Card, Orson Scott
Treasure Box
To Russ and Tammy Card,
dear friends and beloved family,
for the faithfulness that carries you
along roads rough and smooth
ACKNOWLEDGMENTS
For the first time in many years, I actually wrote an entire novel at home. Thus every page was wrung from the patience of my family. Kristine and Emily read every chapter as the first draft emerged from the printer, and Geoff was not far behind; the fax lines hummed as Kathy Kidd in remotest Sterling, Virginia, received and read each night's work the morning after. To all four of you, thanks for your responses, which helped me know what I had written and how it needed to be improved.
Later, when the first draft was completed, I had great help from other advance readers, most notably my friend David Fox and my wise editor at Harper, Eamon Dolan; they also have my gratitude. Any flaws still remaining are probably due to my stubborn disregard of good advice.
My thanks to Kathleen Bellamy and Scott Alien for good work under all circumstances. Thanks also to Clark and Kathy Kidd, for giving me DC and northern Virginia.
And last of all my thanks to Charlie Ben and Zina, for reminding me always of the joyful striving of childhood.
1. Harvest
Quentin Fears never told his parents the last thing his sister Lizzy said to him before they pulled the plug on her and let her die.
For three days after the traffic accident, Lizzy lay in a coma, her body hosed, piped, pumped, probed, measured, medicated and fed so the doctors could keep her organs in good condition for transplant, while Mom and Dad struggled with the question of whether she was really dead.
Not that they had any doubts. The doctors showed them the flat lines of Lizzy's brainwaves. The doctors reverently assured the Fearses that if there were the tiniest spark of a hope that Lizzy was actually alive inside that bandaged head, they would cling to that hope and do all in their power to revive her. But there was hope only for the people whose lives might be saved by Lizzy's organs, and then only if they could harvest them before they deteriorated. Mom and Dad nodded, tears streaming down their faces, and believed.
But eleven-year-old Quentin did not believe the doctors. He could see that Lizzy was alive. He could see how the huge bruise reached out from under the bandages, blackening Lizzy's eyes; he watched the bruise change over the three days of the coma, and he knew she was alive. Dead people's bruises didn't change like that. And Lizzy's hands were warm and flexible. Dead people had cold, stiff hands. The machines that measured brainwaves weren't infallible. And who was to say there wasn't something deeper than the electrical activity of the brain?
"Quen understands about brain death," said Dad to one of the doctors late on the first day of her coma. He spoke softly, perhaps thinking Quentin was asleep. "You don't have to talk down to him."
The doctor murmured something even softer. Maybe it began as an apology, but it ended more as a question, a doubt, a demand.
Whatever it was the doctor said, Dad answered, "He and Lizzy were very close."
Quentin murmured his correction: "We are close."
It was just a word. A slip of the tongue. Only it meant that Dad had given up. She was already dead in his mind.
The men moved out into the corridor to continue their conversation. That happened more and more in the hours and days that followed. Quentin knew they were out there plotting how to get him out of the way. He knew that everything any grown-up said to him was bent to that purpose. Grandpa and Grammy Fears came to see him, and then Nanny Say, Mom's mom, but all conversations seemed to come to the same end. "Come on home, dear, and let Lizzy rest."
"Let them murder her, you mean."
And then they'd burst into tears and leave the room and Dad and Mom would come in and there'd be another fight in which Quentin would look them in the eye and say—not screaming, because Lizzy had told him years ago that screaming just made adults think of you as a child and then you'd never get any respect—he would look them in the eye and say whatever would stop them, whatever would make them leave the room with Lizzy still alive on the bed and Quentin still standing guard beside her.
"If you drug me, if you drag me out of here, if you murder her in my sleep, I will hate you for it for the rest of my life. I will never, never, never, never, never..."
"We get the idea," said Dad, his voice like ice.
"Never, never, never, never, never..."
Mom pleaded with him. "Please don't say it, Quen."
"Never forgive you."
This last time the scene played out, on the third day of the coma, Mom rushed crying from the room, out to the corridor where her own mother was already in tears from what Quentin had said to her. Dad was left alone with him in Lizzy's room.
"This isn't about Lizzy anymore," said Dad. "This is about you getting your own way. Well, you're not going to get your own way on this, Quentin Fears, because there's no one on God's green earth who has the power to give it to you. She's dead. You're alive. Your mother and I are alive. We'd like to be able to grieve for our little girl. We'd like to be able to think of her the way she was, not tubed up like this. And while we're at it, we'd like our son back. Lizzy meant a lot to you. Maybe it feels like she meant everything to you and if you let go of her there'll be nothing left. But there is something left. There's your life. And Lizzy wouldn't have wanted you to—"
"Don't tell me what Lizzy would have wanted," said Quentin. "She wanted to be alive, that's what she wanted."
"Do you think your mother and I don't want that too?" Dad's voice barely made a sound and his eyes were wet.
"Everybody wants her dead except for me."
Quentin could see that it took all of Dad's self-control not to hit him, not to rage back at him. Instead Dad left the room, letting the door slam shut behind him. And Quentin was alone with Lizzy.
He wept into her hand, feeling the warmth of it despite the needle dripping some fluid into a vein, despite the tape that held the needle on, despite the coldness of the metal tube of the bedrail against his forehead. "Oh, God," said Quentin. "Oh, God."
He never said that, not the way the other kids did. Oh God when the other team gets a home run. Oh God when somebody says something really stupid. Jesus H. Christ when you bump your head. Quentin wasn't raised that way. His parents never swore, never said God or Jesus except when they were talking religion. And so when Quentin's own mouth formed the words, it couldn't be that he was swearing like his friends. It had to be a prayer. But what was he praying for? Oh God, let her live? Could he even believe in that possibility? Like the Sunday school story, Jesus saying to Jairus, "She isn't dead, the little girl is only sleeping"? Even in the story they laughed him to scorn.
Quentin wasn't Jesus and he knew he wasn't praying for her to rise from the dead. Well, maybe he was but that would be a stupid prayer because it wasn't going to happen. What then? What was he praying for? Understanding? Understanding of what? Quentin understood everything. Mom and Dad had given up, the doctors had given up, everybody but him. Because they all "understood." Well, Quentin didn't want to understand.
Quentin wanted to die. Not die too because he wasn't going to think of Lizzy dying or especially of her already being dead. No, he wanted to die instead. A swap, a trade. Oh God, let me die instead. Put me on this bed and let her go On home with Mom and Dad. Let it be me they give up on. Let it be my plug they pull. Not Lizzy's.