The next morning, at breakfast, Jake Steiner says to his daughter, “You better take your car. I’ll be gone all afternoon. I got things to do.”
“Sure, pa,” she says. “I’ll drive in.”
They don’t look at each other. She knows about his “things to do.” He’s going to shtup his twist in Brooklyn.
He drives to the dump in his Cadillac and she follows in her Mazda. By the time she arrives at the office, Jake is on his second cigar and third black coffee. He’s also nibbling on a tot of schnapps from a bottle he keeps in his desk.
“You’re killing yourself, pa,” Sally says.
“Tell me about it,” he says, not looking up from his Times.
She keeps glancing out her window, watching for the big Loadmaster crewed by Mulloy and Hamilton. Finally, a little after noon, she sees it coming in. She knows the guys are going to take their lunch break. She grabs her shoulder bag and goes running out. She has to wait until they wash up in the locker room.
“Hey, you bums,” she says. “Want a free lunch?”
“Whee!” Leroy says. “Christmas in May. What’s the occasion, Sally baby?”
“She wants to make nice-nice,” Terry says. “I told you she’d come around eventually.”
“This is strictly business, you schmuck,” Sally says. “Come on, let’s go over to the Stardust.”
She picks out a table in a back corner of the diner. They give Mabel their order: three cheeseburgers, home fries, cole slaw, and beer.
“Can either of you guys get hold of a pickup or a van?” she asks them.
They look at each other.
“What for?” Mulloy says.
“It’s a special job. I need a pickup every Tuesday and Thursday. I want you to load it with the barrels of Bechtold Printing scrap, drive out to my house in Smithtown, and leave the barrels in the garage. The next Tuesday or Thursday when you bring the new barrels out, you pick up the old ones and bring them back here to the dump for baling. Got that?”
“What’s this all about?” Terry asks.
“It’s about an extra hundred a week for each of you. In cash. Off the books.”
They think about that awhile, chomping their cheeseburgers.
“I got a cousin with an old, beat-up Chevy van,” Hamilton says slowly. “I could maybe borrow it on Tuesdays and Thursdays. Probably get it for five bucks a shot and gas.
“I’ll pay,” Sally says promptly. “However you want to work it. Just get those Bechtold barrels out to Smithtown twice a week. I’ll rig your Tuesday and Thursday schedules so you’ll have plenty of time to make the round trip. Maybe one of you better stick in town on the big truck, and the other guy makes the drive out to the Island in the van.”
“But we get a hundred each?” Mulloy says.
“That’s right. Per week. Cash. Off the books.”
“No trouble with the buttons?” Hamilton says.
“What trouble?” Sally says. “Anyone asks questions, you know from nothing; you’re just following the orders of the boss.”
“Sounds good to me,” Mulloy says, glancing at Hamilton.
“I’ll play along,” Hamilton says.
She goes back to the office, sets to work rearranging pickup schedules. She lightens up on Mulloy and Hamilton’s Tuesday and Thursday assignments so one or both of them will be able to work in the round trip to Smithtown. It’s about three o’clock, and Jake is long gone in his Cadillac, when Judy Bering comes into her office.
“There’s a woman on the phone,” she says. “She’s crying. Sounds hysterical. Something about your father.”
“Jesus,” Sally says, knowing this can’t be good. “All right, put her on my line.”
She listens awhile to the wails, the sobs, the incoherent babbling. Finally she figures out what has happened.
“What’s your name?” she says sharply, interrupting the woman’s desperate howls.
“What? What?”
“Your name. What’s your name?”
“Dotty. My name is Dotty.”
“Dotty what?”
“Uh, Dotty Rosher.”
“All right now, Dotty, listen to me. Lock your door and get dressed. Go into the living room and just sit there. Don’t do a goddamn thing. Don’t call anyone or talk to anyone. I’m coming to help you. To help you, Dotty. I’ll be there as soon as I can. Now give me your address and phone number.”
She makes quick notes, hangs up, then has the presence of mind to go to the office safe. They keep the petty cash in there, but it’s hardly “petty”-almost five thousand in small bills in case the local cops come around, or the fire inspectors, plumbing inspectors, electrical inspectors, sanitation inspectors. The petty cash is not for bribes, exactly. Just goodwill.
Sally grabs up a handful of twenties and fifties, stuffs them in her shoulder bag. She stalks out, grim-faced.
“I listened in, Sal,” Judy Bering says, beginning to weep. “I’m sorry.”
“Yeah,” Sally Steiner says.
She drives her Mazda like a maniac, but crosstown traffic is murder, and it’s almost an hour and a half before she gets over to Park Slope.
Dotty Rosher turns out to be a little thing, a piece of fluff. A strong west wind would blow her away. She’s got wide blue eyes, a mop of frizzy blond curls, Cupid’s-bow lips, and a pair of lungs that make Sally look like a boy. She’s fully dressed-for all the good that does.
“Where is he?” Sally demands.
“I got your phone number from his business card. It was in his wallet, but I swear I didn’t-”
“Where is he?” Sally screams at her.
“In the bedroom. He just, you know, just went out. I thought he had fainted or something, but then I couldn’t-”
“Shut your yap,” Sally says savagely.
She goes into the bedroom. The body of her father, naked, is lying on rumpled pink sheets. His mouth is open, eyes staring. He is dead, dead, dead. She looks down at the pale, flaccid flesh and varicose veins with distaste. His shrunken penis is lost in a nest of wiry gray hair.
“You son of a bitch,” Sally says bitterly, then bends to kiss his clammy cheek.
She goes back into the living room and tells Dotty Rosher what must be done.
“I can’t. I just can’t.”
“You do it,” Sally says stonily, “or I walk out of here right now and leave you with a naked corpse. You can explain it to the cops. Is that what you want?”
So, together, they dress the remains of Jake Steiner, wrestling with his heavy body while they struggle to get him into undershirt and shorts, knitted sport shirt, trousers, jacket, socks and shoes. They remember to lace up the shoes, close his fly. Then they drag him off the bed into the living room, tugging him by the armpits, his heels scuffing the shag rug. They get the body seated in an armchair, head flopped forward, arms dangling.
Dotty Rosher looks ready to pass out. Her mouth is working, and she’s beginning to claw at her throat.
“You better get a drink of something,” Sally advises.
“I think I’ll have a Grasshopper,” Dotty says faintly. “They’re really delicious. Would you like one?”
“No, thanks. Go have your Grasshopper.”
Sally fetches her father’s half-full tumbler of cognac from the bedroom and sets it on the end table alongside his armchair. Then she tips it over so the brandy spills on the table and drips down onto the rug. She inspects the scene, then knocks the tipped glass to the floor. Now it looks authentic: man with history of heart trouble stricken with an attack while drinking.
Dotty comes back with her Grasshopper, looking a little perkier. Sally outlines the scenario for her, speaking slowly and distinctly.
“My father owned this apartment, but you rented it from him. Got that? He and I came up to collect next month’s rent. He and I came here together. That’s very important. Can you remember that? We were sitting in the living room talking, and you offered us drinks. I didn’t want anything, but Jake had a glass of brandy. He took a couple of swallows and suddenly collapsed. We tried to revive him but nothing helped. Got all that?”