Her face lit up again with a smile. “I’m glad of that. I’ve had a world of trouble making it.”
“Where did you get the parchment?” I asked, noticing it for the first time. It was actual vellum, high-quality stuff. Far better than anything I could afford.
“I practiced on some boards at first,” she said. “But I knew that wasn’t going to work. Plus I knew I’d have to hide it. So I snuck into the church and cut some pages out of their book,” she said the last without the faintest hint of self-consciousness.
“You cut this out of the Book of the Path?” I asked, somewhat aghast. I’m not particularly religious, but I do have a vestigial sense of propriety. And after so many hours in the Archives, the thought of cutting pages out of a book was horrifying to me.
Nina nodded easily. “It seemed the best thing, since an angel gave me the dream. And they can’t lock the church up properly at night, since you tore off the front of the building, and killed that demon.” She reached over and brushed at the paper with a finger. “It hain’t that hard. All you need to do is take a knife and scrape at it a bit and all the words come off.” She pointed. “I was careful never to scrape off Tehlu’s name though. Or Andan’s, or any of the other angels,” she added piously.
I looked at it more closely and saw it was true. She’d painted the Amyr so the words Andan and Ordal rested directly on top of his shoulders, one on each side. Almost as if she were hoping the names would weigh him down, or trap him.
“Plus you said I shouldn’t tell anyone what I saw,” Nina said. “And painting is like telling with pictures instead of words. So I figured it would be safer to use pages from Tehlu’s book, because no demon would ever look at a page of that book. Especially one with Tehlu’s name still writ all over it.” She looked up at me proudly.
“That was cleverly done,” I said approvingly.
The belling tower began to ring the hour, and Nina’s expression flared into sudden panic. “Oh no!” she said pitifully. “I should have been back at the docks by now. My mum’s going to give me a birching!”
I laughed. Partly because I was utterly amazed by this unexpected piece of luck. And partly at the thought of a young girl brave enough to defy the Chandrian, but still terrified of making her mother angry. Such is the way of the world.
“Nina, you’ve done me a wonderful favor. If you ever need anything, or if you have another dream, you can find me at an inn called Anker’s. I play music there.”
Her eyes went wide. “Is it magic music?”
I laughed again. “Some people think so.”
She looked around nervously. “I really have to go!” she said, then waved and took off running toward the river, the wind blowing her hood back as she went.
I carefully rerolled the piece of paper and tucked it back into the hollow piece of horn. My mind spun with what I had just learned. I thought of what I’d heard Haliax say to Cinder all those years ago: Who keeps you safe from the Amyr, the Singers, the Sithe?
After my months of searching, I was fairly certain the Archives held nothing more than faerie stories about the Chandrian. Nobody considered them more real than shamble-men or faeries.
But everyone knew about the Amyr. They were the bright knights of the Aturan Empire. They were the strong hand of the church for two hundred years. They were the subject of a hundred stories and songs.
I knew my history. The Amyr had been founded by the Tehlin Church in the early days of the Aturan Empire.
But the pottery Nina had seen had been much older than that.
I knew my history. The Amyr had been condemned and disbanded by the church before the empire fell.
But I knew the Chandrian were still afraid of them today.
It seemed like there was more to the story.
CHAPTER THIRTY-SIX
All This Knowing
Days passed, and I invited Wil and Sim across the river to celebrate our successful campaign against Ambrose.
Given my taste for sounten, I was not much of a drinker, but Wil and Sim were kind enough to demonstrate the fine points of the art. We visited several different taverns, just for variety, but eventually we ended up back at the Eolian. I preferred it because of the music, Simmon because of the women, and Wilem because it served scutten.
I was moderately well-buttered when I was called up onto the stage, but it takes more than a little drink to make me fumble-fingered. Just to prove I was not drunk, I made my way through “Whither With He With the Withee,” a song that’s difficult enough to articulate when sober as a stone.
The audience loved it, and showed its appreciation in the appropriate way. And, since I was not drinking sounten that night, much of the evening is lost to living memory.
The three of us walked the long road back from the Eolian. There was a crispness to the air that spoke of winter, but the three of us were young and warmed from the inside by many drinks. A breeze pushed my cloak back and I took a full, happy breath.
Then a sudden panic seized me. “Where’s my lute?” I asked more loudly than I’d intended.
“You left it with Stanchion at the Eolian,” Wilem said. “He was afraid you would trip over it and break your neck.”
Simmon had stopped in the middle of the road. I bumped into him, lost my balance, and tumbled to the ground. He hardly seemed to notice. “Well,” he said seriously. “I certainly don’t feel up to that right now.”
Stonebridge rose ahead of us: two hundred feet from end to end, with a high arch that peaked five stories above the river. It was part of the Great Stone Road, straight as a nail, flat as a table, and older than God. I knew it weighed more than a mountain. I knew it had a three-foot parapet running along both its edges.
Despite all this knowing, I felt deeply uneasy at the thought of trying to cross it. I climbed unsteadily to my feet.
As the three of us examined the bridge, Wilem began to lean slowly to one side. I reached out to steady him and at the same time Simmon laid hold of my arm, though whether to help me or to brace himself I couldn’t be certain.
“I certainly don’t feel up to that right now,” Simmon repeated.
“There’s a place to sit over here,” Wilem said. “Kella trelle turen navor ka.”
Simmon and I muffled our laughter, and Wilem led us through the trees to a little clearing not fifty feet from the foot of the bridge. To my surprise a tall greystone stood at the middle of it, pointing skyward.
Wil entered the clearing with calm familiarity. I came more slowly, looking about curiously. Greystones are special to troupers, and seeing it gave rise to mixed feelings.
Simmon flopped down in the thick grass while Wilem settled his back against the trunk of a leaning birch. I moved to the greystone and touched it with my fingertips. It was warm and familiar.
“Don’t push at that thing,” Simmon said nervously. “You’ll tip it over.”
I laughed. “This stone has been here for a thousand years, Sim. I don’t think my breathing on it is going to hurt it.”
“Just come away from it. They’re not good things.”
“It’s a greystone,” I said, giving it a friendly pat. “They mark old roads. If anything, we’re safer being next to it. Greystones mark safe places. Everyone knows that.”
Sim shook his head stubbornly. “They’re pagan relics.”
“A jot says I’m right,” I taunted.
“Ha!” Still on his back, Sim held up a hand. I stepped over to slap it, formalizing our wager.
“We can go to the Archives and settle it tomorrow,” Sim said.
I sat down next to the greystone and had just started to relax when I was seized by a sudden panic. “Body of God!” I said. “My lute!” I tried to jump to my feet and failed, almost managing to knock out my brains against the greystone in the process.
Simmon tried to sit up and calm me, but the sudden motion was too much for him and he fell awkwardly onto his side and began to laugh helplessly.