“We can only hope,” Bayne said, trying to hobble faster.
When they finally cleared the temple mouth, Bayne removed his arm from Syrus’s shoulders and draped himself inelegantly over a boulder.
Syrus waited for only a moment, looking back toward the dark entrance. He shifted from foot to foot before he finally opened his mouth.
Bayne held up his hand. “Take my sleeve.”
Syrus grasped his magic-stained lace cuff.
And then everything—heart, breath, blood, thought—was ripped apart.
CHAPTER 17
Two days after tea at The Menagerie a package arrives. I tear it open with unladylike zeal, praying to Mother Curie (though I know he wouldn’t like it) that it’s a gift, a letter, something from Hal.
I hide my face from Aunt Minta when I discover two books, two very unmagical books, sent from the Chatelaine of Virulen Manor to “aid in schooling the Mistress’s new Companion.” Aunt Minta picks up both The Handbook of Excellent Service and A Primer for Ladies’ Companions Throughout the Realm and Beyond, hugging them to her bosom as if they were the most precious of articles.
Then she drops them and embraces me until I’m gasping.
“I know I’ve said it so many times, my dear, but I’m so proud of you!” she whispers into my ear. I think my face must be turning blue from suffocation.
The carriage comes not long after the books. Aunt Minta is as tearful and fluttery over my departure as if I’m about to be wed. Father went to the Museum before daybreak, trying to beat the Carnival traffic, he’d said. With all the fluttering about, I’ve not once had a chance to speak to him about the Museum, and I admit after his forbidding air regarding Hal that I was afraid to try. I have a very disheartening feeling that Father wouldn’t tell me the truth about him anyway.
“Oh, my darling, have a wonderful time,” Aunt Minta keeps saying. “Write to us as soon as you can!”
I nod, sure if I open my mouth, I’ll vomit. I stare over Aunt Minta’s shoulder at the painting of Athena as my aunt squeezes all my remaining breath out of me in a last embrace. Looking at the princess this time, I see something different. Athena’s hand gleams faintly, as mine does when I do magic. I wonder how she learned and what she learned and why she allowed herself to be executed. Why did she not use her power to free herself? Perhaps there was more to it than anyone knows. I’m beginning to believe that of pretty much everything.
Aunt Minta finally releases me and shoos me toward the mythwork carriage outside. I climb in, pretending I don’t see all the neighbors peering out from behind their curtains or even watching from their covered porches. Our servants stand along the walkway, the maids dabbing their eyes with their aprons and the gardener removing his cap as I pass. I feel chagrined. I’m quite certain I’ve never paid this much attention to them.
The driving wight takes my carpet bag and helps me into the cavernous carriage. I sit straight against the red damask seats, clutching the reticule (in which Piskel snores among the magic books) and listening as my trunk is fastened behind. The carriage doesn’t sink as the driving wight climbs back into the box; wights are evidently weightless. Soon the unicorns march down the cobbled avenue.
For a blinding flash of a moment, I consider leaping out of the carriage and running away. But to where?
I sink back into the cushions. Surely I am the only girl to face these kinds of problems. And then I think of Athena and realize that I am not.
The carriage pulls into the Virulen’s Uptown villa just in time to avoid the first of many evening Carnival parades. A jostling, brightly-festooned crowd follows Saint Galileo from his chapel past all the Great Families’ houses to Uptown Square where the saints are housed during Carnival Week. Floats depicting the planets and stars are followed by acrobats in gold and silver trailing banners like streaking comets.
I don’t have more than a moment to watch, though, because a bevy of servants whisk me away from the carriage and up into the house. They pull me through the foyer and up the stairs before I can do much more than wonder how vast Virulen Manor must be, if this echoing cavern is really just the family’s in-town residence. The maids direct me to a chamber where they very efficiently begin stripping my clothes from me against my protests. Soon, I’m stuffed naked and shivering into a bronze tub, scrubbed until I think my skin will fall off, and then oiled until my eyes sting with the scent of orange blossom.
When they get me into chemise and corset and the hair iron is hot, the door bursts open. Mistress Lucy is in an emerald eversilk dressing gown, her hair up in curling papers, her face devoid of cosmetics. It’s a bit startling, but her curving smile snaps me out of gaping at her dishabille.
The maids make me face forward again. Lucy dismisses them with a wave of her hand.
“Tonight’s the night, my little witch,” she says, putting her hands on my shoulders. She grins at me in the mirror.
I nod, because I don’t know what else to say.
“Master Grimgorn will be there, and you must ensure his favor.” She squeezes my shoulders. Her cold hands feel a bit like claws.
My mind and heart race each other. I’m not even fully laced into my corset and my breath is so short I feel like I might faint. The Guide mentioned a charm for increasing affection, but many of the ingredients were impossible to procure, especially with Aunt Minta watching me like a hawk wherever we went. I’ll just have to make substitutions and hope for the best. This notion does not please me at all.
There’s a large vase of hothouse roses on the dressing table. I pull one free and sift through the petals until I find a perfectly undamaged one.
“What are you doing?” she asks.
“What you just asked me to do.” I force a smile at her in the mirror.
I hold up the petal in my palm. “Kiss this,” I say, “and this will act as a seal on the charm to win his affections.”
The warm velvet of her lips presses my palm. A tiny spark shivers up my wrist. She looks at me quizzically.
“Place this in the palm of your left glove. It’ll work. You’ll see.” I entrust the rose petal to her with far more confidence than I actually feel. I’ve no idea whether what I’m doing is right or not. What if it doesn’t work? Will she have me sent to the Waste on principle?
“It had better,” she says.
She flounces back to her own rooms without further comment, and the maids descend again upon my hair. I look into my own eyes and I don’t like the haunted look I see there.
Hours later, steamed, plucked, scented, coiffed, and trussed like some sort of high-class chicken, I critique myself in the mirror. The maids fuss here and there over a stray curl or a ribboned sleeve, but I’m as perfect as they can make me. I hardly recognize myself. My hair glitters with everpowder and is so tall I’ve no idea how I’ll get through the door. I feel guilty and repulsed to know that sylphid bones have been dusted all over my hair, but there’s not much to be done about it. I hope Piskel will forgive me.
Silver feathers swirl across my silk skirts. The Strix mask we saw in the shop is finished, festooned with onyxes and owl feathers. Part of me feels ridiculous, but another part cannot believe that this person I see is truly me. I hardly recognize myself in this deadly dangerous gown with its beguiling mask. Would anyone else? Would Hal? I lift my chin. He hasn’t seen fit to contact me. So much for his reassurance that he would come find me. Perhaps tonight I will meet my future husband.
I don’t like the hitch in my heart as I think of that possibility.
The maids leave me at the foot of the staircase, and I’m looking around bemusedly at the gold-framed portraits of Virulens gone by when I hear a flutter at the top of the stairs. Lucy comes down and her Phoenix-feather gown is so blue it nearly blinds me.