"I can think of nothing more delightful," he said, "than to strap a harp to my back and saunter from castle to castle living in the gracious beauty of poetry and music.
"We have the dungeon here, but we lack both the drawbridge and the castle. How sweet it would be to sit in the silver moonlight, to summon the fairies from their leafy pavilions with the strains of our warblings! And then to lie back on the grass and weave fantastic dreams to lighten the drab heart of the world!"
Porter was feeling very gay this night. A hope he had silently cherished. As always he came over to share his happiness. He had won an honor craved by every convict in the "stir."
There was a light tap at the post-office door. Billy opened it and took something from the prisoner standing there and softly closed the door. He handed a card to me. In his own handwriting was Bill Porter's name and underneath a drawing of the steward's office.
"Who brought the card?" I asked.
"Bill; he's out there. Shall I let him in?" Raidler was in a whimsical mood. The light tap was repeated. I answered it.
"Gentlemen, why be so exclusive?" Porter walked in with a very pompous air, his shoulders thrown back in an exaggerated swagger. "Permit me to inform you that I have changed my residence. The card will enlighten you as to my present domicile. I moved to-day."
There was a new enthusiasm in his bantering voice. Porter had been appointed secretary to the steward. The position, with the single exception of the secretaryship to the warden, was the best in the pen. It took him beyond the walls. The steward's office was directly across the street from the pen, the edge of the building skirting the river.
"Colonel, you would envy me---" the voice was a low chuckle.
"I have a desk near the window a big desk with pigeon-holes. I have all the books I want. I can read and think without interruption. Now I can do something."
Seldom had Porter alluded to his ambition to write. We sent out some of his stories, but he let us think they were done just for diversion. The new position gave him plenty of opportunity to try out his talents. He spent every spare moment "practicing," as he used to put it.
We talked about literature and its purposes very often now, for I was even freer than Bill. I had been made secretary to Warden Darby. I had even managed to worm myself out of convict clothes. When I went into Darby's office I was brought into contact with all the distinguished visitors of the State and Nation.
"I look pretty shabby," I hinted to Darby. "I ought to be more up to my position." He turned to me.
"Sure," he said; "go over to the State shop and get the best suit of clothes you can order."
He meant the best suit of convict clothes. I picked out a fine piece of serge and ordered as clever a suit as the Governor might have worn. When Darby saw me without the stripes, he gasped.
"Pretty slick," was the only comment he made. I never wore the stripes again.
Nearly every night Porter would come across the street to visit Billy and me. We would talk by the hour, filling him up on the exploits of bandit days, spinning out the yarns in choice outlaw lingo. He listened captive. The stories seemed to suggest ideas to him. He never used anything just as it was told to him.
"You ought to startle the world," he said to me one day.
"How, by shooting it up?"
"No, colonel, but you have a wonderful lot of stories. You can view life from a thousand viewpoints."
I often wondered at Porter's methods. It seemed to me that he overlooked innumerable stories by his aloofness. He did not seem to have the slightest de- sire to ferret out the secrets of the men in the pen. The convict as a subject for his stories did not appeal to him.
I am convinced that he felt himself different from the average criminal. It was not until he returned to the world and suffered from its coldness that his sympathies were broadened and his prejudices mellowed.
One very odd experience revealed this trait in Porter. I used to play in the prison band every Sunday at chapel. One morning a song thrilled out from the the women's loft.
It was the most magnificent contralto voice I have ever heard. It had a purple depth and intensity of feeling in its tones and at times there was a mournful, piercing pathos in it that struck into the soul like a heartbroken wail.
I looked up, trying to trace the voice to its owner. And finally it seemed to me that a tall, proud-looking girl—a Southerner of exceeding beauty was the singer. Her skin was moon white in its purity, she had splendid gray eyes and hair that fell in a golden radiance about her face. I became greatly interested.
"There's a girl in the pen, Bill," I told Porter, "and you want to come to chapel next Sunday and hear her sing."
"Colonel, I fear you jest. I wouldn't go into the chapel to hear the seven choirs of angels let alone a wretched feminine convict!"
Mrs. Mattie Brown was matron of the women's ward. I was sent over on business. I took the chance to satisfy my curiosity.
"Who is the prima donna that sings on Sundays?" I asked.
"Would you like to see her?" the matron said, looking at me with quiet interest. "You might be able to put in a good word for her and maybe get her a padon. She's a good girl." Mrs. Brown was always trying to help the women convicts. Her understanding was as warm as the sun and as deep as the sea.
"It's a terrible thing to get it the way she did," the matron said. ' 'She's in on a charge of murder. She got life for it."
The girl came down. She was very slender and the cheap, calico polka-dot dress was out of tone with her rich beauty. She looked like a young queen, whose rags could not conceal her distinction.
As soon as she stood before me I was embarrassed. I did not like to ask her questions, but for once in my life curiosity obsessed me. I told her so.
"Your singing attracted me," I said. "I listen for it every Sunday."
A bitter shadow went like an ugly blot across her face and the girl looked up, her clear eyes marred by their look of self-abasement.
"Sing? Oh, yes; I can sing," the voice that was like amber honey mocked. "I sang myself into hell. I don't mind telling you. It isn't often that anyone is interested enough to listen. My people haven't come near me. They think I disgraced them. Maybe so, I don't care. I haven't seen a soul from the out- side in four years. One good thing about prisons, though, you don't live very long in them."
The cynical despondency of this girl, who was not more than 25, robbed me of composure. I couldn't think of a thing to say to her. She was high bred and nervous.
"Isn't it terrible to be scoffed at and have your friends put their hands over their mouths and whisper 'Murderess' when you pass? Oh—I know—a shudder caught her. "That's what happened to me!" her lips suddenly trembled and her chin shook pitifully. She turned and rushed sobbing down the corridor.
As the girl's rough calico whisked around the corner, the matron shook her head.
"I made a mistake, I shouldn't have brought her down. I didn't think it would affect her so. Now she'll be melancholy for a week. Isn't she a pitiful figure! I wish I could do something for herl"
"Was she guilty?"
"Its pretty hard to say. A man about killed Sally's baby. The man was the baby's father. Sally turned around and shot him through the heart. She's glad about it. I mean she's glad about the killing.
"It was shameful the way her mother and her sisters went back on her. She sat in the court all alone and not a soul was with her when she was condemned. They took her off to the pen as though she were a gutter snipe.
"And Sally had supported that mother and sisters. It was her singing that kept them from starvation."
Sally Castleton was sent up from Hamilton county (Cincinnati) for life. The war had robbed her people of their wealth, but not of their pride. It was more in keeping with their type of dignity to starve than to send their daughters to work.