A burgundy Mercedes was parked in the curved driveway. Kerney asked the driver to wait. The door opened almost immediately after Kerney rang the bell. The houseboy, a young Indian in his late teens, dressed in an immaculate white shirt, trousers, and sandals, looked Kerney up and down without expression.
"Yes?"
"I would like to see Senor Posada." The boy studied Kerney, taking in the tailoring of the new suit and the shirt and tie that went with it. He dropped his eyes to Kerney's feet, clad in four hundred-dollar Larry Mahan boots.
"Do you have an appointment?" the boy inquired. He was as slender as a girl, with the lithe body of a swimmer. His eyes, darker than the rich color of his skin, were soft and innocent. He had the most beautiful natural eyelashes Kerney had ever seen on a man.
"No."
"Who referred you?"
"Rose Moya." The boy stepped back and let Kerney enter. He pointed to a chair in the foyer.
"Wait here." Within minutes Kerney heard padded footsteps on the marble floor as the houseboy returned.
"Follow me. The senor will see you." The foyer gave way to a courtyard with colonnades that supported arches under a low veranda. Ornamental trees ringed the space, and in the center a fountain gurgled water from a fish mouth. The boy opened a door under the veranda, stepped aside, motioned for Kerney to enter, and closed the door, leaving Kerney alone in the room.
It was a great room, bigger than Quinn's library; a large sunny space, with a wall of windows that looked out on an expansive patio, swimming pool, and cabana. The interior consisted of several conversation areas of plush off-white couches and easy chairs arranged to give the best view of the artwork on the back wall of the room. A large Diego Rivera painting held center stage over the fireplace, illuminated by recessed lights. It was a portrait of a strikingly beautiful woman wearing a Franciscan habit. Her arms were folded below her breasts and she faced a distant, unknown horizon with passionate eyes. It felt both pious and pagan.
"It is compelling," a voice said, speaking in Spanish. Kerney turned. An elderly man with long white hair, a waxed gray mustache, and a courtly manner, Francisco Posada smiled at him peacefully, his hand resting on the houseboy's thin shoulder. His fingers, grotesquely deformed, were twisted into a claw.
"Diego Rivera," Kerney said.
"You know his work," Posada said approvingly, continuing in his native tongue. He shuffled closer.
"There is a story to the canvas. Diego fell in love with this woman, but she was fulfilling a promise to God to do penance. That is why she wears a friar's robe. Rivera could not have her physically, so he possessed her through his art."
"I have never seen this image before," Kerney said, using his best Spanish.
"Few have. It has always been privately owned and never exhibited or reproduced." Posada eased himself down to a couch and gestured for Kerney to sit across from him.
"How did Rose Moya come to refer you? She has never sent someone to me before."
"I lied and told her I was a policeman working on a murder case involving the Mafiosios."
Posada chuckled, but his eyes hardened.
"I'm sure that appealed to her sense of social justice. Are you a policeman, Mr. Kerney? Kerney laughed.
"I was. Now I'm in business for myself. Imports and exports. I would like to expand into the Mexican market."
"What do you wish to export, Mr. Kerney?"
"Artifacts. Historical documents of great value. Military memorabilia and rare coins."
"An unusual assortment of merchandise," Posada commented.
"But quite valuable," Kerney replied.
"You need a broker, I assume," Posada noted. "Someone who will act on your behalf with discretion."
"Exactly."
"It might be possible to arrange an introduction," Posada said, with a serene smile.
"I would be grateful."
"But I am reluctant," Posada added. "You have come to me in a most unusual way."
"I am new to my profession, senor," Kerney replied.
"It is difficult to find one's way without assistance." Posada rubbed his mustache with a twisted knuckle.
"How much is your merchandise worth?"
"It has been appraised at four million dollars." The figure didn't startle Posada at all.
"If you agree to a two percent commission, plus my standard fee, I would be inclined to accept you as a client."
"What is your standard fee?" Kerney asked.
"Five thousand dollars." The whole wad, Kerney thought. "I'll go one percent payable after delivery with the five thousand up front," he said.
"Agreed," Posada replied. He gestured to the houseboy, who stepped quickly to his side. The boy helped Posada to his feet.
"Seek out Enrique De Leon at the Little Turtle gambling house. I am sure he would be interested in your desire to do business in Mexico."
"Will you speak to Senor De Leon on my behalf?" Kerney asked, as he stood up.
"Of course. Do you wish me to pass along a message?"
"No. I would like you to keep the details of our discussion confidential, if that is possible." Posada nodded in agreement.
"All my client conversations are privileged. Senor De Leon will be satisfied with the knowledge that I have accepted you as a client."
"Excellent."
"Please pay Juan before you leave." He smiled lovingly at the young man.
"Thank you, Senor Posada," Kerney replied with a slight bow of his head. Posada bowed back.
"It is a pleasure to meet a norteamericano who speaks our language, admires our art, and knows how to conduct business. I look forward to seeing you again." *** Greg Benton hung up the phone in disgust. He dug out the portable printer, hooked it up, disconnected the phone jack, plugged in the laptop computer, and accessed the fax modern program. The motel room phone had been rewired at the junction box the night Benton checked in. It was secure, direct, and untraceable.
He paced the room waiting for the fax. The whole fucking scheme had started to go haywire from the day he whacked the Indian soldier up on the mesa. And unexpected events kept floating in, like shit from a plugged-up toilet: the burglary at the old lady's house, Gutierrez's failure to make the final delivery, the tossed apartment in Santa Fe-all signs that the plan wasn't neat and tidy anymore. Benton walked to the window and looked out.
The motel was a dump; the whores kept him awake at night, and the air conditioner barely worked. He looked at his watch. Meehan wanted him to meet with De Leon and tell him the delivery might be delayed. Damn right it would be delayed, with Gutierrez dead and the last shipment missing. De Leon would be pissed but probably wouldn't cancel the deal. Not with the amount of money that was at stake. He would have to come up with a good story for De Leon.
Benton looked at his watch again. It was too early to catch De Leon at the Little Turtle. He was never available until evening. There was time for a workout at Kike's Gym and a good steak before crossing the border. He hated Mexican food. In the bathroom, Benton stripped down and examined himself in the mirror. He liked what he saw. His body was fit and hard, and his gray eyes under curly black hair drew a fair share of attention from the ladies. The small scar on his chin made his face interesting. He smiled at himself and put on his sweats.
Then he pulled the fax off the printer, put the computer away, grabbed his gym bag, and walked out into the hot west Texas sun. The garbage blowing down the street didn't bother him anymore, and the graffiti-adorned car wash, the boarded-up gas station, and the junked cars in the vacant lot were now just part of the normal barrio landscape. The street ended at a concrete abutment where the freeway cut off through traffic. The fat hooker in front of the Caballito Bar saw him and waved as he got into his car. He waved back. Each time he went to buy lunch at the bar, she showed him a different tattoo and offered to fuck him for ten dollars-the going rate for locals. With all the low-riders, addicts, pimps, and whores in the neighborhood there was no difference between the barrio and Juarez. Benton thought it would be a good idea to give El Paso back to the Mexicans.