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I stood holding the rein of my horse and looking at the small field of graves and could not quite figure what it was. Then again it came, and I knew. I felt a distinct presence in the churchyard. I stood so still I heard the blood thundering in my veins. It wasn't human, this presence! It had no scent. And there were no human thoughts coming from it. Rather it seemed veiled and defended and it knew I was here. It was watching me. Could I be imagining this? I stood listening, looking. A scattering of gray tombstones poked through the snow. And far away stood a row of old crypts, larger, ornamented, but just as ruined as the stones. It seemed the presence lingered somewhere near the crypts, and then I felt it distinctly as it moved towards the enclosing trees.

"Who are you! " I demanded. I heard my voice like a knife. "Answer me! " I called out even louder. I felt a great tumult in it, this presence, and I was certain that it was moving away very rapidly. I dashed across the churchyard after it, and I could feel it receding. Yet I saw nothing in the barren forest. And I realized I was stronger than it, and that it had been afraid of me! Well, fancy that. Afraid of me. And I had no idea whether or not it was corporeal, vampire the same as I was, or something without a body.

"Well, one thing is sure, " I said. "You're a coward! " Tingling in the air. The forest seemed to breathe for an instant. A sense of my own might came over me that had been brewing all along. I was in fear of nothing. Not the church, not the dark, not the worms swarming over the corpses in my dungeon. Not even this strange eerie force that had retreated into the forest, and seemed to be near at hand again. Not even of men. I was an extraordinary fiend! If I'd been sitting on the steps of hell with my elbows on my knees and the devil had said, "Lestat, come, choose the form of the fiend you wish to be to roam the earth, " how could I have chosen a better fiend that what I was? And it seemed suddenly that suffering was an idea I'd known in another existence and would never know again. I can't help but laugh now when I think of that first night, especially of that particular moment.

The next night I went tearing into Paris with as much gold as I could carry. The sun had just sunk beneath the horizon when I opened my eyes, and a clear azure light still emanated from the sky as I mounted and rode off to the city. I was starving. And as luck would have it, I was attacked by a cutthroat before I ever reached the city walls. He came thundering out of the woods, pistol blazing, and I actually saw the ball leave the barrel of the gun and go past me as I leapt off my horse and went at him. He was a powerful man, and I was astonished at how much I enjoyed his cursing and struggling. The vicious servant I'd taken last night had been old. This was a hard young body. Even the roughness of his badly shaven beard tantalized me, and I loved the strength in his hands as he struck at me. But it was no sport. He froze as I sank my teeth into the artery, and when the blood came it was pure voluptuousness. In fact, it was so exquisite that I forgot completely about drawing away before the heart stopped. We were on our knees in the snow together, and it was a wallop, the life going into me with the blood. I couldn't move for a long moment. Hmmm, broke the rules already, I thought. Am I supposed to die now?

Doesn't look like that is going to happen. Just this rolling delirium. And the poor dead bastard in my arms who would have blown my face off with his pistol if I had let him. I kept staring at the darkening sky, at the great spangled mass of shadows ahead that was Paris. And there was only this warmth after, and obviously increasing strength. So far so good. I climbed to my feet and wiped my lips. Then I pitched the body as far as I could across the unbroken snow. I was more powerful than ever. And for a little while I stood there, feeling gluttonous and murderous, just wanting to kill again so this ecstasy would go on forever. But I couldn't have drunk any more blood, and gradually I grew calm and changed somewhat. A desolate feeling came over me. An aloneness as though the thief had been a friend to me or kin to me and had deserted me. I couldn't understand it, except that the drinking had been so intimate. His scent was on me now, and I sort of liked it. But there he lay yards away on the crumpled crust of the snow, hands and face looking gray under the rising moon. Hell, the son of a bitch was going to kill me, wasn't he? Within an hour I had found a capable attorney, name of Pierre Roget, at his home in the Marais, an ambitious young man with a mind that was completely open to me. Greedy, clever, conscientious. Exactly what I wanted.

Not only could I read his thoughts when he wasn't talking, but he believed everything I told him. He was most eager to be a service to the husband of an heiress from Saint-Domingue. And certainly he would put out all the candles, save one, if my eyes were still hurting from tropical fever. As for my fortune in gems, he dealt with the most reputable jewelers. Bank accounts and letters of exchange for my family in the Auvergne-yes, immediately. This was easier than playing Lelio. But I was having a hell of a time concentrating. Everything was a distraction-the smoky flame of the candle on the brass inkstand, the gilded pattern of the Chinese wallpaper, and Monsieur Roget's amazing little face, with its eyes glistening behind tiny octagonal spectacles. His teeth kept making me think of clavier keys. Ordinary objects in the room appeared to dance. A chest stared at me with its brass knobs for eyes. And a woman singing in an upstairs room over the low rumble of a stove seemed to be saying something in a low and vibrant secret language, such as Come to me. But it was going to be this way forever apparently, and I had to get myself in hand. Money must be sent by courier this very night to my father and my brothers, and to Nicolas de Lenfent, a musician with Renaud's House of Thesbians, who was to be told only that the wealth had come from his friend Lestat de Lioncourt. It was Lestat de Lioncourt's wish that Nicolas de Lenfent move at once to a decent flat on the St. Louis or some other proper place, and Roget should, of course, assist in this, and thereafter Nicolas de Lenfent should study the violin. Roget should buy for Nicolas de Lenfent the best available violin, a Stradivarius. And finally a separate letter was to be written to my mother, the Marquise Gabrielle de Lioncourt, in Italian, so that no one else could read it, and a special purse was to be sent to her. If she could undertake a journey to southern Italy, the place where she'd been born, maybe she could stop the course of her consumption. It made me positively dizzy to think of her with the freedom to escape. I wondered what she would think about it. For a long moment I didn't hear anything Roget said. I was picturing her dressed for once in her life as the marquise she was, and riding out of the gates of our castle in her own coach and six. And then I remembered her ravaged face and heard the cough in her lungs as if she were here with me.