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The restaurant had been quite busy, with all the tables occupied and a few people waiting by the door, the waiters rushing from table to table trying to keep their cool, and Zita the manageress strutting around showing people to their tables with that lipsticky smile. He was sitting near the window, so probably no one else even noticed. Maybe I should have given it back. But I thought, I’ll never see him again, and I can pay Andriy back straightaway and that’ll make things easier between us. Then Andriy got all moody, and that was the last thing I needed, because I have enough unpleasant thoughts to deal with tonight.

And the most unpleasant is this-that twenty-pound-note man reminded me of my Pappa. Same build. Same rimless glasses. Same old-age-porcupine hair. He was sitting at a table on his own. I stared for a moment, startled by the likeness, then I caught his eye, and quickly looked away. Probably this is how it all started-the business of the twenty-pound note-with that quick exchange of looks. But this is what’s been bothering me-had my Pappa been like that? Making a fool of himself over a young girl, peering into her blouse?

Because the girl Pappa left home for, Svitlana Surokha, is almost the same age as me-in fact she was two years above me at secondary school. She is one of those girls everybody likes, pretty, with fair curly hair like a starlet, and blue eyes and a turned-up nose, always laughing and making jokes about the teachers. Then at Shevchenko University, where Pappa is professor of history, she was one of the Orange Student organisers. And they’d fallen in love. Just like that. That’s what Pappa told Mother, and that’s what Mother told me, crying into the night, using up box after box of tissues, until her nose was all red and her eyes were puffy and squinty like a piglet’s.

Not a pretty sight. Really, no one could blame Pappa for falling out of love with someone so middle-aged and unattractive who nagged at him all the time, and falling in love with someone so young and pretty and full of fun. “Fallen in love”-the pretty blond-haired student activist and the distinguished Ukrainian historian, drawn together by a love of freedom. What could be more romantic than that?

Of course, I felt sorry for Mother, with all her sniffling and soggy tissues. But really, everyone knows it’s a woman’s fault if she can’t keep hold of her man. She just has to try harder. The worst thing was, even Mother knew it, and she did try harder, dyeing her hair and putting on bright pink lipstick and that silly pink scarf. But then she couldn’t stop herself nagging at him in a really humiliating way. “Vanya, don’t you love me just one little bit?” It only made things worse. I’ll never make that mistake.

That Mister Twenty Pounds-his appearance reminded me of Pappa-an elderly respectable man, probably with a middle-aged wife and family tucked away somewhere out of sight. But the look in his eyes was the look of Vulk. Hungry eyes. You like flower…? Greedy eyes. The way the man watched me was not romantic, it was like a cat watching a mouse, concentrating on its every movement, anticipating the pleasure of catching it.

Had my dear craggy crumpled Pappa looked at Svitlana Surokha in that way? Is that what men are like?

Andriy had his head down and that moody look on his face, and he was walking too fast for me again, but I wasn’t going to ask him to slow down. I wasn’t going to be the first to speak. I didn’t even blame Pappa. I just felt a big empty hole of disappointment in the middle of my heart, not only with Pappa, but with this whole man-woman-romance thing. You go through life waiting for the one to come along, kisses by moonlight, eternal love, Mr Brown and his mysterious bulge, faithful beyond the grave; then suddenly you realise that what you’ve been waiting for doesn’t exist after all, and you’ll have to settle for something second-rate. What a let-down.

So when after ten minutes of silence Andriy suddenly slipped his arm round me, I just pulled away. “Don’t!”

And then straightaway I wished I hadn’t, but it was too late. Sorry, I didn’t mean it. Please put your arm back. But you can’t say that, can you?

That’s it, then. In a few days he’ll collect his week’s wages, then he’ll be off to Sheffield. No point in hanging around here and making a fool of himself, chasing after a girl who has not the slightest interest in him. This London, it is exciting, it gives you plenty to think about, and to tell the truth he is glad he stayed here for a short time and tasted its bitter-sweet flavours. And it will be good to travel north with money in his pocket. But it’s time to go. The girl will be all right. She can stay in the accommodation that comes with the job, whatever that is, and she seems to be bringing home something in tips as well as her wages. Probably that’s why she wears that blouse. Well, that’s her business. It means nothing to him. She can sort out her passport, though she seems to be in no hurry to do this, and save up for her fare and even buy a few nice clothes if that’s what she wants. He doesn’t have to worry about her. He will take the caravan, and Dog. He is quite looking forward to being by himself, on the road.

They are within a block of the place where the caravan and Land Rover are parked when they hear the sound of Dog barking furiously and an intermittent dull thudding noise. As they get closer the sound intensifies, along with a babble of shrill voices. He quickens his step, then breaks into a run.

As they turn the last corner, they see a horde of children surrounding the caravan, pelting it with bricks. Dog is barking frantically, dodging the stones, and trying to chase them off. Where did these little buggers come from? In the shadowless orange glow of the street lights the small figures are dancing about like a bizarre bacchanal. One of them has set a pile of sticks and paper under one end of the caravan and is tossing lighted matches at it.

“What you doing? Stop it!” Andriy races towards them swinging his arms. The children stop, but only for a second. Nearest to him is a raggedy boy with hair like a rat’s nest. Their eyes meet. The boy picks up half a brick and lobs it at him.

“Yecontgitmeeyafacka yecontgitme!”

It falls short. Andriy runs at the little sod, grabs him by both arms and swings him round, throwing him sideways. The kid staggers as he hits the ground.

“Fackyafackyafackincant!”

Andriy grabs at another kid, who dodges out of his way and starts to run, and another who wriggles out of his grasp, lithe as a cat, and darts off, showering him with spit. Even Irina is getting stuck in. She snatches one of the boys by the arm, and when he spits and swears at her she spits and swears back and gives him a hard wallop on the behind. Where did she learn those words? Dog snarls and launches himself at the boy with the matches just as the fire starts to catch on the paper. The smell of smoke drifts towards them. The children scatter, shouting and throwing stones behind them as they run. Dog chases after the stragglers, snapping at their heels.

The paper has caught fire and now the sticks are crackling under the caravan, sending smoke and sparks into the air. Dog is going mad. Quick as a flash, Andriy unzips himself and pees on the flames. There is a hiss and a bit of smoke, but not too much damage to the caravan. Why is she looking at him with that grin on her face? It was an emergency. Well, let her look. Let her grin. What is she to him?

He sits down on the step of the caravan and rests his head in his hands, surrendering to the fatigue. But she has to come and squeeze down beside him. Her arm, her thigh-where her skin touches his, it’s like hot steel. This girl-why does she have to get into his skin? If it isn’t going to lead to any possibility, why can’t she just leave him alone?