"Part Ninety-one," she says. "The guy I fly for owns a Four-thirty."
"Lucky him," the pilot says, impressed. "Must be some rich guy, is all I gotta say. That's one hell of a bird, the Four-thirty. How do you like the sight picture? Did it take a while to get used to it?"
"Love it," she replies, wishing he would shut up. She can talk helicopters all day but is more interested in figuring out where she should plant covert transmitters in Frank Paulsson's house and how she is going to do it.
The plump woman who showed Lucy into the waiting room reappears and tells the other pilot he can come with her, that Dr. Paulsson is ready for him and has he finished filling out his form and is he satisfied that his answers are correct.
"If you're ever around Mercury Air, we've got an office in the hangar, you'll see it off the parking lot. I've got a soft-tail Harley parked back there," he says to Lucy.
"A man with my taste," she replies from her chair. "I need a new form," she tells the woman. "I messed this one up."
The woman gives her a suspicious look. "Well, let me see what I can do. Don't throw that one away. You'll mess up the sequence numbers."
"Yes, ma'am. I have it right here on the table." To the pilot, Lucy says, "I just traded my Sportster in for a V-Rod. It's not even broken in yet."
"Damn! A Four-thirty and a V-Rod. You're living my life," he says admiringly.
"Maybe we'll ride sometime. Good luck with the cat."
He laughs. She hears him go up the stairs while he explains to the unsmiling, chunky woman that when he met his wife she wouldn't give up her cat and it slept in her bed and he used to break out in hives at the most inopportune times. Lucy has the downstairs to herself for at least a minute, at least long enough for the woman to get another blank form and come back down to the waiting area. Lucy slips on a pair of cotton gloves and moves quickly around the room, wiping off every magazine she touched.
The first bug she plants is the size of a cigarette butt, a wireless microphone-audio transmitter she custom-mounts in a waterproof plant-green plastic tube that looks like nothing. Most bugs should be disguised to look like something, but now and then a bug should simply look like nothing. She places the green tube inside the bright ceramic pot of the lush green silk plant on the coffee table. She quickly walks to the back of the house and plants another nothing-looking green bug in another green silk plant that is on a table inside the eat-in kitchen, and she hears the woman's feet on the stairs.
45
Inside Benton's town home, in the third-floor bedroom that he uses as an office, he sits at the desk in front of his laptop computer and waits for Lucy to activate her hidden video camera that is disguised as a pen and connected to a cellular interface that looks like a pager. He waits for her to activate the high-sensitivity audio transmitter disguised as a mechanical pencil. On the desk to the right of his laptop is a modular audio intelligence monitoring system built into a briefcase. The briefcase is open, the tape recorder and receivers inside on standby.
It is twenty-eight minutes past ten a.m. in Charleston and two hours earlier than that here in Aspen. He stares at the black screen of his laptop, sitting patiently at his desk and wearing headphones, as he waits. He has been waiting for almost an hour. Lucy called him when she landed in Charleston late yesterday her time and told him she had the appointment. Dr. Paulsson is overbooked, she added. She told the lady who answered the phone that it was urgent. Lucy had to get a flight physical right away because her medical certificate expired in two days. Why had she waited until the last minute? the woman at Dr. Paulssoris office wanted to know.
Lucy described her theatrics to Benton, proud of them. She said she faltered and sounded scared. She stammered a bit and replied that she just hadn't been able to get around to it, that the helicopter owner she worked for had been flying her all over the place and she just hadn't been able to get around to the flight physical. And, well, she'd been having personal problems, she told the woman, and if she didn't get her physical, she wouldn't be legal to fly and she might lose her job, and the last thing she needed on top of everything else was to lose her job. The woman put Lucy on hold. When she got back to her, she said Dr. Paulsson would fit her in at ten A.M. the next morning, which is now this morning, and he was doing her quite a favor because he was cancelling his weekly doubles match because of her predicament. Lucy had better not change the appointment and she had better show up, because of the huge favor the important, busy Dr. Paulsson was doing for her.
So far, all is well and according to plan. Lucy has an appointment. She is at the flight surgeon's house now. Benton waits at his desk and looks out the window at a snow sky that is lower and denser than it was not even half an hour ago. It is supposed to start snowing again by dark and snow all night. He is getting tired of snow. He is getting tired of his town home. He is getting tired of Aspen. Ever since Henri invaded his life, he has been getting tired of just about everything.
Henri Walden is a sociopath, a narcissist, a stalker. She is a waste of his time. His post-incident stress counseling is a joke to her, and he might feel sorry for Lucy were he not angry with her for allowing Henri to do so much damage. Henri lured her and used her. Henri got what she wanted. Maybe she didn't plan on being attacked inside Lucy's Florida home, maybe there are a lot of things she didn't plan on, but in the end Henri looked for Lucy and found her and took what she wanted from her, and now she is making a mockery of him. He has sacrificed his Aspen vacation with Scarpetta so some sociopathic failed-actress-failedinvestigative-agent named Henri can mock and infuriate him. He gave up his time with Scarpetta, and he could not afford to give up that time. He couldn't. Already things were bad. Maybe now they will be over. He wouldn't blame her. The thought is unbearable, but he wouldn't blame her.
Benton picks up a transmitter that looks like a small police radio. "Are you up?" he says to Lucy.
If she's not, she won't pick up the transmission through the tiny wireless receiver inside her ear canal. The earpiece is invisible but she'll have to be clever about wearing it. Certainly, she can't have it on when Dr. Paulsson checks inside her ears, so Lucy will have to be very quick and shrewd. Benton warned her that the one-way receiver would be helpful but risky. I'd like to be able to talk to you, he told her. It would be extremely helpful if I could cue you. But you know the risks. At some point during the examination, he's going to discover it. She said she would rather not be cued. He said he would rather she was.
"Lucy? Are you up?" he broadcasts again. "I'm not hearing or seeing you, so I m checking."
The video is suddenly activated and he watches images fill the screen of his laptop, and he hears Lucy's footsteps. A picture of wooden stairs in front of her bobs up and down as she climbs the stairs, and in the headphones he hears her feet. He hears her breathe.
"I got you loud and clear," he says into the transmitter, holding it close to his lips. The voice and video and recorder lights have switched from standby to active.
Lucy's fist intrudes into the picture and is very clear and loud as she knocks on a door. Benton sits at his desk, watching, and the door opens and a lab coat fills the screen, and he sees a male neck, then the face of Dr. Paulsson sternly greeting Lucy, backing away from her, telling her to have a seat, and as she moves, the pen camera sweeps around the small, stark examination room and the white-paper-covered examination table comes into view.
"Here's the old form. And the second one I filled out," Lucy says, handing forms to him. "I'm sorry. I hope I didn't mess up your system.