“He kissed me,” I clarify, “and it ended right there.”
Amber waves a hand. “I don’t care about the details. The point is, I don’t want you playing games with Wes. He’s been through a lot, and I think he’s finally in a good place, and—”
“And you don’t think I’m good for him.”
The words hit like a blow, even though they’re mine. Because they’re true. I’m not good for him. At least, I haven’t been. I want to be. But how can I? I feel like a bomb waiting to go off; I don’t want him holding on to me when it does. But he won’t let go, and I can’t seem to, either.
“I didn’t say that,” says Amber. “It’s just…Gavin and Saf and Cash and I, we work really hard to keep him in that good place. He may live in a big house on a hill, but we’re his family. I don’t know how much you know about his life before you came into it, but he’s been hurt by a fair number of people. He may have put himself back together decently, but he’s not all the way there. And it’s obvious he cares about you a lot; so all I’m saying is, don’t hurt him, okay? Because it’s obvious you’re going through some things, too, and I want you to be really sure before you let him fall any harder for you. Be sure that you’re good for him.”
She opens the door. “And if you’re not, don’t let him fall at all.”
Mr. Lowell’s out, and the sub in Government spends the first half of the period reading everything Lowell’s already taught us straight off a handout, then decides that revolution is too heavy for a Monday and mercifully lets us go early. There’s a text from Mom saying she’s going to be late picking me up—I’m hoping I can use it as leverage when the topic of transport comes up again tomorrow morning—which leaves me with half an hour or so to kill. I send a third request to the Archive, then wander out onto the quad to wait for the reply.
Even though the bell hasn’t rung yet, a dozen gold-striped seniors are scattered around the quad assembling tents. I spot Wesley at the northern edge of the green, hammering steel rods into the grass.
Not the Wesley who hunts Histories, or the one who lies in bed with me, drowning my nightmares with his noise, but one who laughs and smiles and looks happy. It’s not that he doesn’t look that way when we’re together, but there’s an edge to him when I’m around. The strain of scars and shared secrets and worry shows in his face even when he smiles, even when he sleeps. I weigh him down.
A bone-deep sadness spreads through me as I realize something.
Wesley may be worth it, worth loving and worth letting in, but I can’t do it. I won’t. Not as long as there’s a target on my back. I can’t drag him into this mess. Amber was right. The last time he got pulled into my fight, he lost a day of his life. I won’t let him lose more, not because of me.
I retreat through campus, weaving from one path to another, the urge to move stronger than the desire to go anywhere in particular. Restless bones, that’s what Ben used to call it. I have never been able to sit still. Maybe Eric’s right, and being a part of the Archive isn’t just a job. Maybe it’s in my bones. Maybe I couldn’t be normal, even if I had a chance to try. Normal is like stillness: uncomfortable, unnatural. So I walk. And as I walk, a word scratches itself onto the paper in my palm.
Denied.
The answer hits like a dull blow as my feet carry me down the path. I don’t even realize I’ve heading for the Wellness Center until I look up and see the stone mantel. I pass through the lockers and into the massive gym.
With everyone either still in class or setting up for Fall Fest, the gym is a hollow white hull—similar to a Returns room, but vast and walled and full of equipment. It’s strange being in here alone, and yet it’s peaceful. Like the Archive used to be. The quiet here might not be as reverent, but it’s all-encompassing, and it reminds me of a time years ago when I was normal—or closer to it—and running was the nearest thing I had to peace.
When I ran, I lost myself.
I have been afraid of losing myself lately. Afraid of pushing too hard. Afraid of letting my guard down. Of letting go.
Now I step onto the track with a kind of abandon and start to run. At first it’s a jog, but then I go faster and faster, until I break into a full sprint, giving it everything I have. I haven’t run like this in days, weeks, years.
I run until the world blurs. Until I can’t breathe, can’t hear, can’t think. Until Owen is gone and the voids are gone and Agatha is gone and the Archive is gone and Wesley is gone and there is nothing but the sound of my shoes on the track and my pulse in my ears. I run until all my fears—the fear of losing my mind, my memories, my life—have bled away.
Time begins to slip, and for once, I don’t try to catch it.
I run until I feel like myself again.
I run until I find peace.
When my shoes finally slow and stop, I bend over my knees, breathing shallowly. Then I pace slowly in a circle, waiting for my heart to slow, my eyes closed in the middle of the empty gym. I focus on the sound of my pulse.
“Miss Bishop?” calls a gruff voice, and I drag my eyes open to find the gym teacher—the one who oversees the sparring ring, I think his name is Metz—trotting over with a clipboard.
“Sorry,” I say. “Am I not supposed to be here?”
Coach Metz waves the clipboard. “Whatever. None of the sports have started yet. Speaking of, you’re quite the runner. Have you considered track?” I shake my head. “You should,” he says. “You’re a natural.”
“Not sure I have the time, sir.”
“Gotta make time for the important things, Bishop. Tryouts are next week. Can I at least put your name down?”
I hesitate. Where will I be next week? Hunting Histories in the Narrows, or strapped to a chair having my memories carved out? What if next week this is all a bad dream and I’m alive and still me?
“We could use someone like you,” he adds.
“Okay,” I say. “Sure. Count me in.” It’s so small, but it’s something to cling to. A sliver of normal.
Coach Metz passes me the clipboard, and I write out my name and hand it back. He offers me a gruff nod of approval as he reads my name and makes a few notes in the margin.
“Good, good,” he grumbles. “Hyde honor at stake, need the speed…” And then he trots away, disappearing through a door at the other end of the gym marked OFFICES.
I sink onto the mats to stretch out. My muscles ache from the sudden burst of activity, but it’s a welcome pain. I lie down on the mat, going through my stretches; then I stare up at the ceiling and breathe, wondering: If the Archive came for me, would I run? Will it come to that?
My theory is getting thinner by the day. Everything pointed to a setup until Cash. Was the attack on him a mistake? A message? A punishment? Did they miss on purpose? Or were they trying to interrupt the pattern and weaken the theory? Questions trickle through me, and at the heart of all the hows and whys, the biggest question is who.
You’re getting tangled, Da would say. Most problems are simple at their center. You just gotta find the center.
What’s at the center of this problem?
The key.
You don’t technically have to be Crew to make a void—I wasn’t—so long as you have the right kind of key. But Crew are the only ones issued those keys, so the person making the voids is either Crew or someone who’s been given a Crew key. Roland gave me Da’s, so I know it’s possible. Would a Librarian really smuggle one out? Give it to a Keeper to bury the trail of guilt? What if Owen had other allies in the Archive besides Carmen? Could one of them be trying to get revenge? Librarians are Histories; can they be read like Histories? Is there some kind of postscript that records the time they’ve been in the service of the Archive after their lives have been compiled?