So then one day she just left the house and never came back. We had breakfast together that morning. She went off to work in her usual outfit. All she had with her was her handbag, and she picked up a blouse and skirt at the cleaners. And that was it. No goodbye. No note. Nothing. Kumiko was gone. Left all her things-clothes and everything. And shell probably never come back here-back to me. Not of her own accord, at least. That much I know.
Is Kumiko with the other guy now, do you think?
I don't know, I said, shaking my head. As my head moved slowly through it, the surrounding air felt like some kind of heavy water, without the watery feel. They probably are together.
And so now you're crushed, Mr. Wind-Up Bird, and thats why you went down in the well.
Of course I was crushed when I realized what was happening. But thats not why I'm in here. I'm not hiding from reality. Like I said before, I needed a place where I could be alone and concentrate on my thinking. Where and how did my relationship with Kumiko go wrong? That's what I cant understand. Not that I'm saying everything was perfect until that point. A man and a woman in their twenties, with two distinct personalities, just happen to meet somewhere and start living together. Theres not a married couple anywhere without their problems. But I thought we were doing OK, basically, that any little problems would solve themselves over time. But I was wrong. I was missing something big, making some kind of mistake on a really basic level, I suppose. That's what I came in here to think about.
May Kasahara said nothing. I swallowed once.
I wonder if this'll make any sense to you: When we got married, six years ago, the two of us were trying to make a brand-new world-like building a new house on an empty lot. We had this clear image of what we wanted. We didn't need a fancy house or anything, just something to keep the weather out, as long as the two of us could be together. We didn't need any extras. Things would just get in the way. It all seemed so simple to us. Have you ever had that feeling-that you'd like to go to a whole different place and become a whole different self?
Sure, said May Kasahara. I feel that way all the time.
Well, thats what we were trying to do when we got married. I wanted to get outside myself: the me that had existed until then. And it was the same for Kumiko. In that new world of ours, we were trying to get hold of new selves that were better suited to who we were deep down. We believed we could live in a way that was more perfectly suited to who we were.
May Kasahara seemed to shift her center of gravity in the light somewhat. I could sense her movement. She seemed to be waiting for me to continue. But I had nothing more to say at that point. Nothing came to mind. I felt tired from the sound of my own voice in the concrete tube of the well.
Does this make any sense to you? I asked.
Sure it does.
What do you think about it?
Hey, I'm still a kid, ya know. I don't know anything about marriage. I don't know what was in your wifes mind when she started fooling around with another man or when she left you. But from what you just told me, I think you kinda had the wrong idea from the very beginning. You know what I mean, Mr. Wind-Up Bird? What you were just talking about... I don't know, its kind of impossible for anybody to do that stuff, like, OK, now I'm gonna make a whole new world or OK, now I'm gonna make a whole new self. That's what I think. You might think you made a new world or a new self, but your old self is always gonna be there, just below the surface, and if something happens, it'll stick its head out and say Hi.
You don't seem to realize that. You were made somewhere else. And even this idea you have of remaking yourself: even that was made somewhere else. Even I know that much, Mr.
Wind-Up Bird. You're a grown-up, aren't you? How come you don't get it? That's a big problem, if you ask me. And thats what you're being punished for-by all kinds of things: by the world you tried to get rid of, or by the self you tried to get rid of. Do you see what I'm saying?
I remained silent, staring at the darkness that enveloped my feet. I didn't know what to say.
OK, Mr. Wind-Up Bird, she said softly. You go ahead and think. Think. Think.
The cover snapped into place, and the well opening was blocked once again.
I took the canteen from my knapsack and gave it a shake. The light sloshing sound echoed in the darkness. Maybe a quarter left. I leaned my head against the wall and closed my eyes.
May Kasahara was probably right. This person, this self, this me, finally, was made somewhere else. Everything had come from somewhere else, and it would all go somewhere else. I was nothing but a pathway for the person known as me.
Even I know that much, Mr. Wind-Up Bird. How come you don't get it?
11 Hunger as Pain
Kumiko's Long Letter
Bird as Prophet
I fell asleep a few times and woke up just as often. These were short, unsettled snatches of sleep, as on an airplane. Whenever deep sleep was about to arrive, I would shrink back and wake up; whenever full wakefulness was about to arrive, I would drift off into sleep, in endless repetition. Without changes in the light, time wobbled by like a wagon with a loose axle. My cramped, unnatural posture robbed my body of rest in small, accumulating doses. Each time I woke, I would check the time on my watch. Its pace was heavy and uneven.
With nothing better to do, I would pick up the flashlight and shine it at random-at the ground, at the walls, at the well cover. What I found there was always the same ground, the same walls, the same well cover. The shadows cast by the moving beam would sway, stretch and shrink, swell and contract. When I tired of this, I would spend time feeling my face, probing every line and crevice, examining my features anew to learn their shape. I had never been seriously concerned about the shape of my ears before this. If someone had told me to draw a picture of my own ears-even a rough sketch-I would have been at a loss. Now, though, I would have been able to reproduce every hollow and curve in accurate detail. I found it odd how different the ears were. I had no idea how this had come about or what effect this lack of symmetry might have (it probably had some effect).
The hands of my watch showed seven twenty-eight. I must have looked at my watch some two thousand times since coming down here. Now it was seven twenty-eight at night, that much was certain; at a ball game, it would be the bottom of the third or the top of the fourth. When I was a kid, I used to like to sit up high in the outfield stands and watch the summer day trying not to end. The sun had sunk below the western horizon, but the afterglow was still brilliant and beautiful. The stadium lights stretched their long shadows across the field as if to hint at something. First one and then another light would be turned on with the utmost caution shortly after the game got going. Still, there was enough light in the sky to read a newspaper by. The memory of the long days glow remained at the door to keep the summer night from entering.
With patience and persistence, though, the artificial illumination was winning its quiet victory over the light of the sun, bringing forth a flood of festive colors. The brilliant green of the playing field, the handsome black earth, the straight white lines newly drawn upon it, the glinting varnish on the bats of players waiting for their turn at the plate, the cigarette smoke floating in the beams of light (looking, on windless days, like souls wandering in search of someone to take them in)-all these would begin to show up with tremendous clarity. The young beer sellers would hold their hands up in the light, flashing bills tucked between their fingers. The crowd would rise from their seats to follow the path of a high fly ball, their voices rising with its arc or dissolving into a sigh. Small flocks of birds returning to their roosts would fly past toward the sea. This was the stadium at seven-thirty in the evening.