Burris came toward the bed. She lifted her arms. An instant later and he was beside her, his skin against hers. The texture was strange but not unpleasant. He seemed oddly shy just now. Lona drew him closer. Her eyes closed. She did not want to see his altered face in this moment, and in any case her eyes seemed suddenly sensitive even to the faint light of the lamp. Her hand moved out to him. Her lips met his.
She had not been kissed often. But she had never been kissed like this. Those who had redesigned his lips had not intended them for kissing, and he was forced to make contact in an unwieldy way, mouth to mouth. But, again, it was not unpleasant. And then Lona felt his fingers on her flesh, six digits to each hand. His skin had a sweet, pungent odor. The light went out.
A spring within her body was coiling tighter … tighter … tighter…
A spring that had been coiling ever tighter for seventeen years … and now its force was unleased in a single moment of tumult.
She pulled her mouth from his. Her jaws wrenched themselves apart, and a sheath of muscle quaked in her throat. A blistering image seared her: herself on an operating table, anesthetized, her body open to the probe of the men in white. She struck the image with a bolt of lightning, and it shattered and tumbled away.
She clutched at him.
At last. At last!
He would not give her babies. She sensed that, and it did not trouble her.
“Lona,” he said, his face against her clavicle, his voice coming out smothered and thick. “Lona, Lona, Lona…”
There was brightness, as of an exploding sun. Her hand ran up and down his back, and just before joining the thought came to her that his skin was dry, that he did not sweat at all. Then she gasped, felt pain and pleasure in one convulsive unity, and listened in amazement to the ferocious ringing cries of lust that were fleeing of their own accord from her frenzied throat.
TWENTY: AFTER US, THE SAVAGE GOD
It was a post-apocalyptic era. The doom of which the prophets had chanted had never come; or, if it had, the world had lived through it into a quieter time. They had predicted the worst, a Fimbulwinter of universal discontent. An ax-age, a sword-age, a wind-age, a wolf-age, ere the world totters. But shields were not cloven, and darkness did not fall. What had happened, and why? Duncan Chalk, one of the chief beneficiaries of the new era, often pondered that pleasant question.
The swords now were plowshares.
Hunger was abolished.
Population was controlled.
Man no longer fouled his own environment in every daily act. The skies were relatively pure. The rivers ran clear. There were lakes of blue crystal, parks of bright green. Of course, the millennium had not quite arrived; there was crime, disease, hunger, even now. But that was in the dark places. For most, it was an age of ease. Those who looked for crisis looked for it in that.
Communication in the world was instantaneous. Transportation was measurably slower than that, but still fast. The planets of the local solar system, unpeopled, were being plundered of their metals, their minerals, even their gaseous blankets. The nearer stars had been reached. Earth prospered. The ideologies of poverty wither embarrassingly in a time of plenty.
Yet plenty is relative. Needs and envies remained—the materialistic urges. The deeper, darker hungers were not always gratified by thick paychecks alone, either. An era determines for itself its characteristic forms of entertainment. Chalk had been one of the shapers of those forms.
His empire of amusement stretched halfway across the system. It brought him wealth, power, the satisfaction of the ego, and—to the measure he desired it—fame. It led him indirectly to the fulfillment of his inner needs, which were generated from his own physical and psychological makeup, and which would have pressed upon him had he lived in any other era. Now, conveniently, he was in a position to take the steps that would bring him to the position he required.
He needed to be fed frequently. And his food was only partly flesh and vegetables.
From the center of his empire Chalk followed the doings of his star-crossed pair of lovers. They were en route to Antarctica now. He received regular reports from Aoudad and Nikolaides, those hoverers over the bed of love. But by this time Chalk no longer needed his flunkies to tell him what was happening. He had achieved contact and drew his own species of information from the two splintered ones he had brought together.
Just now what he drew from them was a bland wash of happiness. Useless, for Chalk. But he played his game patiently. Mutual sympathy had drawn them close, but was sympathy the proper foundation for undying love? Chalk thought not. He was willing to gamble a fortune to prove his point. They would change toward each other. And Chalk would turn his profit, so to speak.
Aoudad was on the circuit now. “We’re just arriving, sir. They’re being taken to the hotel.”
“Good. Good. See that they’re given every comfort.”
“Naturally.”
“But don’t spend much time near them. They want to be with each other, not chivied about by chaperones. Do you follow me, Aoudad?”
“They’ll have the whole Pole to themselves.”
Chalk smiled. Their tour would be a lovers’ dream. It was an elegant era, and those with the right key could open door after door of pleasures. Burris and Lona would enjoy themselves.
The apocalypse could come later.
TWENTY-ONE: AND SOUTHWARD AYE WE FLED
“I don’t understand,” Lona said. “How can it be summer here? When we left, it was winter!”
“In the Northern Hemisphere, yes.” Burris sighed. “But now we’re below the Equator. As far below as it’s possible to get. The seasons are reversed here. When we get summer, they have winter. And now it’s their summer here.”
“Yes, but why?”
“It has to do with the way the Earth is tipped on its axis. As it goes around the sun, part of the planet is in a good position to get warmed by sunlight, and part isn’t. If I had a globe here, I could show you.”
“If it’s summer here, though, why is there so much ice?”
The thin, whining tone of her questions annoyed him even more than the questions themselves. Burris whirled suddenly. There was a spasm within his diaphragm as mysterious organs spurted their secretions of anger into his blood.
“Damn it, Lona, didn’t you ever go to school?” he blazed at her.
She shrank away from him. “Don’t shout at me, Minner. Please don’t shout.”
“Didn’t they teach you anything?”
“I left school early. I wasn’t a good student.”
“And now I’m your teacher?”
“You don’t have to be,” Lona said quietly. Her eyes were too bright now. “You don’t have to be anything for me if you don’t want to be.”
He was suddenly on the defensive. “I didn’t mean to shout at you.”
“But you shouted.”
“I lost patience. All those questions—”
“All those silly questions—isn’t that what you wanted to say?”
“Let’s stop it right here, Lona. I’m sorry I blew up at you. I didn’t get much sleep last night, and my nerves are frayed. Let’s go for a walk. I’ll try to explain the seasons to you.”
“I’m not all that interested in the seasons, Minner.”
“Forget the seasons, then. But let’s walk. Let’s try to calm ourselves down.”
“Do you think I got much sleep last night, either?”
He thought it might be time to smile. “I guess you didn’t, not really.”
“But am I shouting and complaining?”
“As a matter of fact, you are. So let’s quit it right here and take a relaxing walk. Yes?”