"And for Klaus," Aunt Josephine said, "there is a model train set." She opened the second trunk and pulled out a tiny train car. "You can set up the tracks in that empty corner of the room."
"What fun," said Klaus, trying to look excited. Klaus had never liked model trains, as they were a lot of work to put together and when you were done all you had was something that went around and around in endless circles.
"And for little Sunny," Aunt Josephine said, reaching into the smallest trunk, which sat at the foot of the crib, "here is a rattle. See, Sunny, it makes a little noise."
Sunny smiled at Aunt Josephine, showing all four of her sharp teeth, but her older siblings knew that Sunny despised rattles and the irritating sounds they made when you shook them. Sunny had been given a rattle when she was very small, and it was the only thing she was not sorry to lose in the enormous fire that had destroyed the Baudelaire home.
"It is so generous of you," Violet said, "to give us all of these things." She was too polite to add that they weren't things they particularly liked.
"Well, I am very happy to have you here," Aunt Josephine said. "I love grammar so much. I'm excited to be able to share my love of grammar with three nice children like yourselves. Well, I'll give you a few minutes to settle in and then we'll have some dinner. See you soon."
"Aunt Josephine," Klaus asked, "what are these cans for?"
"Those cans? For burglars, naturally," Aunt Josephine said, patting the bun of hair on top of her head. "You must be as frightened of burglars as I am. So every night, simply place these tin cans right by the door, so that when burglars come in, they'll trip over the cans and you'll wake up."
"But what will we do then, when we're awake in a room with an angry burglar?" Violet asked. "I would prefer to sleep through a burglary."
Aunt Josephine's eyes grew wide with fear. "Angry burglars?" she repeated. "Angry burglars? Why are you talking about angry burglars? Are you trying to make us all even more frightened than we already are?"
"Of course not," Violet stuttered, not pointing out that Aunt Josephine was the one who had brought up the subject. "I'm sorry. I didn't mean to frighten you."
"Well, we'll say no more about it," Aunt Josephine said, looking nervously at the tin cans as if a burglar were tripping on them at that very minute. "I'll see you at the dinner table in a few minutes."
Their new guardian shut the door, and the Baudelaire orphans listened to her footsteps padding down the hallway before they spoke.
"Sunny can have Pretty Penny," Violet said, handing the doll to her sister. "The plastic is hard enough for chewing, I think."
"And you can have the model trains, Violet," Klaus said. "Maybe you can take apart the engines and invent something."
"But that leaves you with a rattle," Violet said. "That doesn't seem fair."
"Schu!" Sunny shrieked, which probably meant something along the lines of "It's been a long time since anything in our lives has felt fair."
The Baudelaires looked at one another with bitter smiles. Sunny was right. It wasn't fair that their parents had been taken away from them. It wasn't fair that the evil and revolting Count Olaf was pursuing them wherever they went, caring for nothing but their fortune. It wasn't fair that they moved from relative to relative, with terrible things happening at each of their new homes, as if the Baudelaires were riding on some horrible bus that stopped only at stations of unfairness and misery. And, of course, it certainly wasn't fair that Klaus only had a rattle to play with in his new home.
"Aunt Josephine obviously worked very hard to prepare this room for us," Violet said sadly. "She seems to be a good-hearted person. We shouldn't complain, even to ourselves."
"You're right," Klaus said, picking up his rattle and giving it a halfhearted little shake. "We shouldn't complain."
"Twee!" Sunny shrieked, which probably meant something like "Both of you are right. We shouldn't complain."
Klaus walked over to the window and looked out at the darkening landscape. The sun was beginning to set over the inky depths of Lake Lachrymose, and a cold evening wind was beginning to blow. Even from the other side of the glass Klaus could feel a small chill. "I want to complain, anyway," he said.
"Soup's on!" Aunt Josephine called from the kitchen. "Please come to dinner!"
Violet put her hand on Klaus's shoulder and gave it a little squeeze of comfort, and without another word the three Baudelaires headed back down the hallway and into the dining room. Aunt Josephine had set the table for four, providing a large cushion for Sunny and another pile of tin cans in the corner of the room, just in case burglars tried to steal their dinner.
"Normally, of course," Aunt Josephine said, "'soup's on' is an idiomatic expression that has nothing to do with soup. It simply means that dinner is ready. In this case, however, I've actually made soup."
"Oh good," Violet said. "There's nothing like hot soup on a chilly evening."
"Actually, it's not hot soup," Aunt Josephine said. "I never cook anything hot because I'm afraid of turning the stove on. It might burst into flames. I've made chilled cucumber soup for dinner."
The Baudelaires looked at one another and tried to hide their dismay. As you probably know, chilled cucumber soup is a delicacy that is best enjoyed on a very hot day. I myself once enjoyed it in Egypt while visiting a friend of mine who works as a snake charmer. When it is well prepared, chilled cucumber soup has a delicious, minty taste, cool and refreshing as if you are drinking something as well as eating it. But on a cold day, in a drafty room, chilled cucumber soup is about as welcome as a swarm of wasps at a bat mitzvah. In dead silence, the three children sat down at the table with their Aunt Josephine and did their best to force down the cold, slimy concoction. The only sound was of Sunny's four teeth chattering on her soup spoon as she ate her frigid dinner. As I'm sure you know, when no one is speaking at the dinner table, the meal seems to take hours, so it felt like much, much later when Aunt Josephine broke the silence.
"My dear husband and I never had children," she said, "because we were afraid to. But I do want you to know that I'm very happy that you're here. I am often very lonely up on this hill by myself, and when Mr. Poe wrote to me about your troubles I didn't want you to be as lonely as I was when I lost my dear Ike."
"Was Ike your husband?" Violet asked.
Aunt Josephine smiled, but she didn't look at Violet, as if she were talking more to herself than to the Baudelaires. "Yes," she said, in a faraway voice, "he was my husband, but he was much more than that. He was my best friend, my partner in grammar, and the only person I knew who could whistle with crackers in his mouth."
"Our mother could do that," Klaus said, smiling. "Her specialty was Mozart's fourteenth symphony."
"Ike's was Beethoven's fourth quartet," Aunt Josephine replied. "Apparently it's a family characteristic."
"I'm sorry we never got to meet him," Violet said. "He sounds wonderful."
"He was wonderful," Aunt Josephine said, stirring her soup and blowing on it even though it was ice cold. "I was so sad when he died. I felt like I'd lost the two most special things in my life."
"Two?" Violet asked. "What do you mean?"
"I lost Ike," Aunt Josephine said, "and I lost Lake Lachrymose. I mean, I didn't really lose it, of course. It's still down in the valley. But I grew up on its shores. I used to swim in it every day. I knew which beaches were sandy and which were rocky. I knew all the islands in the middle of its waters and all the caves alongside its shore. Lake Lachrymose felt like a friend to me. But when it took poor Ike away from me I was too afraid to go near it anymore. I stopped swimming in it. I never went to the beach again. I even put away all my books about it. The only way I can bear to look at it is from the Wide Window in the library."