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The rest of their dinner passes without much attention to the food. Both are on a high of anticipation, every small touch of the hand, even when passing the wine, is heightened. It almost feels like love.

It’s dark when they walk the short distance back to Rufus’s house. Philos and another slave accompany them, lighting their path. The house is familiar to her now. The jasmine has faded in the garden, instead, the air is scented with myrtle. She remembers her offering to Venus at the Vinalia, the favour she asked. It helps her make her decision about how to behave. Tonight will be all about performance.

She is grateful when Rufus dismisses the other slaves; she prefers to be alone with him. Philos has left the lamps burning, and wherever their glow touches the walls, they illuminate scenes from the stage, though much of the room is draped in shadow. Amara realizes she has never been inside Rufus’s home in daylight.

She had half-expected him to leap on her, the way he did on their first evening together, but instead, she finds he is reticent. Amara steps out of her clothes – slowly, so that he misses nothing – and steps into the role she has chosen for herself: the courtesan in love. It sits halfway between truth and lie. Every trick she has ever learnt, every means of giving pleasure, she gives to Rufus. She even finds her nights with Salvius useful, not for herself, but because he taught her about delay, in his own unfulfilled quest to please her.

None of it is unpleasant. She even finds, for the first time, a certain enjoyment in making a man happy, because this particular man is one she likes. But it is impossible to separate her affection from her need to make him want her, not just for the one night, but to want what she can give like this, over and over.

Afterwards they lie together, covered in sweat, his skin warm against hers. “I love you,” he says, kissing her. “I love you.”

“I love you too,” she replies, holding him tighter.

“I’ve never known a woman like you. You never ask for presents. The only thing you’ve ever asked is that I give you time.”

Amara thinks of her friends, of Dido and Victoria. She knows there are many women like her, but they are rarely afforded the compassion Rufus gives her. “You have already been generous to me,” she says. “You listen. You protect me, even when we are not together.”

“This is why I love you,” he says, kissing her again. Then he props himself up on an elbow, and leans over his side of the cushions, searching for something underneath the couch. He hands her a wooden box, his face expectant like a small boy.

“What’s this?”

“Open it, open it!”

Amara does as she is told. Inside is a silver necklace with an amber pendant. For a moment, she is too stunned to speak. “It’s beautiful!”

Rufus helps her fasten the clasp. “It does look very lovely on you, I must say.” He is extremely pleased with his choice. “It’s from my family’s own business. I got one of our best craftsmen to work on it.”

Amara has seen the jewellery store and gem-cutting workshops that surround Rufus’s house; she sneaked past one morning with Dido to have a look. She touches the smooth drop of resin at her neck. Amber makes her think of Marcella, of the necklace she and Fulvia brought to the Forum, but she pushes the unhappy women from her mind. “It’s the most beautiful gift anyone has ever given me,” she says. “But my darling, I cannot take it with me. My master would never let me keep it.”

“But this is a personal gift!” Rufus says, outraged. “He would have no right.”

“I will wear it whenever we are together,” she replies, putting her hand over his to reassure him. “You can keep it safe for me, here. It will remind you that I am always waiting for you.”

“But what about you? What will you have to make you think of me.”

Amara looks at him, her lover with all his wealth, his endlessly sociable life, and she can see that he is genuinely worried she might forget him, as if she could do anything other than count the hours in Felix’s storeroom until she sees him again. “I know!” she says. “You can buy me some cheap glass beads, wooden even, that I will wear as a bracelet. Felix would never bother with that, but it would remind me of your love whenever I saw it.”

“It is romantic,” Rufus says, somewhat mollified. “Though it will make me look abominably tight if you go around telling your friends that’s all your boyfriend has given you. Particularly if they know about my family’s business!”

“I promise I won’t,” Amara says, amused that he might fear a poor reputation among the whores of the town brothel. Unless he imagines she has other, classier friends.

“Will he try to stop you seeing me,” Rufus asks her. “Your master? If he thinks you care for me?”

At first, Amara cannot understand what he means, then she remembers the lie she told to ensure he didn’t come to the brothel – that Felix is monstrously jealous of her happiness. “Oh,” she says. “I hope you don’t mind. I told him I was afraid of you. He was pleased by the thought you might be cruel to me.” No need to add that it was the prospect of charging extra for violence that Felix liked.

“He sounds appalling!” Rufus says. “My poor, darling girl.” He squashes her in a hug so tight, the pendant digs into her skin. “I was hoping you would stay all night. But will that make your life more difficult?”

