuff after some other prey! Poxed already you are, I can tell by that sheep-biting face, and I hope to see you plagued one day, you snotty nose!'
'I come but for my due, good madam.'
'Hold forth thy mangy head and I will give it thee with this broom! Or bend over, and I will sink a foot of my handle where'll you'll feel it most and remember me as a tidy housewife.'
'Calm down, Mistress Firethorn.'
'Only when your greasy face has gone!'
The tailor was a small, sweating, diffident man who was no match for Margery Firethorn. When he came to present his bill to her, he walked into the same hurricane as his predecessors. Backing away from the threshold of the house in Shoreditch, he summoned up enough courage to issue a threat of legal action.
'I have the law upon my side, Mistress.'
'And you stay, I'll gum your silks with water!'
'Pay up now to stave off a worser fate.'
'Do you want that pate split open with my broom?'
'I'd bring an action of battery against you.' Your widow might for you'd not live to do so.' I am not married,' he confessed.
'What woman would take you?' she jeered. 'I can see it in your visage, you insolent slave! You're a miserable tailor's remnant of a man, a pair of breeches without a codpiece, a dunghill cock with no cause to crow or fright any hen from her modesty. Away, you gelding!'
'Leave off, you shrew!'
'Then go before I snip with your scissors!'
"Tis a cucking-stool you need,' he said. 'That's what they use for ducking scolds.'
'Yaaaaaaaa!'
Margery ran at him with her broom at the ready and he took to his heels and ran for his life. As he raced off down the road, she yelled some more abuse at him to spur him on then relaxed and went back into the house. The tailor was the fifth creditor in the last two days and he came on the heels of a diaper, a hat-maker, a cobbler and a goldsmith. All presented her with reckonings that she simply could not meet, large bills recklessly run up by Lawrence Firethorn in the knowledge that he would be leaving London soon and therefore able to outrun his debts. Margery was left in the line of fire. Five had been dispatched but all five would return again with the law to strengthen their arm. And there would be more. Her husband was nothing if not extravagant. On the eve of his departure, he had run up debts all over London.
Pulsating with fury, she stormed upstairs to their bedchamber and grabbed the cloak. It was the answer to all her problems. Not only would its sale bring in enough money to pay off all outstanding accounts, it would be a severe blow to Firethorn. The second-best cloak was much more than a mere garment. It was a due reward for his artistic endeavour, a seal of approval from his patron. The actor had worn it onstage several times and it was a glittering storehouse of theatrical memories. Though he had left it for her to sell, he had banked on her keeping it for reasons of pride and nostalgia. Those reasons now battled with feelings of outrage.
Margery was betrayed. Struggling along without him was a trial enough but he had made her predicament much more awkward. It was typical of him and she cursed herself for not foreseeing this eventuality. No word had yet come from Firethorn and, when it did, she was sure that no money would accompany it. She was on her own with mouths to feed and tradesmen to stave off.
She fingered the cloak with swirling anger. It would serve him right if he came back to find it gone. Margery crossed to the door with the garment over her arm then stopped in her tracks. Conscience troubled her. She would be meeting one betrayal with a far greater one. Whatever vices her husband had, there was one overriding virtue that drew her to him. He loved the theatre. With a passion that amounted to an obsession, he adored every aspect of his chosen profession and savoured every prize and memento that had come his way. Even at the height of her rage, she did not have the heart to stab Firethorn in the back through the silk of his second-best cloak.
Shaking with frustration, she threw it aside. 'Doll!' she yelled.