"You mean the kid's mother was a wheelman, huh?"
"Well hellip;"
"For a stickup, huh? A wheelman for four eleven-year-olds."
"Or twelve," Kirby said. "Eleven or twelve."
"These kids," Meyer said, "Were all of them boys?"
"They weredressed like boys, but I really couldn't say. They all went by so fast. Just came running out of the store and into the car."
"Then what?" Monroe asked.
"The car pulled away."
"Did you see the license plate?"
"I'm not so good at license plates," Kirby said.
"Was it you who called the police?" Meyer asked.
"Yes, sir. I called 911 the minute I saw Ralph laying dead there behind the counter."
"Did you use this phone here?" Monroe asked, indicating the phone alongside the register.
"No, sir. I went outside and used the pay phone on the corner."
"Okay, we've got your name and address," Monroe said, "we'll get in touch if we need you."
"Is there a reward?" Kirby asked.
"For what?"
"I thought there might be a reward."
"We're not so good at rewards," Monroe said. "Thanks a lot, we'll be in touch."
Kirby nodded glumly and walked out of the store.
"Halloween ain't what it used to be," Monroe said.
"You just got yourself another backup," Kling said.
"No," Eileen said.
"What do you mean no? You're going into one of the worst sections in the city hellip;"
"Without you," she said.
" hellip; looking for a guy who's already killed hellip;"
"Withoutyou , Bert."
"Why?"
They were in an Italian restaurant near the Calm's Point Bridge. It was twenty minutes past six; Eileen had to be at the Seven-Two in forty minutes. She figured five minutes over the bridge, another five to the precinct, plenty of time to eat without hurrying. She probably shouldn't be eating, anyway. In the past, she'd found that going out hungry gave her a fighter's edge. Plenty of time to eatafter you caught the guy. Have two martinis after you caught him, down a sirloin and a platter of fries. After you caught him. If you caught him. Sometimes you didn't catch him. Sometimes he caught you.
She was carrying her hooker threads and her hardware in a tote bag sitting on the floor to the left of her chair. Kling was sitting opposite her, hands clasped on the tabletop, leaning somewhat forward now, blond hair falling onto his forehead, intent look in his eyes, wanting to know why she didn't need a tagalong boyfriend tonight.
"Why do you think?" she asked.
The chef had overcooked the spaghetti. They'd specifiedal dente but this was the kind of dive where the help thought Al Dente was some guy with Mafia connections.
"I think you're crazy is what I think."
"Thanks."
"Damn it, if I can throw some extra weight your way hellip;"
"I don't want you throwing anything my way. I've got a guy who's twice your size and a woman who can shoot her way out of a revolution. That's all I need. Plus myself."
"Eileen, I won't get in your way. I'll just hellip;"
"No."
"I'll just be there if you need me."
"You really don't understand, do you?"
"No, I don't."
"You're not just another cop, Bert."
"I know that."
"You're my hellip;"
She debated saying "boyfriend" but that sounded like a teenager's steady. She debated saying "lover" but that sounded like a dowager's kept stud. She debated saying "roommate" but that sounded like you lived with either another woman or a eunuch. Anyway, they weren't actually living together, not in the same apartment. She settled for what had once been a psychologist's term, but which had now entered the jargon as a euphemism for the guy or girl with whom you shared an unmarried state.
"You're my S.O.," she said.
"Your what?"
"Significant Other."
"I should hope so," Kling said. "Which is why I want to hellip;"
"Listen, are you dense?" she asked. "I'm a cop going out on a job. What the hell's the matter with you?"
"Eileen, I hellip;"
"Yes,what? Don't you think I can cut it?"
She had chosen an unfortunate word.
Cut.