That meant Aurelius was telling me because he expected to get something out of it. I considered the possibilities and finally said, "You're telling me this to impress me. You can do something Morlock can't."
"Oh, so many things!" Aurelius cried out, his wrinkled face filled with a boyish enthusiasm. I wondered how old he was, really.
"And you want me to help you against Morlock," I added.
"I do," he agreed. "For my sake, and for the sake of my beloved wife. And I think you will, too, for the sake of your family. It's suffered so much. Why need it suffer any more?"
It was a strong argument with me. I pick my loyalties carefully, and anyone outside the line has to look out for themselves. There was definitely a line between Morlock and my children. But there was a line between Morlock and Aurelius, too: I didn't know Aurelius, except that he frankly wanted something from me. I had no real reason to trust him.
"No," said Aurelius deliberately. "You don't."
I looked up. His eyes were on the squirming lines of his map. He raised his gaze slowly and smiled at me.
"You've sampled me," I said. "You have a window into my intentions."
"Yes, Naeli, I took that liberty the last time you crossed Whisper Street to get to the marketplace."
"But you haven't sampled Morlock's."
"Oh, but I have. I did it some months ago, before you knew him, I believe." His face fell as he continued, "I almost had him in my grip, then. But he …he had help and got away."
"Good for him."
"Yes," Aurelius replied wearily, "good for him. I am an evil old man who wants his wife to outlive him, and Morlock is the shining sacred hero who would make that impossible. Have it as you would like. The question is what you will do, what you are willing to do, to protect what remains of your family. You could have saved Stador: not in the Vale of the Mother, indeed, but by keeping him away from there, by taking another path. The powers surrounding you are immense, Naeli: I show you this"-he gestured negligently at the strange map that he was so proud of-"merely to give you a sense of that. You must use foresight to walk between the dangers safely, to protect yourself and the people you care about."
"You haven't told me what you want me to do."
"And I'm not going to, not today. You're not sure of your own mind yet, and so there's no way I can be sure of you, either. Find some way to decide, some grounds for your decision."
"I can hardly do that without knowing what the decision will be about."
"It will involve a break with Morlock, an absolute break: I can tell you that."
"Suppose I ask Morlock about you?"
"Then you will have made your decision. I can tell you this: he has not told you everything about himself. Has he mentioned the old lady he keeps in a jar?"
"What?" Every other thing the old man said seemed to knock me off my feet. It was a good thing I was sitting down.
"He keeps a crazy old lady in a jar. God Creator knows why; I don't. The jar should be somewhere in his workshop, if you can get in there."
I pushed my cup away from me and my chair away from the table. "Thanks for the tea," I said, and stood. "I'll let you know about the other thing."
"If I'm not here," Aurelius said, still not standing, "leave a message with Zyrn, or anyone who works in the hostel. `Yes' or `No' will do."
"Won't you know my decision from your crazy map?"
"Probably," said the old man, and smiled a crooked smile.
It was a long walk home, and I had a lot to think about. I went straight to Whisper Street and paid the lower fee to become invisible with the rest. I felt like someone was watching me, and for once I looked on the invisibility of the street as a comfort. That was probably a mistake: the trip was especially unpleasant, with passersby whispering at me and jostling me, especially a strange troupe of people who said nothing and smelled very bad doing a strange shuffling dance that blocked almost the entire street. I finally made my way past, groggy with the reek, and exited from Whisper Street near the Aresion Bridge. In fact, I was very groggy, for some reason, and I don't even remember most of the walk.
It was late afternoon by the time I found myself back at the crooked house in Narkunden. Thend and Morlock were working in the front room when I entered the house-I don't think they heard me. They were replacing the window frames: something to do with the "demon-sconce" Morlock thought we needed now, no doubt. They worked together companionably, speaking little except, "Hand me that hammer," and that sort of thing. I listened to them, trying to decide how I felt about Morlock-and Thend, too, as he was almost a stranger to me.
Never stranger than when he said abruptly, "The future is split in two. I feel like I'm split in two."
I wanted to rush in and hug him. I had no idea what he meant, but I knew he was hurting. But I stood there in the shadows, listening.
"You worry too much about the future," I heard Morlock say. "Don't let your Sight block out the things you can see with your eyes, hear with your ears, feel with your hands. All these things are real, too. Don't let your gift become a curse; it needn't be. And if you don't watch where you're hammering you're going to lose a finger."
If there was one right thing to say, this was clearly it. Thend laughed; it eased my heart to hear him.
I wish I'd turned away then, because he next said, in a low voice I almost couldn't hear, "She tears me in two. She thinks I'm just a boy, but I'm already almost a man."
My fears about who "she" was were unfortunately confirmed when Morlock said, "I'm no expert on mothers. I only met my own quite recently. Or one-third of her, anyway."
"Death and justice, you are weird."
I could almost hear Morlock shrug. "Eh."
They started hammering again and I sneaked off.
I drifted away, lost in dark thoughts. Without planning it, I ended up in the hallway outside Morlock's workshop. The lock on the door glanced at me with a coppery eye and released its long bronze fingers from the door handle. I pulled it open and entered.
There was always a lot going on in Morlock's workshop, whether he was there or not. Today I saw his snarky little flames crawling like fiery ants over a couple of blue glazed jars. I thought of what Aurelius had said, and I wondered if Morlock was planning to make a collection of old ladies in jars.
"Hi, Naeli!" the flames said to me, among other things I won't repeat. They just get more irresponsible if you encourage them, so I didn't, not too much, and proceeded to look around the room.
At the end of a long worktable was a blue glazed jar, not so very different from the ones the flames were working on. Next to it on the table lay its lid. Next to that was a book lying open, face up. The text seemed to be about some kind of gnome, although dragons or mandragons came into it, too (for reasons that weren't clear; I didn't want to flip pages to find out). A sound of humming or singing was coming from the jar.
I approached it cautiously, but not so much that the person humming didn't hear me. "Who is that?" a quavering voice asked. "Is that you …whatever-your-name-is?"
"It's me," I said, going closer.
"Who's 'me'?" said the voice irritably. It was obviously coming from the jar.
I went closer and looked in the mouth of the jar, and was startled by what seemed to be a watery gray eye peering out.
"Oh!" said the voice. "I know you. Wait a minute. Wait a minute. I know you. Fasra!"
"No, I-"
"Shut up, won't you dear? Let's see. Aloe?"
"No."
"Voin?"
"No."
"Reijka?"
"No! Give up?"
"My dear. Oh, my dear. If you only knew me, you would know that I never …I never …Let's see, who were you again?"
"Naeli."
"No, don't be ridiculous. She's dead."
"You may be thinking of someone else-"
11 -or not well. Not at all well. They were in here talking about it."
"Were they really?"
"Well, I don't know, truthfully, my dear. I'm not well myself. I'm almost completely crazy, as a matter of fact, so you'll have to forgive me if I wander a bit. Could you get me a bit of water, Fasra dear?"