“Frank, I’m fine,” Judy said, but the court security officer was already looking in the direction of Frank’s glare.
“Move it along, Mr. Coluzzi,” the guard called out. “We don’t want any more trouble from you.”
“Tell him that!” Coluzzi bellowed, drawing Judge Maniloff’s gavel.
Crak! it sounded, loud. “Clear this courtroom right now, Mr. Coluzzi, or I’ll find you in contempt! Bailiff?”
The bailiff hurried to the gallery, but two other security guards were already in motion, escorting Coluzzi and Fat Jimmy to the door.
Frank was looking at the guard. “You’ll follow her out, right?”
“Fine,” he said reluctantly, but Judy knew she’d lose him outside the courtroom. She’d been watching her back since she left the office and she’d be doing it until the day of trial. “Better get going,” she told Frank.
“Okay.” He nodded quickly and slipped an arm around Pigeon Tony. “I’ll call you, and thanks for everything today, tiger.”
“Grrrr.” Judy managed a smile, wondering when she’d see him again as the guards led them away.
BOOK FOUR
By 1870 . . . these somewhat self-contained communities were becoming the neighborhoods, or “urban villages,” of modern America. The Italian case had also attained a peculiar sociological anomaly that tends to mark most ethnic groups in complex societies. With its own internal order and partial autonomy, the Italian community in South Philadelphia formed a distinctive and separate social system in itself.
—RICHARD JULIANI,
Building Little Italy: Philadelphia’s Italians Before Mass Migration (1998)
Fratelli, flagelli. The wrath of brothers is the wrath of devils.
—Italian proverb
Chapter 28
Tony caught the look on Judy’s pretty face when she said goodbye to Frank, and he felt sad for them, lovers who were not yet lovers, because it was a feeling Tony knew well, its memory deep in his bones. He wanted to tell Frank to go back to her, to run to her, that he would be fine, but there was no time to speak, for the guards had clamped their hands on his arms and were rushing him along roughly, as police do even when there is no need. Frankie, who walked behind, where Tony couldn’t see him, had said that the police were working for them this time, helping them stay safe, but Tony had seen things in the world that his grandson never would, and he knew that in the end, police never worked for anyone but themselves, and that they were rough with others because they enjoyed the sensation it gave them, as the Coluzzis welcomed the pain they inflicted, their depravity so deep it coursed even in the blood.
The police hustled Tony down a plain white corridor, then another, which took a sharp right turn, then a sharp left, then down a flight of white stairs, bearing Tony along so swiftly he soon grew dizzy with the twists and turns, with no landmarks to orient him, or to make one corridor different from the next, and he became a field mouse in a pasture, vulnerable and confused. Fear grew in his stomach, anxiety rising from the police taking him away, and his knees grew weak and his palms damp, as they had so long ago, when his terror had been so real, but then it hadn’t been for him but for Silvana.
It was the second Sunday in August, he could not forget it because nobody could; the second Sunday in August was the Torneo della Cavalieri, a festival in Mascoli since the fifteenth century. Although Tony had heard of the Torneo, he had never been to see it, for he had no time for such diversions and would not have been at this one except that he knew Silvana would be there. In the two months since they had shared their kiss wrapped in a kerchief, they had in fact kissed, as man and woman, seeing each other on a regular basis.
Tony would pack a basket of hard cheese, olives, fresh-baked bread, and juicy tomatoes, with a bottle of home-pressed chianti, and Silvana would meet him, leaving her house with some excuse, but only during the daytime. They would spread out a blanket in the hills around Mascoli, and while their ponies grazed, talk the entire afternoon, confiding in each other, kissing and laughing, and Tony grew to love the hills of Marche as his own, almost as much as he loved Silvana. In these talks, Silvana told Tony that she also saw Coluzzi on some nights for dinner, and that she appreciated the Fascist’s strength and cunning in ways Tony could not comprehend, so that in time the three of them—Tony, Silvana, and Coluzzi—were dancing that delicate tango that occurs when a woman is trying to make up her mind between two suitors.
It drove Tony crazy, waiting for Silvana to make her choice, but he knew it was folly to force her hand. His mother, being Abruzzese, had a proverb for everything, and counseled him to wait: Amor regge il suo regno senza spada, Love rules his kingdom without a sword. And his father, who knew more about politics, worried that the third leg of the triangle was a Blackshirt, and had a proverb of his own: I guai vengono senza chiamarli, Sorrow comes unsent for. He told Tony to forget Silvana, but Tony could not, and so he waited, withholding even the marriage proposal that was on his lips with each kiss, sensing that it was too soon. Then the Torneo was upon them, and Tony knew Silvana would be there with her family and so he journeyed to Mascoli to catch sight of her, and perhaps to meet them, to press his suit.
It was sunny that day and Tony arrived in Mascoli to find even its outskirts thick with revelers, honking automobiles, drunks on bicycles, and neighing horses. He tied up his pony for fear the beast would be terrified and made his way on foot through the raucous crowd to the Piazza Santa Giustina, where the opening ceremonies were held and the procession through the streets would begin. But Tony was late getting there, having spent much of the route trying to find Silvana, so he joined the procession at its raggedy end. Ahead of him, to clarion blasts and noisy drumbeats, strode the town mayor, in the role of Magnifico Messere, then the high magistracy, represented by local officials, all in colorful fifteenth-century costumes, surrounded by hundreds of costumed people and actors, all making merry. Groups of Blackshirts paraded in dress uniforms, laughing at the townspeople, delighted at the celebration encouraging Italian pride, but Tony didn’t see Angelo Coluzzi among them.
Tony started out following the procession but soon found himself borne along by it, his head swiveling this way and that to find Silvana, which he could see was a fool’s errand. The processants were in makeup and costumed as medieval knights, pageboys, ladies-in-waiting, and captains, and Tony had no idea if Silvana was masked as well. On all sides men juggled burning torches, swallowed swords, twirled flags, and performed magic tricks of every sort. Trained dogs did somersaults on a man’s shoulders, to the delight of Fascist schoolchildren dressed in little black shirts, black shorts, and black kerchiefs. The procession swept down one street, then turned at the next, then made a sharp right, and Tony was shoved from behind by a drunken knight. Tony picked up his pace, ignoring his flat feet, anxious lest the Torneo be over by the time he got there and Silvana gone.
The procession ended in the Piazza del Popolo, but even in its huge expanse Tony could barely breathe for all the people. He looked everywhere, but Silvana and her family had to be lost in the crowd, which was roaring for the tournament to begin. At the center of the piazza stood the Saracen, the false knight and horse constructed on a wooden frame and covered with rich velvet fabric, and standing to the side, representing the six ancient sections of Mascoli, were six knights on horseback, their costumed horses pawing the cobblestones and gnawing their bits to begin the contest. Each knight would have three runs at the Saracen, to try to hit the center of his shield with their lances in the shortest possible time. Tony knew there was a prize, the Palio del Torneo, but he didn’t care. He wanted to see Silvana, but it seemed he couldn’t stand in one place long enough to look around, there was so much pushing and shoving.