If you still love Constance Brand, for God's sake forget your hate and come to Ballville Manor as quickly as the devil can drive you.
RICHARD BALLVILLE.
That was all. It reached him by telegraph in that Far Western city where McGrath had resided since his return from Africa. He would have ignored it, but for the mention of Constance Brand. That name had sent a choking, agonizing pulse of amazement through his soul, had sent him racing toward the land of his birth by train and plane, as if, indeed, the devil were on his heels. It was the name of one he thought dead for three years; the name of the only woman Bristol McGrath had ever loved.
Replacing the telegram, he left the trail and headed westward, pushing his powerful frame between the thickset trees. His feet made little sound on the matted pine needles. His progress was all but noiseless. Not for nothing had he spent his boyhood in the country of the big pines.
Three hundred yards from the old road he came upon that which he sought —an ancient trail paralleling the road. Choked with young growth, it was little more than a trace through the thick pines. He knew that it ran to the back of the Ballville mansion; did not believe the secret watchers would be guarding it. For how could they know he remembered it?
He hurried south along it, his ears whetted for any sound. Sight alone could not be trusted in that forest. The mansion, he knew, was not far away, now. He was passing through what had once been fields, in the days of Richard's grandfather, running almost up to the spacious lawns that girdled the Manor. But for half a century they had been abandoned to the advance of the forest.
But now he glimpsed the Manor, a hint of solid bulk among the pine tops ahead of him. And almost simultaneously his heart shot into his throat as a scream of human anguish knifed the stillness. He could not tell whether it was a man or a woman who screamed, and his thought that it might be a woman winged his feet in his reckless dash toward the building that loomed starkly up just beyond the straggling fringe of trees.
The young pines had even invaded the once generous lawns. The whole place wore an aspect of decay. Behind the Manor, the barns, and outhouses which once housed slave families, were crumbling in ruin. The mansion itself seemed to totter above the litter, a creaky giant, ratgnawed and rotting, ready to collapse at any untoward event. With the stealthy tread of a tiger Bristol McGrath approached a window on the side of the house. From that window sounds were issuing that were an affront to the tree-filtered sunlight and a crawling horror to the brain.
Nerving himself for what he might see, he peered within.
2. BLACK TORTURE
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He was looking into a great dusty chamber which might have served as a ballroom in antebellum days; its lofty ceiling was hung with cobwebs, its rich oak panels showed dark and stained. But there was a fire in the great fireplace —a small fire, just large enough to heat to a white glow the slender steel rods thrust into it.
But it was only later that Bristol McGrath saw the fire and the things that glowed on the hearth. His eyes were gripped like a spell on the master of the Manor; and once again he looked on a dying man.
A heavy beam had been nailed to the paneled wall, and from it jutted a rude cross-piece. From this cross-piece Richard Ballville hung by cords about his wrists. His toes barely touched the floor, tantalizingly, inviting him to stretch his frame continually in an effort to relieve the agonizing strain on his arms. The cords had cut deeply into his wrists; blood trickled down his arms; his hands were black and swollen almost to bursting. He was naked except for his trousers, and McGrath saw that already the white-hot irons had been horribly employed. There was reason enough for the deathly pallor of the man, the cold beads of agony upon his skin. Only his fierce vitality had allowed him thus long to survive the ghastly burns on his limbs and body.
On his breast had been burned a curious symbol—a cold hand laid itself on McGrath's spine. For he recognized that symbol, and once again his memory raced away across the world and the years to a black, grim, hideous jungle where drums bellowed in fire-shot darkness and naked priests of an abhorred cult traced a frightful symbol in quivering human flesh.
Between the fireplace and the dying man squatted a thick-set black man, clad only in ragged, muddy trousers.
His back was toward the window, presenting an impressive pair of shoulders. His bullet-head was set squarely between those gigantic shoulders, like that of a frog, and he appeared to be avidly watching the face of the man on the cross-piece.
Richard Ballville's bloodshot eyes were like those of a tortured animal, but they were fully sane and conscious: they blazed with desperate vitality. He lifted his head painfully and his gaze swept the room. Outside the window McGrath instinctively shrank back. He did not know whether Ballville saw him or not. The man showed no sign to betray the presence of the watcher to the bestial black who scrutinized him. Then the brute turned his head toward the fire, reaching a long ape-like arm toward a glowing iron—and Ballville's eyes blazed with a fierce and urgent meaning the watcher could not mistake. McGrath did not need the agonized motion of the tortured head that accompanied the look. With a tigerish bound he was over the window-sill and in the room, even as the startled black shot erect, whirling with apish agility.
McGrath had not drawn his gun. He dared not risk a shot that might bring other foes upon him. There was a butcher-knife in the belt that held up the ragged, muddy trousers. It seemed to leap like a living thing into the hand of the black as he turned. But in McGrath's hand gleamed a curved Afghan dagger that had served him well in many a bygone battle.
Knowing the advantage of instant and relentless attack, he did not pause. His feet scarcely touched the floor inside before they were hurling him at the astounded black man.
An inarticulate cry burst from the thick red lips. The eyes rolled wildly, the butcher-knife went back and hissed forward with the swiftness of a striking cobra that would have disembowled a man whose thews were less steely than those of Bristol McGrath.
But the black was involuntarily stumbling backward as he struck, and that instinctive action slowed his stroke just enough for McGrath to avoid it with a lightning-like twist of his torso. The long blade hissed under his arm-pit, slicing cloth and skin—and simultaneously the Afghan dagger ripped through the black, bull throat.
There was no cry, but only a choking gurgle as the man fell, spouting blood. McGrath had sprung free as a wolf springs after delivering the death- stroke. Without emotion he surveyed his handiwork. The black man was already dead, his head half severed from his body. That slicing sidewise lunge that slew in silence, severing the throat to the spinal column, was a favorite stroke of the hairy hillmen that haunt the crags overhanging the Khyber Pass. Less than a dozen white men have ever mastered it. Bristol McGrath was one.
McGrath turned to Richard Ballville. Foam dripped on the seared, naked breast, and blood trickled from the lips. McGrath feared that Ballville had suffered the same mutilation that had rendered Ahmed speechless; but it was only suffering and shock that numbed Ballville's tongue. McGrath cut his cords and eased him down on a worn old divan near by. Ballville's lean, muscle-corded body quivered like taut steel strings under McGrath's hands. He gagged, finding his voice.
"I knew you'd come!" he gasped, writhing at the contact of the divan against his seared flesh. "I've hated you for years, but I knew—"
McGrath's voice was harsh as the rasp of steel. "What did you mean by your mention of Constance Brand? She is dead."
A ghastly smile twisted the thin lips.
"No, she's not dead! But she soon will be, if you don't hurry. Quick! Brandy! There on the table—that beast didn't drink it all."
McGrath held the bottle to his lips; Ballville drank avidly. McGrath wondered at the man's iron nerve. That he was in ghastly agony was obvious. He should be screaming in a delirium of pain. Yet he held to sanity and spoke lucidly, though his voice was a laboring croak.