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I am not by nature criminal. I was born and raised in a hard country, and have lived most of my life on the raw edges of the world, where a man took what he wanted, if he could, and mercy was a virtue little known. But it was a torment that racked me day and night that sent me out to take the life of Richard Brent. I have lived hard, and violently, perhaps. When love overtook me, it also was fierce and violent. Perhaps I was not wholly sane, what with my love for Eleanor Bland and my hatred for Richard Brent. Under any other circumstances, I would have been glad to call him friend—a fine, rangy, upstanding young fellow, clear-eyed and strong. But he stood in the way of my desire and he must die.

I stepped into the dimness of the cavern and halted. I had never before visited Dagon's Cave, yet a vague sense of misplaced familiarity troubled me as I gazed on the high arching roof, the even stone walls and the dusty floor. I shrugged my shoulders, unable to place the elusive feeling; doubtless it was evoked by a similarity to caverns in the mountain country of the American Southwest where I was born and spent my childhood.

And yet I knew that I had never seen a cave like this one, whose regular aspect gave rise to myths that it was not a natural cavern, but had been hewn from the solid rock ages ago by the tiny hands of the mysterious Little People, the prehistoric beings of British legend. The whole countryside thereabouts was a haunt for ancient folk lore.

The country folk were predominantly Celtic; here the Saxon invaders had never prevailed, and the legends reached back, in that long-settled countryside, further than anywhere else in England—back beyond the coming of the Saxons, aye, and incredibly beyond that distant age, beyond the coming of the Romans, to those unbelievably ancient days when the native Britons warred with black-haired Irish pirates.

The Little People, of course, had their part in the lore. Legend said that this cavern was one of their last strongholds against the conquering Celts, and hinted at lost tunnels, long fallen in or blocked up, connecting the cave with a network of subterranean corridors which honeycombed the hills. With these chance meditations vying idly in my mind with grimmer speculations, I passed through the outer chamber of the cavern and entered a narrow tunnel, which, I knew by former descriptions, connected with a larger room.

It was dark in the tunnel, but not too dark for me to make out the vague, half-defaced outlines of mysterious etchings on the stone walls. I ventured to switch on my electric torch and examine them more closely. Even in their dimness I was repelled by their abnormal and revolting character. Surely no men cast in human mold as we know it, scratched those grotesque obscenities.

The Little People—I wondered if those anthropologists were correct in their theory of a squat Mongoloid aboriginal race, so low in the scale of evolution as to be scarcely human, yet possessing a distinct, though repulsive, culture of their own. They had vanished before the invading races, theory said, forming the base of all Aryan legends of trolls, elves, dwarfs and witches. Living in caves from the start, these aborigines had retreated farther and farther into the caverns of the hills, before the conquerors, vanishing at last entirely, though folklore fancy pictures their descendants still dwelling in the lost chasms far beneath the hills, loathsome survivors of an outworn age.

I snapped off the torch and passed through the tunnel, to come out into a sort of doorway which seemed entirely too symmetrical to have been the work of nature. I was looking into a vast dim cavern, at a somewhat lower level than the outer chamber, and again I shuddered with a strange alien sense of familiarity. A short flight of steps led down from the tunnel to the floor of the cavern—tiny steps, too small for normal human feet, carved into the solid stone. Their edges were greatly worn away, as if by ages of use. I started the descent—my foot slipped suddenly. I instinctively knew what was coming—it was all in part with that strange feeling of familiarity—but I could not catch myself. I fell headlong down the steps and struck the stone floor with a crash that blotted out my senses...

* * * * *

Slowly consciousness returned to me, with a throbbing of my head and a sensation of bewilderment. I lifted a hand to my head and found it caked with blood. I had received a blow, or had taken a fall, but so completely had my wits been knocked out of me that my mind was an absolute blank. Where I was, who I was, I did not know. I looked about, blinking in the dim light, and saw that I was in a wide, dusty cavern. I stood at the foot of a short flight of steps which led upward into some kind of tunnel. I ran my hand dazedly through my square-cut black mane, and my eyes wandered over my massive naked limbs and powerful torso. I was clad, I noticed absently, in a sort of loincloth, from the girdle of which swung an empty scabbard, and leathern sandals were on my feet.

Then I saw an object lying at my feet, and stooped and took it up. It was a heavy iron sword, whose broad blade was darkly stained. My fingers fitted instinctively about its hilt with the familiarity of long usage. Then suddenly I remembered and laughed to think that a fall on his head should render me, Conan of the reavers, so completely daft. Aye, it all came back to me now. It had been a raid on the Britons, on whose coasts we continually swooped with torch and sword, from the island called Eireann. That day we of the black-haired Gael had swept suddenly down on a coastal village in our long, low ships and in the hurricane of battle which followed, the Britons had at last given up the stubborn contest and retreated, warriors, women and bairns, into the deep shadows of the oak forests, whither we seldom dared follow.

But I had followed, for there was a girl of my foes whom I desired with a burning passion, a lithe, slim young creature with wavy golden hair and deep gray eyes, changing and mystic as the sea. Her name was Tamera—well I knew it, for there was trade between the races as well as war, and I had been in the villages of the Britons as a peaceful visitor, in times of rare truce.

I saw her white half-clad body flickering among the trees as she ran with the swiftness of a doe, and I followed, panting with fierce eagerness. Under the dark shadows of the gnarled oaks she fled, with me in close pursuit, while far away behind us died out the shouts of slaughter and the clashing of swords. Then we ran in silence, save for her quick labored panting, and I was so close behind her as we emerged into a narrow glade before a somber-mouthed cavern, that I caught her flying golden tresses with one mighty hand. She sank down with a despairing wail, and even so, a shout echoed her cry and I wheeled quickly to face a rangy young Briton who sprang from among the trees, the light of desperation in his eyes.

"Vertorix!" the girl wailed, her voice breaking in a sob, and fiercer rage welled up in me, for I knew the lad was her lover.

"Run for the forest, Tamera!" he shouted, and leaped at me as a panther leaps, his bronze ax whirling like a flashing wheel about his head. And then sounded the clangor of strife and the hard-drawn panting of combat.

The Briton was as tall as I, but he was lithe where I was massive. The advantage of sheer muscular power was mine, and soon he was on the defensive, striving desperately to parry my heavy strokes with his ax. Hammering on his guard like a smith on an anvil, I pressed him relentlessly, driving him irresistibly before me. His chest heaved, his breath came in labored gasps, his blood dripped from scalp, chest and thigh where my whistling blade had cut the skin, and all but gone home. As I redoubled my strokes and he bent and swayed beneath them like a sapling in a storm, I heard the girl cry: "Vertorix! Vertorix! The cave! Into the cave!"

I saw his face pale with a fear greater than that induced by my hacking sword.

"Not there!" he gasped. "Better a clean death! In Il-marenin's name, girl, run into the forest and save yourself!"