Mary Beth’s hair remained jet black until her death at the age of fifty-four. We do not know her exact height but we can guess that it was close to five feet eleven inches. She was never a heavy woman, but she was big-boned, and very strong. She walked with large steps. The cancer that killed her was not discovered until six months before her death, and she remained an “attractive” woman up until the final weeks, when she finally disappeared into the sickroom never to leave it.
There can be no doubt, however, that Mary Beth had scant interest in her physical beauty. Though always well groomed, and sometimes stunning in a ball gown and fur wrap, she is never spoken of by anyone as seductive. In fact, those who called her “unfeminine” dwelt at length upon her straightforward and brusque manner, and her seeming indifference to her own considerable endowments.
It is worth noting that almost all of these traits-straightforward manner, businesslike attitude, honesty, and coldness-are later associated with her daughter Carlotta Mayfair, who is not and never was a designee of the legacy.
Those who liked Mary Beth and did business successfully with her praised her as a “straight shooter,” and a generous person, quite incapable of pettiness. Those who did not do well with her called her feelingless and inhuman. This is also the case with Carlotta Mayfair.
Mary Beth’s business interests and her appetite for pleasure will be dealt with extensively below. It is sufficient to say here that, in the early years, she set the tone for what went on at First Street as much as Julien. Many family dinner parties were planned by her completely, and she persuaded Julien to make his last trip to Europe in 1896, at which time she and he toured the capitals from Madrid to London.
Mary Beth shared Julien’s love of horses from girlhood on, and frequently went riding with Julien. They also loved the theater and attended almost any sort of play, from the very grand Shakespearean productions to very small and insignificant local theatricals. And both were passionate lovers of opera. In later years, Mary Beth had a Victrola of some sort in almost every room of the house, and she played opera records continuously.
Mary Beth also seems to have enjoyed living with a large number of people under one roof. Her interest in the family was not limited to reunions and get-togethers. On the contrary, she opened her doors all her life to visiting cousins.
Some casual accounts of her hospitality suggest that she enjoyed having power over people; she enjoyed being the center of attention. But even in those stories in which such opinions are quite literally expressed, Mary Beth emerges as a person more interested in others than in herself. In fact, the total absence of narcissism or vanity in this woman continues to be astonishing to those who peruse the record. Generosity, rather than a lust for power, seems a more appropriate explanation for her family relationships.
(Allow us to note here that Nancy Mayfair, an illegitimate child of a descendant of Maurice Mayfair, was adopted by Mary Beth and brought up along with Antha Mayfair as Stella’s daughter. Nancy lived in the First Street house until 1988. It was commonly believed even by scores of Mayfairs that she was really Stella’s daughter.)
In 1891, the First Street household consisted of Rémy Mayfair, who seemed years older than his brother Julien, though he was not, and was rumored to be dying of consumption, which he finally did in 1897; Julien’s sons, Barclay, Garland, and Cortland, who were the first Mayfairs to be sent off to boarding schools on the upper East Coast where they did well; Millie Mayfair, the only one of Rémy’s children never to marry; and finally, in addition to Julien and Mary Beth, their daughter, little Belle, who as already mentioned was slightly feebleminded.
By the end of the century the house included Clay Mayfair, Mary Beth’s brother, and also the unwilling and heartbroken Katherine Mayfair after the destruction of Riverbend, and from time to time other cousins.
During all this time, Mary Beth was the undisputed lady of the house, and it was Mary Beth who inspired and carried out a great refurbishing of the structure before 1900, at which time three bathrooms were added and the gaslight was expanded to the third floor, and to the entire servants’ quarters, and to two large outbuildings as well, one of which was a stable with living accommodations above it.
Though Mary Beth lived until 1925, dying of cancer in September of that year, we can safely say that she changed little over time-that her passions and priorities in the late nineteenth century were pretty much the same as in the last year of her life.
If she ever had a close friend or confidant outside the family, we know nothing of it. And her true character is rather hard to describe. She was certainly never the playful, cheerful person that Julien was; she seemed to have no desire for great drama; and even at the countless family reunions where she danced and supervised the taking of photographs and the serving of food and drink, she is never described as “the life of the party.” Rather she seems to have been a quiet, strong woman, with very definite goals. And it is possible that no one was ever really close to her except her daughter Stella. But we shall get to that part of the story by and by.
To what extent Mary Beth’s occult powers furthered her goals is a very significant question. And there is a variety of evidence to help one make a series of educated guesses as to what went on behind the scenes.
To the Irish servants who came and went at First Street, she was always a “witch” or a person with voodoo powers. But their stories of her differ from other accounts which we possess, quite markedly, and must be taken with the proverbial grain of salt.
Nevertheless …
The servants spoke often of Mary Beth going down to the French Quarter to consult with the voodooiennes and of having an altar in her room at which she worshiped the devil. They said that Mary Beth knew when you told a lie, and knew where you had been, and knew where every member of the Mayfair family was, even those who had gone up north, and knew at any moment what these people were doing. They said Mary Beth made no effort to keep such things a secret.
They also said that Mary Beth was the person to whom the black servants turned when they were in trouble with the local voodooiennes and Mary Beth knew what powder to use or candle to burn in order to counteract a spell, and that she could command spirits; and Mary Beth declared more than once that this was all that voodoo was about. Command the spirits. All the rest is for show.
One Irish cook who worked in the house off and on from 1895 to 1902 told one of our investigators casually that Mary Beth told her there were all kinds of spirits in the world, but the lowly spirits were the easiest to command, and anybody could call them up if such a person had a mind to. Mary Beth had spirits guarding all the rooms of the house and all the things in them. But Mary Beth warned the cook not to try to call spirits on her own. It had its dangers and was best left to people who could see spirits and feel them the way that Mary Beth could.
“You could feel the spirits in that house, all right,” said the cook, “and if you closed your eyes halfway, you could see them. But Miss Mary Beth didn’t have to do that. She could just see them plain as day all the time, and she talked to them and called them by name.”
The cook also said Mary Beth drank brandy straight from the bottle, but that was all right, because Mary Beth was a real lady and a lady could do what she pleased, and Mary Beth was a kind and generous person. Same held true for old Monsieur Julien, but he would not have thought of drinking brandy straight from a bottle, or anything else straight from a bottle, and always liked his sherry in a crystal glass.