She shook her head. “Harzer was the important target.”
“Right you are. Still, it hurts my soul to know that big son of a bitch is alive and kickin’. As the sayin’ goes.” His pale blue eyes, set in a moon-shaped, jowly face the color of Dover chalk, fixed on Michael. “Come over here and take a look at the noose you’re gonna be stickin’ your neck into.”
Michael walked around the table and stood beside McCarren, who towered at least three inches over him and seemed as broad as a barn door. McCarren wore a brown sweater with patches on the elbows, and a dark blue and green kilt: the colors of the Black Watch regiment. His hair was a few shades darker than his unruly beard, which was the orange hue of flint sparks. “Our friend Adam lives here.” McCarren jabbed a thick finger down on the maze of boulevards, avenues, and winding side streets. “A gray stone buildin’ on the Rue Tobas. Hell, they’re all gray stone, ain’t they? Anyway, he lives in apartment number eight, on the corner. Adam’s a filin’ clerk, works on the staff of a minor German officer who processes supplies for the Nazis in France-food, clothes, writin’ paper, fuel, and bullets. You can learn a lot about troops from what the high command’s supplyin’ ’em with.” He tapped the street maze. “Adam walks to work every day, along this route.” Michael watched as the finger traced the Rue Tobas, turned onto the Rue St. Fargeau and then ended on the Avenue Gambetta. “The buildin’s here, surrounded by a high fence with barbed wire on top of it.”
“Adam’s still working?” Michael asked. “Even though the Gestapo knows he’s a spy?”
“Right. I doubt they’re givin’ him anythin’ but busy work to do, though. Look here.” McCarren picked up a folder lying beside the map and flipped it open. Inside were grainy, blown-up black-and-white photographs, which he handed to Michael. They were pictures of two men, one wearing a suit and tie, the other in a light jacket and beret. “These Gestapo men follow Adam everywhere. If not those in particular, then others. They’ve got an apartment in the buildin’ across from his, and they watch his place all the time. We’ve also got to assume they have the phone lines fixed so they can listen in on his calls.” McCarren’s gaze met Michael’s. “They’re waitin’, ya see.”
Michael nodded. “Waiting to take two birds with one stone.”
“Right. And maybe from those two birds they hope to find the whole nest, which would put us out of business at a crucial time. Anyway, they got wind Adam knows somethin’, and they sure don’t want that information gettin’ out.”
“Do you know anything about what it might be?”
“No. And neither does anybody in the underground. As soon as the Gestapo found out he knew whatever it is, they started ridin’ him like ticks on a terrier.”
The gray-bearded Frenchman McCarren had called Andre brought a dusty bottle of Burgundy and three glasses. He set them on the table next to the map of Paris, and then left them while McCarren poured a glass of wine for Michael, Gaby, and then himself. “To killing Nazis,” McCarren said, lifting his glass. “And to the memory of Henri Gervaise.” Michael and Gaby joined him in the toast. McCarren swallowed the wine quickly. “So you see your problem, man?” McCarren inquired. “The Gestapo’s got Adam in an invisible cage.”
Michael sipped the harsh, strong wine and studied the map. “Adam goes to work and comes back along this same route every day?” he asked.
“Yes. I can give you a timetable if you need it.”
“I will.” Michael’s gaze followed the path of intersecting streets. “We must reach Adam while he’s walking either to work or to his apartment,” he decided.
“Forget it.” McCarren sloshed a little more wine into his glass. “We’ve thought of that already. We were plannin’ on pullin’ up in a car, shootin’ the Gestapo bastards down, and gettin’ him the hell out of there, but-”
“But,” Michael interrupted, “you realized Adam would be shot first if any other Gestapo men besides these two were trailing him, and you’d never get him out of Paris alive even if he did survive the pickup. In addition, whoever was in that car would most likely be riddled with bullets or captured by the Gestapo, which would not be very good for the underground. Correct?”
“More or less,” McCarren said, with a shrug of his massive shoulders.
“So how can Adam be contacted on the street?” Gaby asked. “Anyone who even stops him for a few seconds would be picked up immediately.”
“I don’t know,” Michael admitted. “But it seems to me we’ve got to do this in two steps. First we must alert Adam that someone’s come to help him. The second step is getting him out, which may be…” he grunted softly. “Tricky.”
“Right-o,” McCarren said. He had dismissed his glass and was swigging the Burgundy from the bottle. “That’s what me and me mates in the Black Watch regiment said at Dunkirk four years ago, when the Nazis backed us up against the coast. We said it’d be a trick to get out, but we were gonna do it, by God.” He smiled bitterly. “Well, most of ’em are lyin’ six feet under, and I’m still in France.” He swigged again, then thunked the bottle back down on the table. “We’ve pondered this thing over a lot of different ways, my friend. Anybody who goes after Adam is gonna get nabbed by the Gestapo. Period.”
“You have a picture of him, of course,” Michael said. Gaby opened another file folder and presented him with black-and-white photographs-front face and profile shots, the kind of pictures on identity cards-of an unsmiling, slender blond man in his mid-forties, with a wan, washed-out appearance and round wire-framed spectacles. Adam was the type of man who blended into white wallpaper, no distinguishing marks, no personality in his expression, nothing but a face you would usually forget after seeing it. An accountant, Michael thought. Or a bank teller. Michael scanned the typed dossier, written in French, of the agent code-named Adam. Five feet ten inches tall. A hundred and thirty-six pounds. Ambidextrous. Interests include collecting stamps, gardening, and opera. Relatives in Berlin. One sister in…
Michael glanced back at one word: opera. “Adam attends the Paris opera?” he asked.
“All the time,” McCarren answered. “He doesn’t have a lot of money, but he spends most of it on that caterwaulin’ nonsense.”
“He shares a box at the opera house with two other men,” Gaby said, beginning to see what Michael was driving toward. “We can find the exact box, if you like.”
“Could we get a message to either of Adam’s friends?”
She thought about that for a moment, then shook her head. “No. Too risky. As far as we know, they’re not his friends, just civil service employees who rent the box with him. Either one of them might be working for the Gestapo.”
Michael returned his attention to the photographs of Adam and made sure he knew every inch of that bland, expressionless face. Behind it, he thought, something very important was locked away. He could smell that now, as surely as he could smell the Burgundy on Pearly McCarren’s breath and the musky scent of gunsmoke on Gaby’s skin. “I’ll find a way to get to him,” Michael said.
“In broad daylight?” McCarren lifted his shaggy, flame-colored eyebrows. “With the Nazis watchin’?”
“Yes,” Michael answered, with authority. He held McCarren’s gaze for a few seconds, and the Scotsman grunted and looked away. How he was going to fulfill his mission, Michael didn’t know yet, but there had to be a way. He hadn’t jumped out of a damned airplane, he reasoned, to call it quits just because the situation appeared impossible. “I’ll need an identity card and the proper road passes,” he said. “I don’t want to be picked up before I get to Paris.”