He is clinging on to her, clearly willing her to stay, and Amara herself is longing to accept. But she knows that if she gives in to every desire, fulfils every passion, she risks his infatuation burning itself out too quickly. Better to deny him from time to time. “I think that might be safer,” she says in a small voice. “Next time, I will stay.”

He lets go of her, cupping her face in his hands, kisses her tenderly on the forehead. “Whatever you think is best,” he says.

His sincerity hurts her heart.

31

I see that it’s brothels and greasy bars that stir your desire for the town.

Horace, Satires 1.14

Felix is alarmed to see her before daybreak. He is waiting in the corridor as she comes up the stairs, obviously having heard Philos drop her at the door.

“Don’t tell me you didn’t do what he wanted.”

“I did everything,” Amara says. “I just didn’t want to stay the whole night. I told you, he scares me. And besides”—she meets his cold stare with one of her own—“it keeps him keener that way. We want to string this out as long as possible, don’t we?”

“Little bitch,” Felix says. She starts unfastening her cloak, expecting to be dismissed, but he gestures at her to stop. “Don’t take that off. I’m heading out. You can come with me.”

“Why?” Amara asks, unable to hide her astonishment.

“Doesn’t hurt to show off the wares,” Felix says. He puts an arm around her, and for a bewildering moment, she thinks it is a gesture of affection. Then she feels his fingers, hard and pinching at her waist, like a baker checking the quality of his dough. “Just don’t open that big fucking mouth of yours.”

* * *

The bar is in an unfamiliar part of town. It is low and cramped, barely more than a hole in the wall, and reeks of pipe smoke. Amara is the only woman present; she sits wedged against the wall, Felix between her and the men he is there to meet. Most of the others are drunk when they arrive, but even though he makes a show of ordering wine, she notices Felix stays sober. His hand is on her thigh, and she understands he is giving a signal to the other men: Don’t touch.

She is not the only one to express surprise at Felix bringing a woman along.

“What did this one do?” asks a man, gesturing at her with his wine. Some slops on the table. She recognizes him from the Palaestra, by the white scar across his face, but he doesn’t recognize her. “Something special, is she? Or is she bored of your cock and here to try some of ours?”

Others join in, but although they’re all talking about her, they’re only talking to Felix, as if she isn’t really there. She says nothing through it all, just looks down at his hand on her leg.

“Plenty more cunt where she comes from,” Felix says. “You can try some later.”

They lose interest in Amara and move on to business. She is so exhausted she could almost rest her head against the wall and fall asleep; it must be the early hours of the morning.

“I think the cobbler’s getting jumpy about paying,” says one man. He is thin and shifty as a weasel. “All the work we do, keeping the streets safe. Not very grateful, is it?”

The man with the white scar laughs, but Felix looks unimpressed. “Maybe he needs a little reminder. Nothing too drastic.” Amara realizes they are not talking about loans. “Best it’s someone he’s not seen before.”

“I know who,” says Weasel, nodding.

The conversation flits back and forth between business and banter: who is paying, who needs persuading, the latest games at the arena, the best whore by the docks. Amara is not surprised Felix is involved in a protection racket but is uneasy that he would take the risk. Doesn’t he earn enough already? What if someone retaliated? Can everyone at this bar be trusted? She hopes any trail to the brothel is well hidden.

Time drags, and she feels like a ghost, only Felix’s hand physically anchors her to the present. She remembers what he said about showing off his wares and doesn’t dare doze off. Instead, she makes occasional eye contact with the men then looks suggestively at Felix, ensuring they remember her role, what they might be getting.

When Felix finally gets up, hauling her to her feet, she could almost cry with relief. A couple of the men walk back with them to the brothel, somehow still awake enough to take Felix up on his offer of a discount. She feels sorry for whoever has to entertain them. Watching them step into the darkened corridor of the brothel, knowing they won’t be arriving at her cell, she realizes exhaustion has sapped her sense of guilt. She follows Felix into the relative safety of his flat.

At the top of the stairs, he takes hold of her wrist, leaning back to look at her, as if weighing up the possibility she represents. Then he lets her go. “Send Paris to me,” he says, walking off.

She hurries to the storeroom, nudging the sleeping Paris with her foot. “Get up. Master wants you.”

Paris springs awake like a cat, scrabbling the blankets off himself. “Now?” he gasps. “He wants me now?”

“I’m sorry,” she replies, heading to her corner. “That’s what he said.” Paris gives a stifled sob, a sound of utter wretchedness. Amara watches him creep from the room, unable to feel anything but gratitude that he is the one being tormented instead of her. She is asleep moments after her head rests on the lumpy sack of beans.