"I'm tougher than you think," he answered. "I'm as good as I ever was and I'll prove it. Get me Sailor Slade."
"He beat you once before, when you were better than you are now. How do you expect—"
"I didn't have the incentive to win then, that I have now."
I nodded. What this incentive was I did not know, but I had seen him rise again and again from what looked like certain defeat—had seen him, writhing on the canvas, turn white, his eyes blue with sudden terror as he dragged himself upright. Terror? Of losing! A terror that kept him going when even his iron body was tottering on the verge of collapse and when the old fighting frenzy had ceased to function in the numbed brain. What prompted this dread? It was a mystery I could not fathom, but that in some way it was connected with his strange money-lust, I knew.
"You'll sign me for four fights," Brennon was saying. "With Sailor Slade, Young Hansen, Jack Slattery and Mike Costigan."
"You're out of your head!" I exclaimed sharply. "You've picked the four most dangerous battlers in the world!"
"Hansen, it'll be easy. I beat him once, and I can do it again. I don't know about Slattery. I want to take him on last. First, I've got to hurdle Slade. After him, I'll fight Costigan. He's the least scientific of the four, but the hardest hitter. If I'm slipping I want to get him before I've gone too far."
"It's suicide!" I cried. "If you've got to fight, pass up these mankillers and take on some set-ups. If Slade don't knock you out, he'll soften you up so Costigan will punch you right into the bughouse. He's a murderer. They call him Iron Mike, too."
"I'll pack them in," he answered heedlessly. "Slade's nearly the drawing card I am, and as for Costigan, the fans always turn out to see two iron men meet."
As usual, there was no answer to be made.
5. — THE ROLL OF THE IRON MEN
Table of Contents
IT WAS a few nights before the Brennon-Slade fight. I had wandered into Mike's room and my eye fell on a partially completed letter on his writing table. Without any intention of spying, I idly noted that it was addressed to a girl named Marjory Walshire, at a very fashionable girls' school in New York state.
I saw that a letter from this girl lay beside the other one, and though it was an atrocious breach of manners, in my curiosity to know why a girl in a society school like that would be writing a prize-fighter, I picked up the partially completed letter and glanced idly over it. The next moment I was reading it with fierce intensity, all scruples, forgotten. Having finished it, I snatched up the other and ruthlessly tore it open.
I had scarcely finished reading this when Mike entered with Ganlon. His eyes blazed with sudden fury, but before he could say a word I launched an offensive of my own—for one of the few times in my life, wild with rage.
"You born fool!" I snarled. "So this is why you've been crucifying yourself!"
"What do you mean by getting into my private correspondence?" his voice was husky with fury.
I sneered. "I'm not going to enter into a discussion of etiquette. You can beat me up afterward, but just now I'm going to have my say.
"You've been keeping some girl in a ritzy finishing school back East. Finishing school! It's nearly finished you! What kind of a girl is she, to let you go through this mill for her? I'd like for her to see your battered map now! While she's been lolling at ease in the most expensive school she could find, you've been flattening out the resin with your shoulders and soaking it down with your blood—"
"Shut up!" roared Brennon, white and shaking.
He leaned back against the table, gripping the edge so hard his knuckles whitened as he fought for control. At last he spoke more calmly.
"Yes, that's the incentive that's kept me going. That girl is the only girl I ever loved—the only thing I ever had to love.
"Listen, do you know how lonely a kid is when he has absolutely nobody in the world to love? The folks in the home were kind, but there were so many children—I got the beginnings of a good education. That's all.
"Out in the world it was worse. I worked, tramped, starved. I fought for everything I ever got. I have a better education than most, you say. I worked my way through high school, and read all the books in my spare time that I could beg, steal or borrow. Many a time I went hungry to buy a book.
"I drifted into the ring from fighting in carnivals and the like. I never got anywhere. After I whipped Mulcahy the night you talked to me, I quit. Drifted. Then in a little town on the Arizona desert I met Marjory Walshire.
"Poverty? She knew poverty! Working her fingers to the bone in a cafe. Good blood in her too, just as there is in me, somewhere. She should have been born to the satins and velvets—instead she was born to the greasy dishes and dirty tables of a second-class cafe. I loved her, and she loved me. She told me her dreams that she never believed would come true —of education—nice clothes—refined companions— every thing that any girl wants.
"Where was I to turn? I could take her out of the cafe—only to introduce her to the drudgery of a laboring man's wife. So I went back into the ring. As soon as I could, I sent her to school. I've been sending her money enough to live as well as any girl there, and I've saved too, so when she gets out of school and I have to quit the ring, we can be married and start in business that won't mean drudgery and poverty.
"Poverty is the cause of more crimes, cruelty and suffering than anything else. Poverty kept me from having a home and people like other kids. You know how it is in the slums—parents toiling for a living and too many children. They can't support them all. Mine left me on the door-step of the orphanage with a note: 'He's honest born. We love him, but we can't keep him. Call him Michael Brennon.'
"Poverty can be as cruel in a small town as in a city—Marjory, who'd never been out of the town where she was born—with her soul starved and her little white hands reddened and callused—
"It's the thought of her that's kept me on my feet when the whole world was blind and red and the fists of my opponent were like hammers on my shattering brain—that's the thought that dragged me off the canvas when my body was without feeling and my arms hung like lead, to strike down the man I could no longer see. And as long as she's waiting for me at the end of the long trail, there's no man on earth can make me take the count!"
His voice crashed through the room like a clarion call of victory, but my old doubts returned.
"But how can she love you so much," I exclaimed, "when she's willing for you to go through all this for her?"
"What does she know of fighting? I made her believe boxing was more or less of a dancing and tapping affair. She'd heard of Corbett and Tunney, clever fellows who could step twenty rounds without a mark, and she supposed I was like them. She hasn't seen me in nearly four years—not since I left the town where she worked. I've put her off when she's wanted to come and see me, or for me to come to her. When she does see my battered face it'll be a terrible shock to her, but I was never very handsome anyway—"
"Do you mean to tell me," I broke in, "that she never tunes in on one of your fights, never reads an account of them, when the papers are full of your doings?"
"She don't know my real name. After I quit the game the first time, I went under the name of Mike Flynn to duck the two-by-four promoters I'd fought for, and who were always pestering me to fight for them again. The first time I saw Marjory I began to think of fighting again, and I never told her differently. The money I've sent has been in cashier's checks. To her, I'm simply Mike Flynn, a fighter she never hears of. She wouldn't recognize my picture in the papers."
"But her letters are addressed to Mike Brennon."
"You didn't look closely. They're addressed to Michael Flynn, care of Mike Brennon, this camp. She thinks Brennon is merely a friend of her Mike. Well, now you know why I've fought on and stinted myself. With Van Heeren, it was different. I'm responsible for his condition. I had to help him.