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"As for me, I can't hear any sort of a gong today without starting. On that long, grueling trek I never breathed easily until we were beyond the sound of that ghastly Voice. You can't tell what a thing like that may do to your mind. It plays the very deuce with all rational ideas.

"I still hear that hellish gong in my dreams, sometimes, and see that silent, hideously ancient city in that nightmare valley. Sometimes I wonder if it's still calling to me across the years. But that's nonsense. Anyway, there's the yarn as it stands and if you don't believe me, I won't blame you at all."

But I prefer to believe Bill Kirby, for I know his breed from Hengist down, and know him to be like all the rest—truthful, aggressive, profane, restless, sentimental and straightforward, a true brother of the roving, fighting, adventuring Sons of Aryan.

THE END

Witch from Hell's Kitchen

Table of Contents

To the house whence no one issues,

To the road from whence there is no return,

To the house whose inhabitants are deprived of light,

The place where dust is their nourishment, their food clay,

They have no light, dwelling in dense darkness,

And they are clothed, like birds, in a garment of feathers,

Where, over gate and bolt, dust is scattered.

—Babylonian Legend of Ishtar

"HAS he seen a night-spirit, is he listening to the whispers of them who dwell in darkness?"

Strange words to be murmured in the feast-hall of Naram-ninub, amid the strain of lutes, the patter of fountains, and the tinkle of women's laughter. The great hall attested the wealth of its owner, not only by its vast dimensions, but by the richness of its adornment. The glazed surface of the walls offered a bewildering variegation of colors—blue, red, and orange enamels set off by squares of hammered gold. The air was heavy with incense, mingled with the fragrance of exotic blossoms from the gardens without. The feasters, silk-robed nobles of Nippur, lounged on satin cushions, drinking wine poured from alabaster vessels, and caressing the painted and bejeweled playthings which Naram-ninub's wealth had brought from all parts of the East.

There were scores of these; their white limbs twinkled as they danced, or shone like ivory among the cushions where they sprawled. A jeweled tiara caught in a burnished mass of night-black hair, a gem-crusted armlet of massive gold, earrings of carven jade—these were their only garments. Their fragrance was dizzying. Shameless in their dancing, feasting and lovemaking, their light laughter filled the hall in waves of silvery sound.

On a broad cushion-piled dais reclined the giver of the feast, sensuously stroking the glossy locks of a lithe Arabian who had stretched herself on her supple belly beside him. His appearance of sybaritic languor was belied by the vital sparkling of his dark eyes as he surveyed his guests. He was thick-bodied, with a short blue-black beard: a Semite—one of the many drifting yearly into Shumir.

With one exception his guests were Shumirians, shaven of chin and head. Their bodies were padded with rich living, their features smooth and placid. The exception among them stood out in startling contrast. Taller than they, he had none of their soft sleekness. He was made with the economy of relentless Nature. His physique was of the primitive, not of the civilized athlete. He was an incarnation of Power, raw, hard, wolfish—in the sinewy limbs, the corded neck, the great arch of the breast, the broad hard shoulders. Beneath his tousled golden mane his eyes were like blue ice. His strongly chiselled features reflected the wildness his frame suggested. There was about him nothing of the measured leisure of the other guests, but a ruthless directness in his every action. Whereas they sipped, he drank in great gulps. They nibbled at tid-bits, but he seized whole joints in his fingers and tore at the meat with his teeth. Yet his brow was shadowed, his expression moody. His magnetic eyes were introspective. Wherefore Prince lbi-Engur lisped again in Naram-ninub's ear: "Has the lord, Pyrrhas, heard the whispering of night-things?"

Naram-ninub eyed his friend in some worriment. "Come, my lord," said he, "you are strangely distraught. Has any here done aught to offend you?"

Pyrrhas roused himself as from some gloomy meditation and shook his head. "Not so, friend; if I seem distracted it is because of a shadow that lies over my own mind." His accent was barbarous, but the timbre of his voice was strong and vibrant.

The others glanced at him in interest. He was Eannatum's general of mercenaries, an Argive whose saga was epic.

"Is it a woman, lord Pyrrhas?" asked Prince Enakalli with a laugh. Pyrrhas fixed him with his gloomy stare and the prince felt a cold wind blowing on his spine.

"Aye, a woman," muttered the Argive. "One who haunts my dreams and floats like a shadow between me and the moon. In my dreams I feel her teeth in my neck, and I wake to hear the flutter of wings and the cry of an owl."

A silence fell over the group on the dais. Only in the great hall below rose the babble of mirth and conversation and the tinkling of lutes, and a girl laughed loudly, with a curious note in her laughter.

"A curse is upon him," whispered the Arabian girl. Naram-ninub silenced her with a gesture, and was about to speak, when Ibi-Engur lisped: "My lord Pyrrhas, this has an uncanny touch, like the vengeance of a god. Have you done aught to offend a deity?"

Naram-ninub bit his lip in annoyance. It was well known that in his recent campaign against Erech, the Argive had cut down a priest of Anu in his shrine. Pyrrhas' maned head jerked up and he glared at Ibi-Engur as if undecided whether to attribute the remark to malice or lack of tact. The prince began to pale, but the slim Arabian rose to her knees and caught at Naram-ninub's arm.

"Look at Belibna!" She pointed at the girl who had laughed so wildly an instant before.

Her companions were drawing away from this girl apprehensively. She did not speak to them, or seem to see them. She tossed her jeweled head and her shrill laughter rang through the feast-hall. Her slim body swayed back and forth, her bracelets clanged and jangled together as she tossed up her white arms. Her dark eyes gleamed with a wild light, her red lips curled with her unnatural mirth.

"The hand of Arabu is on her," whispered the Arabian uneasily.

"Belibna?" Naram-ninub called sharply. His only answer was another burst of wild laughter, and the girl cried stridently: "To the home of darkness, the dwelling of Irhalla; to the road whence there is no return; oh, Apsu, bitter is thy wine!" Her voice snapped in a terrible scream, and bounding from among her cushions, she leaped up on the dais, a dagger in her hand. Courtesans and guests shrieked and scrambled madly out of her way. But it was at Pyrrhas the girl rushed, her beautiful face a mask of fury. The Argive caught her wrist, and the abnormal strength of madness was futile against the barbarian's iron thews. He tossed her from him, and down the cushion-strewn steps, where she lay in a crumpled heap, her own dagger driven into her heart as she fell.