"The city was walled and consisted of square-built, flat-topped houses, some apparently three or four stories high. All the shores of the lake were in cultivation and the fields were green and flourishing, fed by artificial ditches. They had a system of irrigation that amazed me. But the most astonishing thing was the temple on the island.
"I gasped, gaped and blinked. It was the tower of Babel true to life! Not as tall or as big as I'd imagined it, but some ten tiers high and sullen and massive just like the pictures, with that same intangible impression of evil hovering over it.
"Then as we stood there, from that vast pile of masonry there floated out across the lake that deep resonant booming—close and clear now —and the very cliffs seemed to quiver with the vibrations of that music-laden air. I stole a glance at Conrad; he looked all at sea. He was of that class of scientists who have the universe classified and pigeon-holed and everything in its proper little nook. By Jove! It knocks them in a heap to be confronted with the paradoxical-unexplainable-shouldn't-be more than it does common chaps like you and me, who haven't much preconceived ideas of things in general.
"The soldiers took us down a stairway cut into the solid rock of the cliffs and we went through irrigated fields where shaven-headed men and dark- eyed women paused in their work to stare curiously at us. They took us to a big, iron-braced gate where a small body of soldiers equipped like our captors challenged them, and after a short parley we were escorted into the city. It was much like any other Eastern city—men, women and children going to and fro, arguing, buying and selling. But all in all, it had that same effect of apartness—of vast antiquity. I couldn't classify the architecture any more than I could understand the language. The only thing I could think of as I stared at those squat, square buildings was the huts certain low-caste, mongrel peoples still build in the valley of the Euphrates in Mesopotamia. Those huts might be a degraded evolution from the architecture in that strange African city.
"Our captors took us straight to the largest building in the city, and while we marched along the streets, we discovered that the houses and walls were not of stone after all, but a sort of brick. We were taken into a huge- columned hall before which stood ranks of silent soldiery, and taken before a dais up which led broad steps. Armed warriors stood behind and on either side of a throne, a scribe stood beside it, girls clad in ostrich-plumes lounged on the broad steps, and on the throne sat a grim-eyed devil who alone of all the men of that fantastic city wore his hair long. He was black-bearded, wore a sort of crown and had the haughtiest, cruelest face I ever saw on any man. An Arab sheikh or Turkish shah was a lamb beside him. He reminded me of some artist's conception of Belshazzar or the Pharaohs—a king who was more than a king in his own mind and the eyes of his people—a king who was at once king and high priest and god.
"Our escort promptly prostrated themselves before him and knocked their heads on the matting until he spoke a languid word to the scribe and this personage signed for them to rise. They rose, and the leader began a long rigmarole to the king, while the scribe scratched away like mad on a clay tablet and Conrad and I stood there like a pair of blooming gaping jackasses, wondering what it was all about. Then I heard a word repeated continually, and each time he spoke it, he indicated us. The word sounded like 'Akkaddian,' and suddenly my brain reeled with the possibilities it betokened. It couldn't be—yet it had to be!
"Not wanting to break in on the conversation and maybe lose my bally head, I said nothing, and at last the king gestured and spoke, the soldiers bowed again and seizing us, hustled us roughly from the royal presence into a columned corridor, across a huge chamber and into a small cell where they thrust us and locked the door. There was only a heavy bench and one window, closely barred.
"'My heavens, Bill,' exclaimed Conrad, 'who could have imagined anything equal to this? It's like a nightmare—or a tale from The Arabian Nights! Where are we? Who are these people?'
"'You won't believe me,' I said, 'but—you've read of the ancient empire of Sumeria?'
"'Certainly; it flourished in Mesopotamia some four thousand years ago. But what—by Jove!' he broke off, staring at me wide-eyed as the connection struck him.
"'I leave it to you what the descendants of an Asia-Minor kingdom are doing in East Africa,' I said, feeling for my pipe, 'but it must be— the Sumerians built their cities of sun-dried brick. I saw men making bricks and stacking them up to dry along the lake shore. The mud is remarkably like that you find in the Tigris and Euphrates valley. Likely that's why these chaps settled here. The Sumerians wrote on clay tablets by scratching the surface with a sharp point just as the chap was doing in the throne room.
"'Then look at their arms, dress and physiognomy. I've seen their art carved on stone and pottery and wondered if those big noses were part of their faces or part of their helmets. And look at that temple in the lake! A small counterpart of the temple reared to the god El-lil in Nippur— which probably started the myth of the tower of Babel.
"'But the thing that clinches it is the fact that they referred to us as Akkaddians. Their empire was conquered and subjugated by Sargon of Akkad in 2750 B.C. If these are descendants of a band who fled their conqueror, it's natural that, pent in these hinterlands and separated from the rest of the world, they'd come to call all outlanders Akkaddians, much as secluded oriental nations call all Europeans Franks in memory of Martel's warriors who scuttled them at Tours.'
"'Why do you suppose they haven't been discovered before now?'
"'Well, if any white man's been here before, they took good care he didn't get out to tell his tale. I doubt if they wander much; probably think the outside world's overrun with bloodthirsty Akkaddians.'
"At this moment the door of our cell opened to admit a slim young girl, clad only in a girdle of silk and golden breast-plates. She brought us food and wine, and I noted how lingeringly she gazed at Conrad. And to my surprize she spoke to us in fair Somali.
"'Where are we?' I asked her. 'What are they going to do with us? Who are you?'
"'I am Naluna, the dancer of El-lil,' she answered—and she looked it—lithe as a she-panther she was. 'I am sorry to see you in this place; no Akkaddian goes forth from here alive.'
"'Nice friendly sort of chaps,' I grunted, but glad to find someone I could talk to and understand. 'And what's the name of this city?'
"'This is Eridu,' said she. 'Our ancestors came here many ages ago from ancient Sumer, many moons to the East. They were driven by a great and cruel king, Sargon of the Akkaddians—desert people. But our ancestors would not be slaves like their kin, so they fled, thousands of them in one great band, and traversed many strange, savage countries before they came to this land.'
"Beyond that her knowledge was very vague and mixed up with myths and improbable legends. Conrad and I discussed it afterward, wondering if the old Sumerians came down the west coast of Arabia and crossed the Red Sea about where Mocha is now, or if they went over the Isthmus of Suez and came down on the African side. I'm inclined to the last opinion. Likely the Egyptians met them as they came out of Asia Minor and chased them south. Conrad thought they might have made most of the trip by water, because, as he said, the Persian Gulf ran up something like a hundred and thirty miles farther than it does now, and Old Eridu was a seaport town. But just at the moment something else was on my mind.