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“Christ, Nora, what else do you think is in there? Corn? The evidence is overwhelming. I just found the Anasazi Fort Knox.”

As Nora stared at him, in growing consternation and disbelief, she saw Sloane come up through the twilight, oversized camera under one arm.

“Sloane!” Black called out. “I found it!” He rushed over and embraced her. Smiling, she disentangled herself, and looked from him to Nora with a quizzical expression. “What’s this?” she asked, carefully setting down the camera.

“Black found a sealed cave behind the city,” Nora replied. “He says the Sun Kiva is inside it.”

Sloane looked at Black quickly, smile vanishing as comprehension dawned.

“It’s there, Sloane,” he said. “A Great Kiva, sixty feet in diameter, with a sun disk painted on its side.”

A powerful play of emotions ran quickly across Sloane’s face. “What kind of disk?”

“A great sun in yellow pigment, mixed with mica and polished. It looks just like gold. I thought it wasgold when I first saw it.”

Sloane suddenly became very pale, then flushed deeply. “Paint mixed with mica?”

“Yes. Crushed biotite mica, which has a golden cast to it. A brilliant imitation of the real thing. Which is exactly the kind of symbolic representation you’d find on the outsideif they were storing—”

“Take me to it,” Sloane said urgently. Black grabbed her hand and they turned away.

“Hold on!” Nora barked.

The two turned to look at her, and with dismay Nora read the passion in their faces. “Just a minute,” she continued. “Aaron, you’re acting like a pothunter, not a scientist. You should never have broken into the back of the cave. I’m sorry, but we can’t have any more disturbance.”

Sloane looked at her, saying nothing, but Black’s face grew dark. “And I’msorry,” he said loudly, “but we’re going up there.”

Nora looked into Black’s eyes, saw there was no point in arguing with him, and turned to Sloane instead. “For good or ill, everything that happens here is going into the final report,” she went on urgently. “Sloane, consider how your father will react if he hears we busted willy-nilly into that kiva. If Black is right, this could be the most important discovery yet. Even more reason why we have to proceed carefully.”

At the mention of her father, the sudden hunger seemed to leave Sloane’s face. She tensed, struggling to regain her composure.

“Nora, come up with us,” she said with a quick smile. “All we’ll do is look. What harm is there in that?”

“Absolutely,” said Black. “I’ve touched nothing. Nothing has happened here that can’t go into a public report.”

Nora looked at each of them in turn. Smithback, Swire, and Bonarotti had come over and were listening intently. Only Aragon was missing. She glanced at her watch: almost seven o’clock. She thought about what Black had said: a hidden city, the Sun Kiva. What was it Aragon had said in the Rain Kiva? “There’s a piece of the puzzle still missing. I thought it would be in this kiva. But now, I am not so sure.” If Aragon were here, no doubt he’d disapprove. But she knew Black’s find could mean the key to everything. The fact that it might be looted and destroyed after they were gone filled her with a helpless anger. Because of that, they had an obligation to document the inner cave, at least in photographs. Besides, if she were to keep the group together, she felt she had no choice but to bend just a little. The harm had been done; Black’s transgression would be dealt with later, and not by her.

“All right,” she said. “We’ll make a short visit. Only long enough to take photographs and decide how best to reseal the cave. No more violations of any sort. Am I understood?” She turned to Sloane. “Bring the four-by-five camera. And Aaron, you get the fluorescent lamp.”

* * *

Ten minutes later, a small group stood huddled together in the confines of the inner cave. Nora gazed in awe, overwhelmed despite herself by the richness of the site, by the perfect little gem of an Anasazi pueblo hidden behind the mysterious kiva. The greenish glare of the lamp threw magic-lantern patterns on the irregular walls. It was a small pueblo, no more than thirty rooms; no doubt some kind of sanctum sanctorumfor the priests. For that reason alone, it would be exceedingly interesting to study.

The Sun Kiva itself was unadorned except for the great polished disk, glinting in the harsh light. Thick ribbed dust lay in drifts against its base and along its walls. The kiva had been carefully plastered with adobe, and she saw that the only opening in its side had been blocked with rocks.

“Look at that stonework,” said Black. “It’s the most fortified kiva I’ve ever seen.”

A pole ladder was leaning against one side of the kiva. “That was leaning against the roomblocks,” Black said eagerly, following Nora’s glance. “I brought it over and climbed onto the roof. There’s no roof opening. It’s been totally sealed shut.” His voice dropped a notch. “As if it’s hiding something.”

Sloane broke away from the group and walked up to the sun disk. She stroked it lightly, almost reverently, with her fingers. Then she glanced back at Nora, briskly unpacked her camera kit, and began setting up the first shot.

The group stood silently while Sloane moved about the cavern, shooting the kiva and its associated roomblocks from a variety of angles. Soon she rejoined them, folded up her tripod, and put the camera body back in its case.

Even the loquacious Smithback had remained silent and, most uncharacteristically, taken no notes. There was a palpable tension in the air; a tension quite different, Nora realized, than any she had felt at the site before.

“Done?” she asked. Sloane nodded.

“Before we leave tomorrow morning,” Nora went on, careful to keep her voice neutral, “we’ll reblock the hole as best we can. There’s not much to bring a looter back behind the granaries. If we hide it well, they’ll miss it.”

“Before we leave?” Black repeated.

Nora looked at him and nodded.

“By God, not until we open this kiva,” said Black.

Nora looked at his face, then at Sloane. And then at Swire, and Bonarotti, and Smithback. “We’re leaving tomorrow,” she said quietly. “And nobody’s opening this kiva.”

“If we don’t do it now,” Sloane said, her voice loud, “nothing will be left when we return.”

There was a tense silence, broken by Bonarotti. “I would also like to see this kiva full of gold,” he said.

Nora waited, taking measured breaths, thinking about what she was going to say and how she was going to say it.

“Sloane,” she began quietly. “Aaron. This expedition is facing a crisis. One person has died. There are people out there who killed our horses, and who may try to kill us. To open and document this kiva properly would take days. We don’t havedays.” She paused. “I’m the leader of this expedition. It’s my choice to make. And we’re leaving tomorrow.”

A tense silence gathered in the cave.

“I don’t accept your so-called choice,” Sloane said in a low tone. “Here we are, on the verge of the greatest discovery, and what is your answer? Go home. You’re just like my father. You have to control everything. Well, this is mycareer, too. This is mydiscovery as much as it is yours. If we leave now, this kiva will be looted. And you’ll have thrown away perhaps the greatest discovery in American archaeology.” Nora saw that she was shaking in anger. “I’ve been a threat to you from the beginning. But that’s your problem, not mine. And I’m not going to let you do this to my career.”

Nora looked hard at Sloane. “You mention your father,” she said slowly. “Let me tell you what he said to us, right before we left for Quivira: ‘You are representing the Institute. And what the Institute represents is the very highest standard of archaeological research and ethical conduct.’ Sloane, what we do here, what we say here, will be studied, debated, second-guessed by countless people.” She softened her tone. “I know how you feel. I want to open this kiva as much as you do. And we willbe back to do this the right way. I promise you’ll get all the credit you deserve. But until that time, I absolutely forbid the opening of this kiva.”