HW: Who is your first reader?
BC: My wife.
HW: What’s your favorite procrastination technique to avoid writing?
BC: Playing my acoustic guitar.
HW: Now that you’re in the business, do you find as much time to read as before? Do you avoid fiction for fear of unconsciously copying someone’s stories?
BC: I read more now than ever. You have to. I’ve never avoided fiction for fear of unconsciously copying someone else’s stories. You can’t help but be influenced by the work of others. No one is unique. As Cormac McCarthy said, “The sad truth is that books are made of other books.”
HW: I happen to know you’ve written an essay about Jack Ketchum’s Off Season for the upcoming International Thrillers Writers project Thrillers: 100 Must Reads. Was that format difficult for you? Did the experience provide you with any special insights into your own writings, or into thrillers in general?
BC: It was the hardest thing I’d written all year. I felt like I was in college again working on a term paper. That being said, it was a great joy to delve into the life and work of Jack Ketchum. I had great editors on that project. (HW: Full disclosure time: the editors for that worthy project are the esteemed David Morrell and yours truly. End of plug.)
HW: Tell us a little about future projects. You have a short story slated to appear in the ITW anthology, Thrillers 2?
BC: Yep, it’s called “Remaking” and also happens to be set in a beautiful Colorado town called Ouray. It’s premised on a question: What would you do if you were in a coffee shop, saw a man sitting with a young boy, and suspected the boy wasn’t supposed to be with him, that maybe he’d been kidnapped. I’m over the moon and humbled to be included in such a stellar collection of writers. Joe Konrath and I have just released a free short story as an eBook with the help of our publishers. It’s kind of groundbreaking, both in how Joe and I collaborated, and how our publishers came together to make it available everywhere. It’s called “Serial”, and is probably the most twisted thing either of us have ever written. The Abandon audiobook will have a short story that I read called “On the Good, Red Road,” and finally Jen Jordan’s new anthology, Uncage Me, publishes in July, and I have a story in that one called “*69.”
HW: Are you working on a new novel at the moment?
BC: I am.
HW: Where are you in that process?
BC: About a hundred pages in.
HW: Can you talk a little about the new book, or would that jinx things?
BC: I’m pretty sure I would deeply regret talking about it at this point. I find if I talk too much about works-in-progress, it takes the wind out of my sails.
HW: Any book recommendations?
BC: Joe Konrath just published a novel under the name Jack Kilborn. It’s called Afraid, and I think it’s one of the best pieces of horror fiction to come out in recent memory.
HW: Work uniform?
BC: A white tee-shirt and pajama bottoms with snowflakes on them. I know, it’s awful.
HW: Misconceptions about people who graduated from UNC?
BC: That if by some rip in the space-time continuum, Al-Qaeda managed to get a Division I college basketball team together, and if that team somehow made it to the NCAA tournament, and then survived March Madness, and, now here’s a real stretch, were facing Duke in the championship game on Monday night, that UNC fans would put aside their petty rivalry and root for Duke over the terrorists.
GINSU TONY: THE SHORT STORY THAT BECAME DESERT PLACES
I'm often asked where the idea for DESERT PLACES came from, and the primary source is the following short story I wrote in the spring of 1999, as a student in the creative writing program at the University of North Carolina at Chapel Hill. The amazing writer, Marianne Gingher, was the professor of this intro to fiction-writing class, and I turned in a story called "Ginsu Tony" for my final project. Please don't email me to say how awful it is...I know. But for those of you who've read DESERT PLACES, you may enjoy this glimpse into its earliest incarnation.
"GINSU TONY"
BY
BLAKE CROUCH
Spring 1999
Engl. 23W
Professor: Marianne Gingher
University of North Carolina at Chapel Hill
July 14
Traveled 517 miles today from Kansas City to western Nebraska. Cool and clear this morning, so I put the top down on the Jeep and drove several hundred miles with corn fields extending to the horizon and a summer wind in my hair.
Hit storms at one o'clock and drove through blinding rain for an hour. When I came into sunlight again, the land had changed. The corn fields were gone, and there was nothing but prairie as far as the eye could see. It amazes me no matter how many times I encounter this vast open space of land and sky. It's the West. It's the feeling of something that's too big for man to tame, even in this age of exploitation.
I stopped for the night in Scottsbluff. It's a small town surrounded by parched, yellow grassland and red cliffs. The sun has just dipped below the horizon as I sit on the bed in my motel room and scribble down these words. It's eight o'clock, and I'm tired and hungry, but more than anything I just need a drink. Hope there's a bar in this town.
July 15
Wyoming. It's July, and yet I saw mountains today that glistened with snow under a summer sky. Wish I'd had the time to leave the highway and drive up into the hills of this wild country, to touch snow while sweating in summer heat or to see the high, desert plain from a rocky peak.
Started late this morning. Last night is still a pleasant, throbbing dream. Got drunk and high and met a girl at the bar in Scottsbluff. She stayed the night with me, and I can only say that she was blond and had enormous tits. Good God! But I've a feeling that the obscurity of her face is a blessing. All I've got to remember her by is a half-smoked bag of weed.
I headed north today towards the Wyoming/Montana border, and the sky was cloudless and winter blue. For much of the day, the highway ran parallel to a distant chain of brown hills, separated from the highway by twenty miles of sand and sagebrush. There was rarely a sign of civilization in sight, just lonely, beautiful wasteland--my kind of country.
It's nine-thirty now, and I'm writing by the light of headlights. There's still a shadow of crimson on the western horizon, but it's useless for writing. That dying sort of light only shows the silhouette of things on the horizon, and there's nothing on the horizon here. I'm twenty miles into Montana, a quarter mile off the highway, in the midst of an immense prairie. Deerlodge is still many hours away, and I'm far too exhausted to make the journey tonight.
It's cold and clear. I'm gonna smoke a joint and go to bed. I'll throw my sleeping bag onto the grass and sleep under the stars tonight. So quiet here. No wind. Only the sound of my pen moving across paper.
July 16
A horrible, fucking day by anyone's standard, and I don't feel like writing about it. But I'm in a cheap motel room in Deerlodge, Montana, and I've got a fifth of Jack waiting for when I finish, so I'm going to get it down. Above all else, I am a writer, and I need to pour this onto paper while it's fresh. Nothing's worse than telling a story when it's rotten and stale.