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Abramo

8

A trial begins in Trieste in 1976 to prosecute those suspected of committing crimes at San Sabba. The media are abuzz; the public is agitated. The news does not pass by Haya. It enters her room, sits in her classes, sneaks into her dreams. The dreams circle around her mind, sometimes heavy and slow like a millstone, other times quick like flashes of fireflies; dreams crazed by a web-like ease which in wakefulness knit their sticky net around her, and she doesn’t know how to fend them off

in a nightgown she walks easily out of her childhood room, because the door has been smashed. haya goes to the trattoria leon doro and says, ein kaiserfleisch bitte, nein, nein, una costata di maiale affumicato cosparsa de cren fresco e accompagnata con gnocchi di pane, she says. e, per contorno? asks the waiter, buttoned up to his throat in a black soldier’s uniform. per contorno, haya repeats, per contorno, ein kipfel. ein kipfel? asks the waiter. non capisco, he says. then haya runs off. in her lace nightgown like a mad ophelia she runs into a toilet of which the door has also been smashed, she washes her hands, and at the window over the washbasin stands her white alarm clock, her old-fashioned big white alarm clock with two round white bells on it, and that great white alarm clock of hers ticks, tick-tock, tick-tock, so terribly, so loudly, so terribly loud… before haya’s eyes the white nightgown gets darker, and she sees herself standing on the walls of the gorica fortress in a smocked black dress that flutters in the wind and turns into a flock of ravens, and the ravens carry her on their wings to the sky