Westfield’s Men underwent a complete transformation. In less than a week, their fortunes improved out of all recognition. The loan was secured and the relevant document signed, a site was located, a builder hired and detailed plans drawn up for the immediate construction of The Angel theatre. Jaded actors who feared extinction now became proud members of a company which would have what they believed would be its own permanent home in Bankside. It was the stuff of dreams.
Anne Hendrik was instrumental in finding the site for them. On Sunday morning, therefore, after they had attended church together, Nicholas Bracewell escorted her to the river to take a closer look at the property.
‘I knew that you could do it, Anne,’ he said proudly.
‘Luck played the greater part.’
‘You asked the right people and looked in the right places. Where is the luck in that? Take due credit.’ He gazed around. ‘This site is not ideal but it has virtues which make its defects seem small.’
‘I hope so, Nick,’ she said.
‘Let me tell you how the playhouse will look.’
The Angel theatre was to be built on the site of a disused boatyard which had been badly damaged by fire. Its wharf had collapsed into the Thames. Tenements stood either side of it and a row of houses, inns and ordinaries ran alongside the back of the site. Nicholas ignored the scene of devastation and saw only the tall playhouse which would replace it. One arm around Anne, he drew large pictures in the air with the other hand. The Angel theatre was conjured into existence.
‘It will be one of the delights of Bankside,’ said Anne.
‘That would only be fitting,’ he observed with a grin. ‘For the site was discovered by another delight of Bankside.’
‘Is that what I am?’
‘What else, Anne?’
She gave a little laugh. ‘Would you soil your tongue with flattery on the Sabbath?’
‘I merely express our gratitude,’ he said, squeezing her affectionately. ‘Thanks to you, this old boatyard will have a new lease of life. So, we trust, will Westfield’s Men.’
‘Is your patron in favour of your venture?’
‘He is consumed with delight. When the project was first mentioned to him, he took fright because he thought that we would ask him for money which he simply does not have. As soon as he realised that we could raise our own capital, he gave us his full support.’ Nicholas let his gaze rake the riverbank. ‘Can you not see that wharf when it is rebuilt?’
‘Yes, Nick.’
‘Playgoers will be able to come by boat and alight at the very door of the theatre. The watermen will bless us for the increase we will bring to their trade.’
‘The watermen and the innkeepers of Bankside.’
‘Yes, Anne. All will profit from The Angel.’ He gestured towards the timbers which were stacked on the site. ‘Including this builder you commended. Thomas Bradd has his materials in readiness. Work begins in earnest tomorrow.’
‘He will not fail you, Nick. He repaired my own house and has worked for some of my neighbours as well. We all found Thomas Bradd to be an honest and trustworthy man.’
‘That was my impression of him,’ said Nicholas, ‘but I took the trouble to examine some of the other properties he built in Southwark before we engaged him. He is without question a sound craftsman and is willing to let some of us labour alongside him to keep the costs down.’
‘Us?’ she queried. ‘Does that include you?’
Nicholas chuckled. ‘I was the first to volunteer my services, Anne. Do you think I would miss out on the chance to build a piece of theatre history? Do not forget that I am no raw beginner. When I sailed with Drake, we learnt to turn our hands to anything. That experience will stand me in good stead.’
‘Who else will work here?’
‘Nathan Curtis, for certain. He is our skilled carpenter and lives here in Bankside. Owen Elias is also eager to do his share of sawing and hammering. Edmund Hoode and James Ingram will not be left out. And, of course,’ he added, ‘there is Sylvester Pryde. He is not above earning himself a few blisters from hard labour.’
‘Surely he has done more than enough already?’
‘He insists on being involved in the construction.’
After surveying the site for another few minutes, they turned away and headed back towards Anne’s house. Gulls flew overhead and cried out their hunger. The streets were busy. Entertainments which were curtailed on Sundays within the bounds of the city were permitted outside its jurisdiction. Nicholas was reminded that The Angel theatre would be able to open seven days a week in Bankside, thus increasing their takings and helping to pay off the substantial debt they were taking on.
‘How did Sylvester raise the loan?’ asked Anne.
‘From an anonymous friend.’
‘Have you no idea who he might be?’
‘We can only guess, Anne. Some people believe that Sylvester himself has given us this money and that this guardian angel of ours is really a member of the company.’
‘Is that what you believe, Nick?’
‘No,’ he said reflectively. ‘On the day that he secured the money, he rode out of London for an hour. Our benefactor dwells in the country.’
‘He must be a close friend indeed if he will advance several hundred pounds to Sylvester at such short notice.’
‘That is my feeling, Anne.’
‘Will you hazard a guess at his identity?’
‘If you wish. I believe, in all probability, that he is a member of Sylvester’s own family.’
‘His family?’
‘Yes, Anne,’ he said firmly. ‘If you press me closer, my guess would be that our guardian angel is his father.’
Sylvester Pryde was in his element. He was honest enough to acknowledge that he would never be lauded for his ability as an actor but there was another way to win plaudits within the company. He had effected a rescue. By arranging a loan on their behalf, Pryde had endeared himself to Westfield’s Men and changed from a being a latecomer to the troupe into its hero. Whenever he arrived at the Queen’s Head, he was met with smiles and words of praise. In the taproom, he was greeted with a round of applause from his fellows.
The play which was performed that afternoon was The History of King John, a stirring chronicle which offered him only two meagre roles, but Pryde was content. Simply to be a member of the company was a joy to him. To be its acclaimed champion gave him a deep gratification. He swept onto the stage as if he were playing the title role and declaimed his few lines with surging confidence. Liberated from their worst fears, Westfield’s Men gave of their best yet again and made an old play vibrate with new significance.
Applause still rang in their ears as they took a final bow and retreated into the tiring-house. Everyone had a kind word or a pat on the back for him. Sylvester Pryde glowed. When they adjourned to the taproom, he was given a privileged position at the same table as the leading sharers and toyed with his cup of wine while rubbing shoulders with Lawrence Firethorn and Edmund Hoode. Barnaby Gill sat opposite him and, when all his chores had been done, Nicholas Bracewell joined them. All but Gill were in a happy mood.
‘What of our unfriendly landlord?’ asked Pryde. ‘Has he been told that we mean to vacate his premises?’
‘Yes,’ said Firethorn, ‘and he was forced to approve. If inn yard theatres are to be closed, his contract with us is null and void. And since he still believes that we all took it in turns to seduce his daughter, he will be glad to see the back of us.’ He slapped Pryde on the thigh. ‘That is another boon you have bestowed on us, Sylvester. You have freed us from the domination of Alexander Marwood.’
‘Has his daughter’s lover been named yet?’
‘No,’ said Firethorn, ‘but I know who he is.’
‘Who?’
‘Why, Edmund here!’
Hoode’s cheeks became tomatoes. ‘I deny the charge!’
‘Then it must have been Barnaby!’ teased Firethorn.
‘Heaven forfend!’ said Gill with disgust.
‘Admit it, man. The night was dark and you mistook Rose Marwood for a pretty boy. It is your thrusts which help to swell that little belly of hers.’ He let out a guffaw. ‘The girl was well and truly Barnabied!’