But I do not see why I should have forgotten so excellent a resolution. His impression is that I was really steering and trying to drop into the Farthing Down beeches. "You hit the trees," he said, "and the whole affair stood on its nose among them, and then very slowly crumpled up. I saw you'd been jerked out, as I thought, and I didn't stay for more. I rushed for my bicycle."
As a matter of fact, it was purely accidental that I came down in the woods. I am reasonably certain that I had no more control then than a thing in a parcel. I remember I felt a sort of wincing, "Now it comes!" as the trees rushed up to me. If I remember that, I should remember steering. Then the propeller smashed, everything stopped with a jerk, and I was falling into a mass of yellowing leaves, and Lord Roberts A, so it seemed to me, was going back into the sky.
I felt twigs and things hit me in the face, but I didn't feel injured at the time; I clutched at things that broke, tumbled through a froth of green and yellow into a shadowy world of great bark-covered arms, and there, snatching wildly, got a grip on a fair round branch, and hung.
I became intensely alert and clear-headed. I held by that branch for a moment and then looked about me, and caught at another, and then found myself holding to a practicable fork. I swung forward to that and got a leg around it below its junction, and so was able presently to clamber down, climbing very coolly and deliberately. I dropped ten feet or so from the lowest branch and fell on my feet. "That's all right," I said, and stared up through the tree to see what I could of the deflated and crumpled remains that had once been Lord Roberts A festooned on the branches it had broken. "Gods!" I said, "what a tumble!"
I wiped something that trickled from my face and was shocked to see my hand covered with blood. I looked at myself and saw what seemed to me an astonishing quantity of blood running down my arm and shoulder. I perceived my mouth was full of blood. It's a queer moment when one realises one is hurt, and perhaps badly hurt, and has still to discover just how far one is hurt. I explored my face carefully and found unfamiliar contours on the left side. The broken end of a branch had driven right through my cheek, damaging my cheek and teeth and gums, and left a splinter of itself stuck, like an explorer's fartherest-point flag, in the upper maxillary. That and a sprained wrist were all my damage. But I bled as though I had been chopped to pieces, and it seemed to me that my face had been driven in. I can't describe just the horrible disgust I felt at that.
"This blood must be stopped, anyhow," I said, thickheadedly.
"I wonder where there's a spider's web"—an odd twist for my mind to take. But it was the only treatment that occurred to me.
I must have conceived some idea of going home unaided, because I was thirty yards from the tree before I dropped.
Then a kind of black disc appeared in the middle of the world and rushed out to the edge of things and blotted them out. I don't remember falling down. I fainted from excitement, disgust at my injury and loss of blood, and lay there until Cothope found me.
He was the first to find me, scorching as he did over the downland turf, and making a wide course to get the Carnaby plantations at their narrowest. Then presently, while he was trying to apply the methodical teachings of the St. John's Ambulance classes to a rather abnormal case, Beatrice came galloping through the trees full-tilt, with Lord Carnaby hard behind her, and she was hatless, muddy from a fall, and white as death. "And cool as a cucumber, too," said Cothope, turning it over in his mind as he told me.
("They never seem quite to have their heads, and never seem quite to lose 'em," said Cothope, generalising about the sex.)
Also he witnessed she acted with remarkable decision. The question was whether I should be taken to the house her step-mother occupied at Bedley Corner, the Carnaby dower house, or down to Carnaby's place at Easting. Beatrice had no doubt in the matter, for she meant to nurse me. Carnaby didn't seem to want that to happen. "She WOULD have it wasn't half so far," said Cothope. "She faced us out....
"I hate to be faced out of my opinion, so I've taken a pedometer over it since. It's exactly forty-three yards further.
"Lord Carnaby looked at her pretty straight," said Cothope, finishing the picture; "and then he give in."
V
But my story has made a jump from June to October, and during that time my relations with Beatrice and the countryside that was her setting had developed in many directions. She came and went, moving in an orbit for which I had no data, going to London and Paris, into Wales and Northampton, while her stepmother, on some independent system of her own, also vanished and recurred intermittently. At home they obeyed the rule of an inflexible old maid, Charlotte, and Beatrice exercised all the rights of proprietorship in Carnaby's extensive stables. Her interest in me was from the first undisguised. She found her way to my worksheds and developed rapidly, in spite of the sincere discouragement of Cothope, into a keen amateur of aeronautics. She would come sometimes in the morning, sometimes in the afternoon, sometimes afoot with an Irish terrier, sometimes riding. She would come for three or four days every day, vanish for a fortnight or three weeks, return.
It was not long before I came to look for her. From the first I found her immensely interesting. To me she was a new feminine type altogether—I have made it plain, I think, how limited was my knowledge of women. But she made me not simply interested in her, but in myself. She became for me something that greatly changes a man's world. How shall I put it? She became an audience. Since I've emerged from the emotional developments of the affair I have thought it out in a hundred aspects, and it does seem to me that this way in which men and women make audiences for one another is a curiously influential force in their lives. For some it seems an audience is a vital necessity, they seek audiences as creatures seek food; others again, my uncle among them, can play to an imaginary audience. I, I think, have lived and can live without one. In my adolescence I was my own audience and my own court of honour. And to have an audience in one's mind is to play a part, to become self-conscious and dramatic. For many years I had been self-forgetful and scientific. I had lived for work and impersonal interests until I found scrutiny, applause and expectation in Beatrice's eyes. Then I began to live for the effect I imagined I made upon her, to make that very soon the principal value in my life. I played to her. I did things for the look of them. I began to dream more and more of beautiful situations and fine poses and groupings with her and for her.
I put these things down because they puzzle me. I think I was in love with Beatrice, as being in love is usually understood; but it was quite a different state altogether from my passionate hunger for Marion, or my keen, sensuous desire for and pleasure in Effie. These were selfish, sincere things, fundamental and instinctive, as sincere as the leap of a tiger. But until matters drew to a crisis with Beatrice, there was an immense imaginative insurgence of a quite different quality. I am setting down here very gravely, and perhaps absurdly, what are no doubt elementary commonplaces for innumerable people. This love that grew up between Beatrice and myself was, I think—I put it quite tentatively and rather curiously—romantic love. That unfortunate and truncated affair of my uncle and the Scrymgeour lady was really of the same stuff, if a little different in quality. I have to admit that. The factor of audience was of primary importance in either else.
Its effect upon me was to make me in many respects adolescent again. It made me keener upon the point of honour, and anxious and eager to do high and splendid things, and in particular, brave things. So far it ennobled and upheld me. But it did also push me towards vulgar and showy things. At bottom it was disingenuous; it gave my life the quality of stage scenery, with one side to the audience, another side that wasn't meant to show, and an economy of substance. It certainly robbed my work of high patience and quality. I cut down the toil of research in my eagerness and her eagerness for fine flourishes in the air, flights that would tell. I shirked the longer road.