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She licked her lips. "What makes you think I'm in communication with this man… what did you call him?"

I said, "Cut it out, Lou."

"Caselius?" she said. "Why do you expect this man Caseliьs to come to you?"

"Well," I said, "it's just a childish theory of mine, but I have a feeling he's interested in these pix, even if no editor would look at them twice."

"What are you trying to say, Matt?"

I said, "Honey, I'm not blind, even if I act that way occasionally. Between your connections, and my bona-fide journalistic background, and our American passports-not to mention the backing of a well-known American magazine

– we've bamboozled the Swedes into letting us make a nice photographic survey of the transportation facilities and natural resources of this strategic northern area. A couple of guys named Ivan wouldn't have got past the first gate, would they?"

She said, "Matt, I-"

"Oh, don't apologize," I said. "It was a bright scheme, and it worked fine. But you're lucky you got a man like me, with an ax to grind, to do your camera work. A real magazine photographer, full of artistic integrity, might have balked at being told what to shoot and how to shoot it. At least he'd have asked some embarrassing questions."

I waited. She didn't say anything. I went on: "I suppose your friends have trained intelligence specialists working in the real top-secret areas we couldn't get access to. But we've done pretty well, as far as I can judge. We've got a set of films on this country that any professional spy would be proud to send in to headquarters. Now all that remains is getting it into the proper hands. Am I correct?"

After a moment, she said, "I wondered… you're not stupid, and still you allowed yourself to be used…

"Honey," I said, "I'm not a Swede. That's one of the discoveries a man makes as he grows up: the discovery that you can have only one woman and one country at a time. Any more and life gets too damn complicated. My folks came from here, sure, but I was born in America and I'm a U.S. citizen and I have a job to do. That's plenty of responsibility.for me. Let the Swedes worry about their own politics and their own security."

"What do you mean?"

"I mean," I said, "it's nothing to me who takes pictures of what in this country, Lou, or where those pictures go. Do I make myself clear?" I took her by the shoulders to emphasize my point. "What I'm driving at, Lou," I said, looking her straight in the eye, "is there are your films, right there behind you. Tell your people to come and get them. They don't have to get rough or tricky. You don't have to poison my soup or put a mickey in my drink. The pix are nothing to me. Take them and to hell with all of you. There's just one thing I want out of the deal."

When you act like a nice guy, everybody examines your motives with a microscope. When you act like a conscienceless louse, they generally take you at face value.

Lou licked her lips again. "What's that, Matt? What do you want for your films? Money?"

I said, "Folks have been known to get smacked talking like that, ma'am… No, I don't want money. I just want a look, one quick look, at a man's face. Lacking that, his name will do; the name he goes under in this country. I figure I've earned that much."

"A quick look." she said tightly, "so you can kill him!"

We were suddenly a long way apart, even though my hands were still on her shoulders. I took them away.

"The man we're talking about is the man who's probably responsible for your husband's death," I said. "Why should you worry what happens to him? That is, if your husband's really dead." A funny look came briefly into her eyes and went away. She didn't speak. I went on: "Anyway, I think you know what my orders are. Until they're changed, I'm harmless. I just want to find out who the hell I'm dealing with. I'd like to get that much of the job accomplished."

I moved my shoulders. "I'm offering you a bargain. Make up your mind. I'm not asking you to set him up for me. All I'm asking is who he is. There are your films, all together for the first and maybe the last time. You can have them easy or you can have them tough. Hell, I'm just one man, doll, and my hands are officially tied. What harm can I do? Check with Caselius himself. I don't think he's scared of letting me know who he is. I think he'll agree it's a good deal for him. His identity in exchange for the pix without fuss or trouble. What does he lose?"

She said, "You'd betray a friendly country, a country from which your people came-"

"Lou," I said, "cut it out. Let's not use big words like betray. I've got a job to do. It's not my business to protect the security of the mines and railroads of northern Sweden, a neutral country that's no ally of my country-it's not even a member of the North Atlantic Treaty Organization, to the best of my knowledge. The Swedes can damn well look out for themselves. I've got a man to find. You want your films, give me my man."

"If you got other orders," she said, "would you really-" I said irritably, "Let's not go into the morality lecture, honey. I've heard it before."

"But it doesn't make sense!" she cried with sudden vigor. "You're a… an intelligent person. You're even kind of kind of nice at times. And still you'd hunt down a human being like… like…" She drew a long breath. "Don't you realize that if this man Caselius is so evil and dangerous that he must be removed, there are other ways, legal ways… Can't you see that by resorting to violence, you just bring yourself down to his level, the level of animals? Even if you should win that way, it wouldn't mean anything!"

There was a change in her attitude that puzzled me, a kind of honest indignation that was incongruous and disconcerting under the circumstances. A day earlier, a few hours earlier, I'd have spent some time trying to figure it out, but it was too late now.

There comes a time in every operation when the wheels are turning, the die is cast, the cards are dealt, if you please, and you've got to carry on as planned and hope for the best. I can name you names, too many of them, of men I've known-and women, too-who died because some, last-minute piece of information made them try to pull a switcheroo after the ball had been snapped and the backfield was in motion. When that point comes, to scramble the similes even further, you just take the phone off the hook and walk away from it. You don't want to hear what the guy at the other end of the line has to say. You've done your best, you've learned everything possible in the time at your disposal, and you don't want any more dope on any part of the situation, because it's too late and you can't do anything about it, anyway.

I said, "That's kind of a funny speech from you, Lou. It seems to be kind of a set speech in these parts. Sara Lundgren-I think you've heard the name-made it, too, a few minutes before your Caselius put a nice accurate burst from a machine pistol into her face and chest."