Real creators are stateless wanderers, like the nomads of the desert, and have only one function — at least in this world be low. They are our guides (Grandfather is convinced of this) who show us the trails to follow as we travel through life. They also tell us, with an abundance of details, the story of their emotional carousel. With their memory zinzoling here and there, their imagination working in geometric shapes — rectangles, triangles, trapezoids — they spare us muddy streams, the foaming slime of remorse, putrid waters like the waters of Lake Abbé, even the raging sea. The sea with its gums of an ogre so frightening to mankind. With these guides, you feel like pouncing on that Reaper, taking a dive into that hell which attracts men so much. Chroniclers of the ephemeral, they shell their sayings like oysters; they have such airborne words that they set off levitation above senses and sentiments. Silence and pandemonium bumping into each other, negating each other. The sudden blooming of new knowledge. They offer us pearls of rain from countries where it never rains, as Jacques Brel says in his song, major chords that connect man to humanity. As long as they can speak to us, their voices are made flesh, connecting us to others. They are herders of cows or dromedaries, crossers of limits, peddlers of mirages dragging behind them the latest news of the evening. They own nothing solid, or so little. Bitter almonds and sounds of bones, for many. For others, just a sheepskin for prayer and gymnastics for the believer. And when night has burned out the oil of its last lamps, one must make haste: it is the autumn of life. Poets approaching death commonly become prophets.
11. BASHIR BINLADEN
THE FIRST HALF not over and already part of Scud and the president began negotiations. It's simple: three Scud chiefs left for the capital. They say contact was still prime minister, the one who gets off his horse just to pee. Bégé (that's his name for short like RPP — that the name of the one an only party — an like RFI, PSG,1 etc.), he from same region as three chiefs, their name still top military secret. But OK, I can give you a hint, one's called Kif-Kif something, all the same. That don't mean a thing to you, don't matter too-too much. The man not well-known like me Binladen that's all. The three chiefs, they gonna hug the old president. And him, he gonna give armchair, residence, vehicle, official position an all that. Business-there, it Scud number 1, you got it. TV, radio, Peace Day everywhere. Dances (funny to have war dances to celebrate peace, no?), khat, and speeches. Even Madame President she was dancing in front of crowd full of bodyguards. Nobody thought about us, out there on the mountain facing enemy. Luckily everybody has their Kalashnikov. But wait, there's old Kalash an modern Kalash, see. Old Kalash is AK-47, modern is AK-58, tricky cause it sprays quick-quick. If it falls down, it fires by itself. AK-47 it can fall, it can trample an all but it stay calm cause of safety lock. AK-58 safety lock so-so small, tiny, way it is, it's danger of death. There's also machine-gun, rocket launchers, mortars, ground-to-ground (all that too-too heavy to carry). Better not walk behind buddy with rocket launcher, danger of death too. OK, rebels always attack when they very-very hungry. They come out of the brush, hide next to tar road, wait for vehicles. Unity Road (that the main Djibouti-Tadjoura road also called Fahd bin Abdulaziz Road, that the name of Saudi prince who gifted the road) that max danger cause rebels they not only looking for food, they want khat too, that way they be brave to make ambush again. Us we wait for official order to clean up all that. Well, we gonna wait long-long time cause Scud 1 an President lovey-dovey now. They smooch like women or Soviet chiefs I saw on Samireh the shopkeeper's TV. Ah, politics too-too ugly. Shameful, for real. What the three Scud 1 chiefs like Kif-Kif (Kif-Kif, Habachi, that Ethiopian name or what?) gonna tell their bambinos (that correct Italian, right)? They gonna say hey we happy, we signed negotiations in Abaro, we made peace. The kids, they gonna say whew with their hands on their mouths. Big, big shame. Aïdid, he say politics too-too dumb even. I agree, politicians useless losers who don't know how to do anything, don't know how to be mechanic, cook, teacher, doctor. Don't even know how to stand guard. Hey, I hear a lot of metal noises. Time to eat. Hunger hasn't fled my body even if sleep left my eyes since I tasted the pink pills Aïdid has in his pocket. I wanna gobble something cause my belly's going grrr grrr.
1. PSG: Paris Saint-Germain, a famous professional soccer team. — Translators’ note
12. ALICE
THIS WAS AT THE TIME when there were still straw huts (ariches, they're usually called) on the main street, Boulevard de Gaulle today — our beloved France hadn't yet taken the hammering it got in 1940—the last huts of this kind disappeared at the turn of the seventies, just before we arrived here. The name Boulaos remains, at the spot of the first fishing village. Dromedaries laden with bundles of sticks and saddled donkeys carrying water would often parade through the main streets of what was still called the native village — the magalla—which would steadily expand through the years. In Ambouli, there was also a zoo facing the palm grove. A wind turbine towered majestically over it; a crowd of children rushed there every afternoon like beggars charging at a cigarette butt that someone just threw away.
All that was yesterday, at the time when Alfred Ilg and Léon Chefneux had just launched the train, and the cathedral was still the church Sainte-Jeanne-d'Arc; it was roughed up by the earthquakes of 1929, 1930, and 1942. A whole yesterday still fresh in my mind, not your time, my little cactus, but rather the time of your father when he was still a teenager. You'd think it's already been relegated to time immemorial, like the women who sorted coffee beans on Place Ménélik; today they'd be as old as your grandmother. Or the time of the native militia (your grandfather was one of its first recruits). With the help of the Senegalese infantrymen — in reality not only Senegalese but from all over the AOF1—they maintained order in the model city, as model as a sub-prefecture of Ardèche or Ariège in France, or at least that was the claim of the weekly paper of the colony, whose banknotes came from the Banque de l'Indochine. During that whole period, they particularly had to keep their eyes on the Place des Chameaux (the future Place Rimbaud, now Place Mahmoud-Harbi, a stone's throw from the great Hammoudi mosque, which symbolized Djibouti and the Côte Française des Walals at the famous Paris Colonial Exposition of 1931). It served as the terminal for caravans but also as the main market for wood, milk, butter, and the spicy rumors from the backcountry, so dreaded by the governor. As soon as he got up in the morning, the governor would inquire into what was being said on the Place des Chameaux, who had arrived that day, what could have been said about him, what would Paris think of his silence, it's been three days since he didn't send them a letter through the usual channels. A colonial intelligence agent, relying on his three informers from the native tribes, would reassure him immediately. Nothing to worry about as far as our interests are concerned, the same old stories of bloodshed, poisoned wells, kidnapped fiancées, raids on zebus, and vendettas between rival clans. Trouble could come from the greed of the Abyssinians, but we've known that for ages. So, a promising day for the governor despite the blazing sun, so hot it could addle the brains of the little blond heads of the schoolchildren in the École de la Nativité. And the aroma of coffee would attract the governor. A table was set under the oleanders for this ritual. He would go inspect the brand-new premises of the Messageries Postales built by Duparchy and Vigoureux, the same firm that had put the final touch on all the viaducts between Djibouti and Addis Ababa as early as 1897, making generous use of metallic constructions of the Eiffel type. In short, a real day's work.