The one thing he could not permit himself to do was think of Madeleine. The pile of books about sex was still on his nightstand—he hadn't been back to this apartment since they got married. He had never slept with her here. But her face was everywhere in this place. He blotted her out. She wasn't real. But he remembered the feel of her under his hand. How perfect her skin was. How cool and dry, and yet how warm when she should be warm.
Of course she was perfect. So were the berries and the pineapple and the pears. So was the luster of the table and the dishes and the goblets. Everything was perfect because the User took it out of his head. And she knew all the right things to say and do because the User stole it out of Lizzy's memory or trapped Lizzy inside the illusion. Forced Lizzy into this hideous fantasy in which all that Quentin amounted to was a pair of hands to open up the lid of a box.
Well, why go to all this trouble? Why him? With the kind of power the User had, why not just take some poor sap from up the road, walk him on down to the big house on the Hudson, and tell him to open the box?
The box was the big deal. There was some kind of barrier protecting the treasure box, locking the User outside. She apparently had thought that Quentin could get past that barrier and was furious when he didn't.
But what stopped him? He felt no barrier. He was about to open it when she ran out. Why did she give up so soon? Questions that had no answers.
Who was the User? Where was she? And how much power would she have with a .45 bullet boiling through her skull?
He lay there in the bed. Three in the morning. Trembling and cold. Check the thermostat. Already hotter than he normally kept his house. He must have taken a chill this afternoon on the road. Last night at this time he had been sleeping in a bed full of cobwebs after making love to his imagination. Last night he had slept in a stone-cold house that he only thought was warm. Why didn't he freeze to death? Did the User have the power to keep him warm? Four in the morning. He was starving. He had tried to eat the crackers in the cupboard, the only food in the apartment that hadn't passed its expiration date, but they were like dust in his mouth. He got up now and ate them anyway, and drank tap water, it felt like gallons of tap water. He showered. He took all his clothes out of his suitcases, clothes that had been put into dusty drawers and a filthy wardrobe, and laid them out to air. The clothes he had actually worn, the day he arrived at the house and today when he left, he threw them all into the garbage. He threw away the toothbrush from his kit. Five in the morning, he slipped back between the sheets and now he could sleep, still not letting himself think of Madeleine.
But sometime in the night, his mind went where he dared not let it go, and he woke up sobbing in grief for her. Madeleine, Mad, Mad. I don't care if you were a lie, I loved you. I loved you and you left me and I didn't do anything to deserve it, I was good to you. He cried himself back to sleep.
When he woke again it was five in the afternoon. Dark outside already. He got up and called the garage that kept his DC car. In the time it took them to bring it over, he showered again, dressed. He came out to meet the driver, tipped him, then got in the car and drove to Tysons Corner and picked up some shirts and slacks, socks and underwear. A new pair of running shoes. A new razor, new kit, two new suitcases exactly like the ones he already had. A new winter jacket. He drove home and changed into new clothes, then put everything that had been in the house on the Hudson, including the clothes he had stuffed in the garbage in the wee hours of the morning, packed them into the old suitcases, and carried them out to the Dumpster. It was nine o'clock. He drove to Lone Star and ate peanuts and steak soup and it was all ashes in his mouth but he went on and ate the salad and the filet because he was not going to let this thing kill him. He was going to go on with his life.
He got home and the message light on his answering machine was blinking. Someone had called.
But that wasn't possible. When he was away from one of his residences—which was most of the time—he had all the calls automatically routed to a single answering service in Nebraska. When he got to one of his residences and wanted to start receiving local calls on his own phone, he would call in and punch in the code to release calls to that particular phone number.
Only his parents, his lawyer, and Madeleine had the codes that would allow them to override his answering service and reach the answering machine in this residence. And his parents and his lawyer had no idea he was here. They would assume he was still at Madeleine's family house on the Hudson River.
Which meant that the message on his machine had to be from Madeleine. Except that Madeleine didn't exist. Which meant that it had to be from the person behind Madeleine. The person who made her. The User, who could wander free from her body and follow him wherever he went, who would know where he was, who would know he was away when the phone call was made so her intention was to leave a message on the tape, and not talk to him directly.
He could hear Lizzy's voice telling him that the User wasn't done with him yet. She hadn't got what she wanted. If she needed him before, she still needed him. Only now it wouldn't be love that she used to motivate him.
He didn't want to hear the message. But he reached out and touched the PLAY button.
"Quentin Fears? This is Ray Cryer. We're worried that we haven't seen Madeleine since you ran out on her yesterday. We have the local police looking for her, but it occurs to us she might be out looking for you and you may find her first. If you do, we'd appreciate a call. Her mother and sister and I are worried sick. Just worried sick. I know you were very angry yesterday, but I hope you'll still help us find our little girl. The local police here might call you to ask you some questions. I hope you'll cooperate with them. You have our number." There was an emotional catch in his voice at the end.
Ray Cryer? Madeleine's mother and sister? These were people Madeleine had never spoken of. Quentin had certainly never met them. Nor did he have their number. But he had no doubt that they would be completely convincing to the police. That was what the User did best—completely convincing people.
The implications were clear. Quentin had better do what they—no, what the User—wanted, or the police would be looking far and wide for a woman they would never find because she didn't exist. And when they didn't find her, it would start looking very bad for Quentin. Her parents say that Quentin had a fight with her. He snuck away with his suitcases, and ever since then they haven't seen their daughter. Why did he sneak off? Where is Madeleine? Your Honor, you don't have to find a body to know that there was foul play.
No. A murder trial was out of the question. There had to be some evidence. The mere disappearance of a person wasn't enough. But that didn't mean that the police wouldn't be convinced that there was a murder. That they wouldn't be dogging Quentin's heels for months and years looking for Madeleine. And the publicity. No, it wouldn't even take publicity. It would just take visits from police investigators to all of his partners and all of the political people he knew in every city where he did business—Madeleine had met them all, and if the User forgot any of them she could just drop in on Quentin's own mind and take the list out of his memory. He had no secrets from the User. The cloud of suspicion would grow around him. His parents. They would question his parents.
"You have our number." No doubt the police would hear Ray Cryer say that. Even if he erased this tape, there was probably also a recording on the other end, and then they would wonder why he had erased his copy. And since he didn't have the number, what choice did he have? He had to go back to New York, back to the house on the Hudson. Where the police would ask him about that night he spent in the house. If he said he slept in the house with Madeleine and had breakfast with her family, they'd go in and find a cold, dark, waterless house with only his footprints in the dust and only one side of the bed slept in. If he said the house was empty and dark, the police would doubtless find it sparkling clean and well lived-in, with Ray Cryer expressing his bafflement that Quentin would tell such an obvious lie.