Near by a father is chastising a little boy for playing football, as all that kicking would damage his new shoes.
David had phoned James Palantine earlier today and asked if they could meet. He too was in another province but is making his way towards Usha at Gul Rasool’s request. A group of his men, young Americans like James himself, is here to safeguard Gul Rasool in the meantime.
‘He’ll come and see me here,’ David tells Lara when they arrive. ‘I’ll ask him about Benedikt then.’
They are taking a pillow and a thin mattress and some sheets to the perfume factory for the boy. He is too reserved to enter the house, saying he’ll sleep down there.
David looks at her under the evening sky, the leaf-filtered light from above. All day he had wanted this, had wanted to touch her, but there has been no contact since his return. Marcus always present. There was also the matter of their unexpected guest. And, yes, he must admit, there is a hint within him of shame, of doubt. What makes him think he deserves these moments of gladness amid all this wreckage? Afghanistan will still be there in the morning?
As he and Zameen made love at the apartment in the Street of Storytellers — that thing a woman’s long hair does, when it accidentally comes to lie over the face in crosshatched layers, her features seen through the overlapping gauze! — songs would drift in through the open window, words on the night breeze. He hadn’t at first understood why in these lyrics mundane observations were mentioned in the first verse — a mosquito’s whine, the sound of a twig broom on the courtyard floor — but were coupled in the second verse with expressions of deepest longing. But by then as he smelled the jasmine on her breast, looking into the vertigo-inducing depths of her eyes, he knew that in its obsession the heart responds to everything by echoing back a truth about the lover, by echoing back a truth about love. Everything — everything — reminds you of her. The pomegranate tree has produced its first blossom, a woman would sing on a radio in the bazaar downstairs, and as Zameen sighed in his ear, the singer would add, On the journey towards the beloved, you live by dying at every step.
Slowly he raises his hand and touches Lara’s neck with the back of his fingers as they walk towards the perfume factory.
CASA IS CLIMBING the giant face, using his hands and his toes to seek out holds amid the stone features. The arc of the lip. The nose ledge. The dot between the eyebrows. Reaching the top — which is the side of the head, full of waving locks of hair — he sits beside the horizontal ear, the stone grainy under his palm. The floor is ten feet below him. He looks into the pit of the ear’s whorl and reaches for the flashlight in his pocket. Half a minute later he switches off the beam and sends his fingers in there.
He scrambles down and then goes up the staircase where the oil lantern they had given him burns on the fourth step, emerging into the dark corridor of trees, going past David’s car. He is carrying before him the old bird’s nest he has discovered in the ear. A loose bowl of grass. The bird must have found its way into the factory through one of the many broken windows. Amid the straw and grass blades there is a black feather, a complete diamond-shaped pink rose petal, and bits of brittle moss that he can see. With a tentativeness in his demeanour, trying not to smile, he enters the kitchen and places the woven object on the table where the three of them are sitting. The candle flame giving a lurch in the draught, the light sloshing to one side of the room like liquid. He turns and leaves, a small sound of delight and surprise from Lara behind him.
DAVID MOVES AMONG the shapes in the glasshouse. A sweep of stars above him. The Straw Ribbon, Keh Kishan, is what the Milky Way galaxy is called in Persian. Zameen had told him this.
After the Soviet Army conceded defeat in 1989 — the war had lasted longer than the Second World War — Marcus had returned to Usha and David had gone back to the United States, visiting every few months for the next five years. One night at a function at the Islamabad embassy he ran into Fedalla, who was now a colonel, rich with all the money he had siphoned from the guerrillas. A large house, a harem of cars. He was in a group with ________, David’s mole in the ISI, and was participating drunkenly in a conversation about Afghanistan. How the influx since 1979 of the millions of filthy Afghan refugees had ruined the once beautiful city of Peshawar. Had led to what he termed the ‘Kalashnikovisation’ of his homeland. ‘Look at the shapes of the two countries on a map and you’ll see that Afghanistan rests like a huge burden on poor Pakistan’s back. A bundle of misery.’
As the conversation moved on to the ten thousand bombs that had fallen on the city of Kabul the previous month, the civil war having begun, ________ indicated that he had something to convey to David.
‘Back in 1986,’ David was told when they met the next day, ‘Christopher Palantine had arranged to meet Gul Rasool at a location outside Peshawar. Rasool was selling missiles supplied by the CIA to the Iranians. Christopher had the evidence and wanted to confront him, but when he arrived early he saw a young woman planting a bomb there. Rasool had lured him there because Christopher had to be eliminated, couldn’t be allowed to expose Rasool and have his CIA funding stopped. Christopher accused Rasool of trying to kill him when he and his men arrived, but he said, “Would I turn up here myself if I had sent her?” He had her shot then and there to prove she wasn’t anything to do with him. But he was more than an hour late, so it could have been him. And we actually now know that it was. Definitely.’
For some unknown reason David dreaded the moment the young woman’s name would be spoken. All names are my names.
‘She could have been sent to eliminate Christopher by the KGB or the Afghan secret service.’
‘That was one of Christopher’s initial suspicions. Fedalla, who has heard of the incident from somewhere, was telling us about it last night, convinced she had been sent by you, by the CIA. And Fedalla was in awe that the CIA allowed one of its own to be killed. He said it is such cunning and resolve that has turned your country into a superpower. That the Pakistani secret service cares too much about its people, cares too much about civilians to be truly effective.’
‘What was her name?’
‘I don’t know. But she pleaded to be let go, telling Christopher she couldn’t disclose who had sent her because then she wouldn’t be able to see her son again. Obviously too afraid of Rasool.’
The very next day David flew to New York City and telephoned Christopher Palantine and asked to see him.
Christopher was already there at the restaurant when he arrived and took his seat almost wordlessly, his silence cutting off Christopher’s words of pleasure at seeing him after such a long period. Friends who loved each other like brothers.
All David could do was stare at him. A cold February noon outside.
‘What is it?’
David took out Zameen’s photograph from his pocket and reaching his arm across the table placed it before him, swerving it in the air so that it was the right way round for the other man.
Christopher looked at the image and then lifted it off the tablecloth, and his hands disappeared below the table with it, the neutral expression not leaving his features. Perfect composure. They were after all spies, committed to their dark profession, their conversations laced with phrases like ‘plausible deniability’ and ‘I can’t tell you how I know that’ and ‘we never had this discussion’. Such words were spoken so often in Peshawar that they could be plucked out of the city’s dirty air.