‘Why didn’t they stay there?’
Grusche shrugged. ‘Because it was so small. When old George married he’d want his own space. Imagine them all crammed in together. Old George – that’s Lowrie’s grandfather – built Voxter before they started their own family.’
Polly pushed away her bowl and stood up to get a closer look at the painting. But as she got nearer, the girl seemed to disappear into the texture of the background. It was only when she moved back again that the figure became clearer, and once more there was another shock of recognition.
‘Really, she does look just like the girl I saw on the beach outside the hall on the night of your party.’ The words came out before she could stop them, and she gave a little laugh to show that she didn’t really believe in the vision as a ghost. ‘She has the same mouth and eyes. Some coincidence, huh?’
‘Perhaps the child you saw was someone local,’ Caroline said, ‘and she acted as a model for the painting. Are you sure you don’t know her, Grusche?’
Grusche stood up too to get a closer look, but shook her head.
Again Polly’s eyes were drawn back to the painting on the wall. The background was of woodland and quite unlike Shetland. She knew she was being quite ridiculous. ‘I thought I saw her another time,’ she said. ‘In the old house that’s derelict. Utra. It was the night we’d all been to supper at your house. A girl dressed in white twirling round on her toes.’ She snapped her mouth shut before she could say any more, but felt relieved that she’d told them about the visions. It felt good to have the words out in the open. She’d been wrong to bottle up her worries in her head. That way madness lay.
‘You think you saw Eleanor’s ghost-child in Utra?’ Caroline looked at her strangely as if she was crazy already.
‘Well, it obviously wasn’t a ghost.’ Polly gave little self-deprecating smile, but really she wasn’t sure. Perhaps that was what she had seen. The idea had been creeping up on her over the last few days, tugging at her reason, so she felt her rational thoughts unwinding like a hank of yarn. What other explanation could there be for the dancing child? A child whom nobody in Meoness recognized. She looked up at the other women. ‘But somebody was inside.’
‘That could have been anyone.’ Caroline was dismissive. ‘It must have been almost dark when you walked past. And we were all pretty spooked after Eleanor’s murder.’
Not you! You’ve never been scared in your life. And I’ve been scared for most of mine. Not of being haunted, but of saying the wrong thing, causing embarrassment. Showing myself up. That’s why I’m pretending now. Suddenly she longed for Eleanor, who would have listened to her without preaching or looking disapproving, whose solution to the ills of the world was laughter and another bottle of wine. ‘I expect you’re right. My imagination playing tricks in the weird light.’
Grusche gave her a strange look, but Caroline hardly seemed to hear. She’d wandered away to the gallery. Grusche followed, and Polly could hear them talking about curtains and colours, and whether an abstract painting inspired by Muckle Flugga would look well in a room with a polished wooden floor. ‘I think that’s the one Lowrie would prefer,’ Grusche was saying. ‘That’s the one you should get.’
Polly heard the words, but they seemed to come from a long way off. She stood in front of the painting of the girl. There was an artist’s signature in one corner. Monica Leaze. The name meant nothing to her, but she didn’t need to make a note of it. She knew she wouldn’t forget.
In the ferry on the way back to Unst they stood on deck once more and Polly felt a sense of foreboding as the island drew closer. She told herself that she just had to survive for one more night. When the vessel turned to inch its way to the pier she had a view south to Yell and saw a grey bank of fog on the horizon. It was as if the route of her escape had been closed behind her. By the time they’d driven back to Meoness the light had gone again.
Chapter Twenty-Nine
Willow and Sandy put together a scratch lunch in the kitchen at Springfield House. Willow was feeling restless. If she were on the Scottish mainland she’d be at the post-mortem by now. She’d know how Charles Hillier had died. Here, there seemed little to do but wait and she’d never been very good at that.
David had retreated to the walled vegetable garden. Earlier Willow had watched him from her bedroom window, digging and digging the uncultivated patch close to the shattered greenhouse, as if the activity would wear out his mind as well as his body and he’d stop thinking. She went outside to call him in for lunch, but even when she was right behind him he continued to plunge the spade into the sandy soil, then push it with his foot, his whole body straining to get the blade into the peaty soil, oblivious to everything else. She tapped him on the shoulder.
‘Come in and get some lunch. You need to eat.’
He stopped. His face was red, and sweat ran down his forehead and into his eyes.
‘Where is he?’
She didn’t have to ask what he meant. ‘Annie Goudie, the funeral director, has just arrived with a couple of men. Charles will be on his way to Lerwick soon. He’ll be on the boat for Aberdeen tonight.’ She paused. ‘Do you want to see him? To say goodbye?’
‘No!’ He turned away angrily as if he intended to continue digging, then stopped, the spade dropped to the ground at his feet, and faced her again. ‘I’m sorry, but I couldn’t bear it. To see him so unlike himself. When he was alive he was never still.’
She nodded. A wheatear flicked along the wall that separated the garden from the open hillside. ‘Is there anything I can get you? Tea? Water?’
He nodded towards a bottle of water standing on the path that ran around the garden. ‘I’m fine. Really, it’s very kind, but I’m better out here.’
Inside, Sandy and Perez had started to eat. Perez was making notes, methodical, just as when he’d transcribed Eleanor’s scribbling. He reached out for a piece of bread with his left hand while he was still focused on writing with his right. Willow poured herself a glass of water from the tap and wondered how long they could continue to run the operation from Springfield House. This felt like an investigation from a different age, the three of them left to run the inquiry without outside interference. A Special Operations team during the war, perhaps a resistance group in a strange land. Soon she’d be under pressure to move back to the police station in Lerwick, where they’d have the technical support to investigate in a more orthodox way. And where her boss would insist on regular conference-call updates from Inverness. He was already worrying about the budget. ‘Don’t think you can claim overtime because you’re staying out there. That’s your choice.’ When the three English people moved south they’d have no real excuse for being in Unst, so the following morning she’d hand Springfield House back to David and his memories.
She wondered what he’d do then. He had no real friends in the islands. Charles had been the sociable one, dropping into the bar occasionally in the evenings to chat to the locals. David had been happy to make things run smoothly behind the scenes. She suspected that he would sell up and move back to an anonymous flat in some small university town. He’d spend his days walking the hills and remembering with regret the only time he ever took a risk.
Perez looked up from his notes. ‘How is he?’
‘Angry,’ she said. ‘Trying to exhaust himself with digging. As if he could bring the man back by turning over the whole plot.’ There was a clock on the wall and in the silence she heard it ticking, marking down the seconds until they would have to leave. The pressure felt tight around her head and she forced herself to breathe slowly. ‘What have you got for me? Sandy, any news on the mysterious Monica mentioned in Eleanor’s notes? We wondered if she might be Sarah Malcolmson’s daughter.’