Выбрать главу

I ignored his teasing. "It's so light… so open."

He was more serious when he answered. "It's the one place we never have to hide."

The song he was still playing, my song, drifted to an end, the final chords shifting to a more melancholy key. The last note hovered poignantly in the silence.

"Thank you," I murmured. I realized there were tears in my eyes. I dabbed at them, embarrassed.

He touched the corner of my eye, trapping one I missed. He lifted his finger, examining the drop of moisture broodingly. Then, so quickly I couldn't be positive that he really did, he put his finger to his mouth to taste it.

I looked at him questioningly, and he gazed back for a long moment before he finally smiled.

"Do you want to see the rest of the house?"

"No coffins?" I verified, the sarcasm in my voice not entirely masking the slight but genuine anxiety I felt.

He laughed, taking my hand, leading me away from the piano.

"No coffins," he promised.

We walked up the massive staircase, my hand trailing along the satin-smooth rail. The long hall at the top of the stairs was paneled with a honey-colored wood, the same as the floorboards.

"Rosalie and Emmett's room… Carlisle's office… Alice's room…" He gestured as he led me past the doors.

He would have continued, but I stopped dead at the end of the hall, staring incredulously at the ornament hanging on the wall above my head. Edward chuckled at my bewildered expression.

"You can laugh," he said. "It is sort of ironic."

I didn't laugh. My hand raised automatically, one finger extended as if to touch the large wooden cross, its dark patina contrasting with the lighter tone of the wall. I didn't touch it, though I was curious if the aged wood would feel as silky as it looked.

"It must be very old," I guessed.

He shrugged. "Early sixteen-thirties, more or less."

I looked away from the cross to stare at him.

"Why do you keep this here?" I wondered.

"Nostalgia. It belonged to Carlisle's father."

"He collected antiques?" I suggested doubtfully.

"No. He carved this himself. It hung on the wall above the pulpit in the vicarage where he preached."

I wasn't sure if my face betrayed my shock, but I returned to gazing at the simple, ancient cross, just in case. I quickly did the mental math; the cross was over three hundred and seventy years old. The silence stretched on as I struggled to wrap my mind around the concept of so many years.

"Are you all right?" He sounded worried.

"How old is Carlisle?" I asked quietly, ignoring his question, still staring up.

"He just celebrated his three hundred and sixty-second birthday," Edward said. I looked back at him, a million questions in my eyes.

He watched me carefully as he spoke.

"Carlisle was born in London, in the sixteen-forties, he believes. Time wasn't marked as accurately then, for the common people anyway. It was just before Cromwell's rule, though."

I kept my face composed, aware of his scrutiny as I listened. It was easier if I didn't try to believe.

"He was the only son of an Anglican pastor. His mother died giving birth to him. His father was an intolerant man. As the Protestants came into power, he was enthusiastic in his persecution of Roman Catholics and other religions. He also believed very strongly in the reality of evil. He led hunts for witches, werewolves… and vampires." I grew very still at the word. I'm sure he noticed, but he went on without pausing.

"They burned a lot of innocent people — of course the real creatures that he sought were not so easy to

catch. "When the pastor grew old, he placed his obedient son in charge of the raids. At first Carlisle was a disappointment; he was not quick to accuse, to see demons where they did not exist. But he was persistent, and more clever than his father. He actually discovered a coven of true vampires that lived hidden in the sewers of the city, only coming out by night to hunt. In those days, when monsters were not just myths and legends, that was the way many lived.

"The people gathered their pitchforks and torches, of course" — his brief laugh was darker now — "and waited where Carlisle had seen the monsters exit into the street. Eventually one emerged."

His voice was very quiet; I strained to catch the words. "He must have been ancient, and weak with hunger. Carlisle heard him call out in Latin to the others when he caught the scent of the mob. He ran through the streets, and Carlisle — he was twenty-three and very fast — was in the lead of the pursuit. The creature could have easily outrun them, but Carlisle thinks he was too hungry, so he turned and attacked. He fell on Carlisle first, but the others were close behind, and he turned to defend himself. He killed two men, and made off with a third, leaving Carlisle bleeding in the street."

He paused. I could sense he was editing something, keeping something from me.

"Carlisle knew what his father would do. The bodies would be burned — anything infected by the monster must be destroyed. Carlisle acted instinctively to save his own life. He crawled away from the alley while the mob followed the fiend and his victim. He hid in a cellar, buried himself in rotting potatoes for three days. It's a miracle he was able to keep silent, to stay undiscovered.

"It was over then, and he realized what he had become."

I'm not sure what my face was revealing, but he suddenly broke off.

"How are you feeling?" he asked.

"I'm fine," I assured him. And, though I bit my lip in hesitation, he must have seen the curiosity burning in my eyes.

He smiled. "I expect you have a few more questions for me."

"A few."

His smile widened over his brilliant teeth. He started back down the hall, pulling me along by the hand.

"Come on, then," he encouraged. "I'll show you."

16 CARLISLE

He led me back to the room that he'd pointed out as Carlisle's office. He paused outside the door for an instant.

"Come in," Carlisle's voice invited. Edward opened the door to a high-ceilinged room with tall, west-facing windows. The walls were paneled again, in a darker wood — where they were visible. Most of the wall space was taken up by towering bookshelves that reached high above my head and held more books than I'd ever seen outside a library.

Carlisle sat behind a huge mahogany desk in a leather chair. He was just placing a bookmark in the pages of the thick volume he held. The room was how I'd always imagined a college dean's would look — only Carlisle looked too young to fit the part.

"What can I do for you?" he asked us pleasantly, rising from his seat.

"I wanted to show Bella some of our history," Edward said. "Well, your history, actually."

"We didn't mean to disturb you," I apologized.

"Not at all. Where are you going to start?"

"The Waggoner," Edward replied, placing one hand lightly on my shoulder and spinning me around to look back toward the door we'd just come through. Every time he touched me, in even the most casual way, my heart had an audible reaction. It was more embarrassing with Carlisle there.

The wall we faced now was different from the others. Instead of bookshelves, this wall was crowded with framed pictures of all sizes, some in vibrant colors, others dull monochromes. I searched for some logic, some binding motif the collection had in common, but I found nothing in my hasty examination.

Edward pulled me toward the far left side, standing me in front of a small square oil painting in a plain wooden frame. This one did not stand out among the bigger and brighter pieces; painted in varying tones of sepia, it depicted a miniature city full of steeply slanted roofs, with thin spires atop a few scattered towers. A wide river filled the foreground, crossed by a bridge covered with structures that looked like tiny cathedrals.

"London in the sixteen-fifties," Edward said.

"The London of my youth," Carlisle added, from a few feet behind us. I flinched; I hadn't heard him approach. Edward squeezed my hand.

"Will you tell the story?" Edward asked. I twisted a little to see Carlisle's reaction.

He met my glance and smiled. "I would," he replied. "But I'm actually running a bit late. The hospital called this morning — Dr. Snow is taking a sick day. Besides, you know the stories as well as I do," he added, grinning at Edward now.

It was a strange combination to absorb — the everyday concerns of the town doctor stuck in the middle of a discussion of his early days in seventeenth-century London.