Because Julien’s sons, Barclay, Garland, and Cortland, all became distinguished lawyers, and because Carlotta Mayfair was a lawyer, and because numerous grandchildren of Julien also went into law, this network of legal contacts has tended to grow larger than one might suppose. But even if this had not been the case, the financial dealings of the Mayfairs have been so extensive that many, many lawyers have been involved.
When the family began to squabble in the twentieth century, when Carlotta began to fight over the custody of Stella’s daughter; when there were arguments about the disposition of the legacy, this legal gossip became a rich source of interesting details.
Let me add in closing that the twentieth century saw even greater and more detailed record keeping in general than the nineteenth. And our paid investigators of the twentieth century availed themselves of these numerous public records concerning the family. Also as time went on, the family was mentioned more and more in the press.
THE ETHNIC CHARACTER OF THE CHANGING FAMILY
As we carry this narrative towards the year 1900, we should note that the ethnic character of the Mayfair family was changing.
Though the family had begun as a Scottish-French mix, incorporating in the next generation the blood of the Dutchman Petyr van Abel, it had become after that almost exclusively French.
In 1826, however, with the marriage of Marguerite Mayfair to the opera singer Tyrone Clifford McNamara, the legacy family began to intermarry fairly regularly with Anglo-Saxons.
Other branches-notably the descendants of Lestan and Maurice-remained staunchly French, and if and when they moved to New Orleans they preferred to live “downtown” with other French-speaking Creoles, in or around the French Quarter or on Esplanade Avenue.
The legacy family, with Katherine’s marriage to Darcy Monahan, became firmly ensconced in the uptown “American” Garden District. And though Julien Mayfair (half Irish himself) spoke French all his life, and married a French-speaking cousin, Suzette, he gave his three boys distinctly American or Anglo names, and saw to it that they received American educations. His son Garland married a girl of German-Irish descent with Julien’s blessing. Cortland also married an Anglo-Saxon girl, and eventually Barclay did also.
As we have already noted Mary Beth was to marry an Irishman, Daniel McIntyre, in 1899.
Though Katherine’s sons Clay and Vincent spoke French all their lives, both married Irish-American girls-Clay the daughter of a well-to-do hotel owner, and Vincent the daughter of an Irish-German brewer. One of Clay’s daughters became a member of the Irish Catholic Order of the Sisters of Mercy (following in the footsteps of her father’s sister), to which the family contributes to this day. And a great-granddaughter of Vincent entered the same order.
Though the French Mayfairs worshiped at the St. Louis Cathedral in the French Quarter, the legacy family began to attend services at their parish church, Notre Dame, on Jackson Avenue, one of a three-church complex maintained by the Redemptorist Fathers which sought to meet the needs of the waterfront Irish and German immigrants as well as the old French families. When this church was closed in the 1920s a parish chapel was established on Prytania Street in the Garden District, quite obviously for the rich who did not want to attend either the Irish church of St. Alphonsus or the German church of St. Mary’s.
The Mayfairs attended Mass at this chapel, and indeed residents of First Street attend Mass there to this day. But as far back as 1899, the Mayfairs began to use the Irish church of St. Alphonsus-a very large, beautiful, and impressive structure-for important occasions.
Mary Beth was married to Daniel McIntyre in St. Alphonsus Church in 1899, and every First Street Mayfair baptism since has been held there. Mayfair children-after their expulsion from better private schools-went to St. Alphonsus parochial school for brief periods.
Some of our testimony about the family comes from Irish Catholic nuns and priests stationed in this parish.
After Julien died in 1914, Mary Beth was rarely heard to speak French, even to the French cousins, and it may be that the language died out in the legacy family. Carlotta Mayfair has never been known to speak French; and it is doubtful that Stella or Antha or Deirdre knew more than a few words of any foreign language.
Our investigators observed on numerous occasions that the speech of the twentieth-century Mayfairs-Carlotta; her sister, Stella; Stella’s daughter, Antha; and Antha’s daughter, Deirdre-showed distinct Irish traits. Like many New Orleanians, they had no discernible French or southern American accent. But they tended to call people they knew by both their names, as in “Well, how are you now, Ellie Mayfair?” and to speak with a certain lilt and certain deliberate repetitions which struck the listeners as Irish. A typical example would be this fragment picked up at a Mayfair funeral in 1945: “Now don’t you tell me that story, now, Gloria Mayfair, you know I won’t believe such a thing and shame on you for telling it! And poor Nancy with all she has on her mind, why, she’s a living saint and you know she is, if ever there was one!”
With regard to appearance, the Mayfairs are such a salad of genes that any combination of coloring, build, or facial characteristics can appear at any time in any generation. There is no characteristic look. Yet some members of the Talamasca aver that a study of all the existing photographs, sketches, and reproductions of paintings in our files does reveal a series of recurring types.
For example, there is a group of tall blond Mayfairs (including Lionel Mayfair) who resemble Petyr van Abel, all of whom have green eyes and strong jaw lines.
Then there is a group of very pale, delicately built Mayfairs who are invariably blue-eyed and short, and this group includes not only the original Deborah but also Deirdre Mayfair, the present beneficiary and “witch” and the mother of Rowan.
A third group of dark-eyed, dark-haired Mayfairs with very large bones includes Mary Beth Mayfair, and her uncles Clay and Vincent, and also Angélique Mayfair of Saint-Domingue.
Another group of smaller black-eyed, black-haired Mayfairs looks distinctly French, and every one of this group has a small round head and rather prominent eyes and overly curly hair.
Lastly, there is a group of very pale, cold-looking Mayfairs, all blond, with grayish eyes and fairly delicate of build, though always tall, and this group includes Charlotte of Saint-Domingue (the daughter of Petyr van Abel); Marie Claudette, who brought the family to Louisiana; Stella’s daughter, Antha Mayfair; and her granddaughter-Dr. Rowan Mayfair.
Members of the order have also noted some very specific resemblances. For instance, Dr. Rowan Mayfair of Tiburon, California, strongly resembles her ancestor Julien Mayfair, much more than she does any blond members of the family.
And Carlotta Mayfair in her youth strongly resembled her ancestor Charlotte.
(This investigator feels obligated to note with regard to this entire subject of looks that he does not see all this in these pictures! There are similarities, but the differences far outweigh them! The family does not look distinctly Irish, French, Scottish, or anything else.)
In any discussion of Irish influence and Irish traits we should remind ourselves that the history of this family is such that one can never be certain who is the father of any child. And as the later “legends” repeated in the twentieth century by descendants will show, the incestuous entanglements of each generation were not really secret. Nevertheless an Irish cultural influence is definitely discernible.
We should also note-for what it’s worth-that the family in the late 1800s began to employ more and more Irish domestic servants, and these servants became for the Talamasca priceless sources of information. How much they contributed to our vision of the family as Irish is not easy to determine.