Cupid From Bear Creek
Table of Contents
SOME day, maybe, when I'm a old man, I'll have sense enough to stay away from these new mining camps which springs up overnight like mushroomers. There was that time in Teton Gulch, for instance. It was a ill-advised moment when I stopped there on my way back to the Humbolts from the Yavapai country. I was a sheep for the shearing and I was shore plenty. And if some of the shearers got fatally hurt in the process, they needn't to blame me. I was acting in self- defense all the way through.
At first I aimed to pass right through Teton Gulch without stopping. I was in a hurry to git back to my home-country and find out was any misguided idjits trying to court Dolly Rixby, the belle of War Paint, in my absence. I hadn't heard from her since I left Bear Creek, five weeks before, which warn't surprizing, seeing as how she couldn't write, nor none of her family, and I couldn't of read it if they had. But they was a lot of young bucks around War Paint which could be counted on to start shining around her the minute my back was turnt.
But my thirst got the best of me, and I stopped in the camp. I was drinking me a dram at the bar of the Yaller Dawg Saloon and Hotel, when the bar- keep says, after studying me a spell, he says: "You must be Breckinridge Elkins, of Bear Creek."
I give the matter due consideration, and 'lowed as how I was.
"How come you knowed me?" I inquired suspiciously, because I hadn't never been in Teton Gulch before, and he says: "Well, I've heard tell of Breckinridge Elkins, and when I seen you, I figgered you must be him, because I don't see how they can be two men in the world that big. By the way, there's a friend of yore'n upstairs—Blink Wiltshaw, from War Paint. I've heered him brag about knowin' you personal. He's upstairs now, fourth door from the stair-head, on the left."
Now that there news interested me, because Blink was the most persistent of all them young mavericks which was trying to spark Dolly Rixby. Just the night before I left for Yavapai, I catched him coming out of her house, and was fixing to sweep the street with him when Dolly come out and stopped me and made us shake hands.
It suited me fine for him to be in Teton Gulch, or anywheres just so he warn't no-wheres nigh Dolly Rixby, so I thought I'd pass the time of day with him.
I went upstairs and knocked on the door, and bam! went a gun inside and a .45 slug ripped through the door and taken a nick out of my off- ear. Getting shot in the ear always did irritate me, so without waiting for no more exhibitions of hospitality, I give voice to my displeasure in a deafening beller and knocked the door off its hinges and busted into the room over its ruins.
For a second I didn't see nobody, but then I heard a kind of gurgle going on, and happened to remember that the door seemed kind of squishy underfoot when I tromped over it, so I knowed that whoever was in the room had got pinned under the door when I knocked it down.
So I reached under it and got him by the collar and hauled him out, and shore enough it was Blink Wiltshaw. He was limp as a lariat, and glassy-eyed and pale, and was still kind of trying to shoot me with his six-shooter when I taken it away from him.
"What the hell's the matter with you?" I demanded sternly, dangling him by the collar with one hand, whilst shaking him till his teeth rattled. "Didn't Dolly make us shake hands? What you mean by tryin' to 'sasserinate me through a hotel door?"
"Lemme down, Breck," he gasped. "I didn't know it was you. I thought it was Rattlesnake Harrison comin' after my gold."
So I sot him down. He grabbed a jug of licker and taken a swig, and his hand shook so he spilled half of it down his neck.
"Well?" I demanded. "Ain't you goin' to offer me a snort, dern it?"
"Excuse me, Breckinridge," he apolergized. "I'm so derned jumpy I dunno what I'm doin'. You see them buckskin pokes?" says he, p'inting at some bags on the bed. "Them is plumb full of nuggets. I been minin' up the Gulch, and I hit a regular bonanza the first week. But it ain't doin' me no good."
"What you mean?" I demanded.
"These mountains is full of outlaws," says he. "They robs, and murders every man which makes a strike. The stagecoach has been stuck up so often nobody sends their dust out on it no more. When a man makes a pile he sneaks out through the mountains at night, with his gold on pack-mules. I aimed to do that last night. But them outlaws has got spies all over the camp, and I know they got me spotted. Rattlesnake Harrison's their chief, and he's a ring-tailed he-devil. I been squattin' over this here gold with my pistol in fear and tremblin', expectin' 'em to come right into camp after me. I'm dern nigh loco!"
And he shivered and cussed kind of whimpery, and taken another dram, and cocked his pistol and sot there shaking like he'd saw a ghost or two.
"You got to help me, Breckinridge," he said desperately. "Youtake this here gold out for me, willya? The outlaws don't know you. You could hit the old Injun path south of the camp and foller it to Hell-Wind Pass. The Chawed-Ear—Wahpeton stage goes through there about sun-down. You could put the gold on the stage there, and they'd take it on to Wahpeton. Harrison wouldn't never think of holdin' it up after it left Hell-Wind. They always holds it up this side of the Pass."
"What I want to risk my neck for you for?" I demanded bitterly, memories of Dolly Rixby rising up before me. "If you ain't got the guts to tote out yore own gold—"
"T'ain't altogether the gold, Breck," says he. "I'm tryin' to git married, and—"
"Married?" says I. "Here? In Teton Gulch? To a gal in Teton Gulch?"
"Married to a gal in Teton Gulch," he avowed. "I was aimin' to git hitched tomorrer, but they ain't a preacher or justice of the peace in camp to tie the knot. But her uncle the Reverant Rembrandt Brockton is a circuit rider, and he's due to pass through Hell-Wind on his way to Wahpeton today. I was aimin' to sneak out last night, hide in the hills till the stage come through, then put the gold on the stage and bring Brother Rembrandt back with me. But yesterday I learnt Harrison's spies was watchin' me, and I'm scairt to go. Now Brother Rembrandt will go on to Wahpeton, not knowin' he's needed here, and no tellin' when I'll be able to git married—"
"Hold on," I said hurried, doing some quick thinking. I didn't want this here wedding to fall through. The more Blink was married to some gal in Teton, the less he could marry Dolly Rixby.
"Blink," I said, grasping his hand warmly, "let it never be said that a Elkins ever turned down a friend in distress. I'll take yore gold to Hell-Wind Pass and bring back Brother Rembrandt."
Blink fell onto my neck and wept with joy. "I'll never forgit this, Breckinridge," says he, "and I bet you won't neither! My hoss and pack-mule are in the stables behind the saloon."
"I don't need no pack-mule," I says. "Cap'n Kidd can pack the dust easy."
Cap'n Kidd was getting fed out in the corral next to the hotel. I went out there and got my saddle-bags, which is a lot bigger'n most saddle-bags, because all my plunder has to be made to fit my size. They're made outa three- ply elkskin, stitched with rawhide thongs, and a wildcat couldn't claw his way out of 'em.
I noticed quite a bunch of men standing around the corral looking at Cap'n Kidd, but thought nothing of it, because he is a hoss which naturally attracts attention. But whilst I was getting my saddle-bags, a long lanky cuss with long yaller whiskers come up and said, says he: "Is that yore hoss in the corral?"
If he ain't he ain't nobody's," I says.
"Well, he looks a whole lot like a hoss that was stole off my ranch six months ago," he said, and I seen ten or fifteen hard-looking hombres gathering around me. I laid down my saddle-bags sudden-like and reached for my guns, when it occurred to me that if I had a fight there I might git arrested and it would interfere with me bringing Brother Rembrandt in for the wedding.