“Do you think they were in love?” I ask Roland, showing him the photo.
He frowns, running a thumb over the worn edges.
“Love is simple, Miss Bishop. Crew isn’t.” His eyes are proud and sad at the same time, and I remember that underneath the sleeves of his sweater, he bears the scars as well. Three even lines.
“How so?” I press.
“Love breaks,” he says. “The bond between Crew doesn’t. It has love in it, though, and transparency. Being Crew with someone means being exposed, letting them read you—your hopes and wants and thoughts and fears. It means trusting them so much that you’re not only willing to put your life in their hands, but to take their life into yours. It’s a heavy burden to bear,” he says, handing the picture back, “but Crew is worth it.”
ELEVEN
I TAKE A LONG, cold shower.
Wesley’s touch lingers on my skin. His music echoes through my head. I remind myself as I scrub my skin that we are both liars and con artists. That we will always have secrets, some that bind us and some that cut between us, slicing us into pieces. That we will never see each other whole…until we become Crew. But I don’t know if I want to be Crew with Wesley. I don’t know if I’m willing to let him see all the pieces.
I try to put his promise from my mind. It doesn’t matter right now. A world stands between me and Crew: a world of nightmares and trauma and Agatha. How do I tell Wesley that I might not make it to the ceremony, let alone the naming? Crew are selected. They are assessed. They are found fit.
If Agatha got her hands on my mind right now, I would never be found fit. Which means I need to keep her from getting her hands on me until I find a way to fix whatever’s happening.
I have to hope there is a way to fix it.
A way that doesn’t involve letting the Archive inside my head to cut out memories. If I let them in, they’ll see the damage Owen did. The damage he continues to do.
I snap the water off and begin to get dressed. The lockers have emptied out by now, but as I slip the key back over my head, shivering a little when the metal comes to rest against my sternum, Safia rounds the corner, focused on the braid she’s weaving with her hair. Until she sees me. Her eyes narrow even more than usual.
“What’s that?” she asks as I pull my shirt on over the key.
“A key,” I say as casually as I can.
“Obviously,” she says, finishing her braid and crossing her arms. “Did he give that to you?”
I frown. “Who?”
“Wesley.” Her voice tightens a fraction when she says his name. “Is it his?”
My hand goes to the metal through my shirt. I could say yes. “No.”
“They look the same,” she presses.
They don’t, actually. Wesley’s is darker and made of a different metal. “It’s just a stupid trinket,” I say. “A good luck charm.” I hold her gaze, waiting to see if she buys it. She doesn’t seem convinced. “I read it in some book when I was a kid. This girl wore a key around her neck, and wherever she went, the doors all opened for her. Maybe Wesley read the same book. Or maybe he kept losing his keys so he put them around his neck. Ask him yourself,” I say, because I can tell she won’t.
Safia shrugs. “Whatever,” she says, tugging on one of her earrings. They look like real gold. “If you guys want to wear ratty old keys, that’s your choice. Try not to get tetanus.” With that, she turns and strolls out.
My stomach growls, and I’m about to follow her when a sliver of metal catches my eye from beneath the bench. I kneel down and find a necklace: a round silver pendant on a simple chain. The pendant has been rubbed so much that the ornate B etched into its front is barely visible. I weigh it in my palm, knowing I should just leave it and hope whoever it belongs to comes looking for it. It’s not my problem. But the level of wear on the pendant suggests that it’s important to someone. It also means there’s a good chance a memory or two has been worn in to it. Object memories are fickle—the smaller the object, the harder for memories to stick—but they’re usually imprinted by either repetition or strong emotion, and this kind of token sees a fair amount of both. It can’t hurt to look.
I glance around the locker room, making sure I’m alone before I pocket my ring. Instantly, the air in the room changes—doesn’t thicken or thin, exactly, but shifts—my senses sharpening without the metal buffer. Curling my fingers over the pendant, I can feel the subtle hum of memories tickling my palm, and I close my eyes and reach—not with my skin, but with the thing beneath it. My hand goes numb as I catch hold of the thread, and the darkness behind my eyes dissolves into light and shadow and, finally, into memory.
A girl—tall, thin, blond, classically pretty—sits in a parked car in the dark, face wet from crying, with one hand wrapped, knuckles tight, on the wheel and the other clutching the pendant at her throat. As I roll time back, the memory skips from the car to a marble kitchen counter. This time, the girl is on one side of the counter clutching her pendant, and a woman old enough to be her mother is on the other, gripping a wineglass. I let the memory roll forward, and a moment later the girl shouts something—her words nothing more than static—and the woman pitches the wineglass at the girl’s head. The girl cuts to the side and the glass strikes the cabinet behind her and shatters, and I swear I can feel the anger and the hurt and the sadness worn into the surface of the pendant.
I’m about to rewind further when the sharp slam of the locker room door causes me to drop the thread. I blink, pulling myself out of the past just as Amber rounds the corner. I frown and straighten, slipping the necklace into my shirt pocket and sliding my ring back on as she says, “There you are! We were beginning to wonder if you’d snuck out a back door.”
And before I can ask who we is, she leads me out into the lobby, where Wes and Cash and Gavin are waiting.
“I’m sorry,” I say. “I didn’t realize anyone was waiting for me.”
“Wouldn’t be much of an ambassador—” starts Cash, but Wes cuts in.
“Thought you should probably know where they keep the food.”
“The pizza yesterday was my treat,” adds Amber. “First day tradition. But the rest of the time we have to make do.”
Gavin chuckles, and a few minutes later, once they’ve ushered me across the lawn to the cafeteria—or the dining hall, as Hyde prefers to call it—I understand why.
“Make do”? Hyde has one of the most extensive kitchens I’ve ever seen. Five stations, each with a course—each course with a regular, healthy, vegetarian, and vegan option. Appetizer through dessert, and a station dedicated to drinks. The only major failing, I realize as another yawn escapes, is the lack of soda. The lack, in fact, of anything caffeinated. My body’s beginning to slow, and as I load up my tray I can only hope there’s some kind of black market caffeine business happening on campus. I ask Cash as much while we’re waiting to check out.
“Alas,” he says, “Hyde School is technically caffeine-free.”
“What about the coffees you brought yesterday?”
“Swiped them from the teacher’s lounge. Don’t tell.”
Looks like I’m on my own. It’s not so bad, I tell myself. I’ll be fine. I just need to eat something. And eating helps, for a little while, but half an hour later, when our trays are stacked on the Alchemist’s outstretched arms and I’m wading through a chapter of precalc, Owen’s voice begins to whisper in my head. It hums. The song reaches up from the back of my mind, out of my nightmares and into my day, wrapping its arms around me in an effort to drag me down into the dark. I close my eyes to clear it, but my head feels heavy, Owen’s voice twisting the melody into words and—