As for the rest of the villagers I found them not inclined to talk about the Stone, with the exception of the schoolmaster, a man of surprizing education, who spent much more of his time out in the world than any of the rest.
He was much interested in what I told him of Von Junzt's remarks about the Stone, and warmly agreed with the German author in the alleged age of the monolith. He believed that a coven had once existed in the vicinity and that possibly all of the original villagers had been members of that fertility cult which once threatened to undermine European civilization and gave rise to the tales of witchcraft. He cited the very name of the village to prove his point; it had not been originally named Stregoicavar, he said; according to legends the builders had called it Xuthltan, which was the aboriginal name of the site on which the village had been built many centuries ago.
This fact roused again an indescribable feeling of uneasiness. The barbarous name did not suggest connection with any Scythic, Slavic or Mongolian race to which an aboriginal people of these mountains would, under natural circumstances, have belonged.
That the Magyars and Slavs of the lower valleys believed the original inhabitants of the village to be members of the witchcraft cult was evident, the schoolmaster said, by the name they gave it, which name continued to be used even after the older settlers had been massacred by the Turks, and the village rebuilt by a cleaner and more wholesome breed.
He did not believe that the members of the cult erected the monolith but he did believe that they used it as a center of their activities, and repeating vague legends which had been handed down since before the Turkish invasion, he advanced the theory that the degenerate villagers had used it as a sort of altar on which they offered human sacrifices, using as victims the girls and babies stolen from his own ancestors in the lower valleys.
He discounted the myths of weird events on Midsummer Night, as well as a curious legend of a strange deity which the witch-people of Xuthltan were said to have invoked with chants and wild rituals of flagellation and slaughter.
He had never visited the Stone on Midsummer Night, he said, but he would not fear to do so; whatever had existed or taken place there in the past, had been long engulfed in the mists of time and oblivion. The Black Stone had lost its meaning save as a link to a dead and dusty past.
It was while returning from a visit with this schoolmaster one night about a week after my arrival at Stregoicavar that a sudden recollection struck me—it was Midsummer Night! The very time that the legends linked with grisly implications to the Black Stone. I turned away from the tavern and strode swiftly through the village. Stregoicavar lay silent; the villagers retired early. I saw no one as I passed rapidly out of the village and up into the firs which masked the mountain's slopes with whispering darkness. A broad silver moon hung above the valley, flooding the crags and slopes in a weird light and etching the shadows blackly. No wind blew through the firs, but a mysterious, intangible rustling and whispering was abroad. Surely on such nights in past centuries, my whimsical imagination told me, naked witches astride magic broomsticks had flown across the valley, pursued by jeering demoniac familiars.
I came to the cliffs and was somewhat disquieted to note that the illusive moonlight lent them a subtle appearance I had not noticed before—in the weird light they appeared less like natural cliffs and more like the ruins of cyclopean and Titan-reared battlements jutting from the mountain-slope.
Shaking off this hallucination with difficulty I came upon the plateau and hesitated a moment before I plunged into the brooding darkness of the woods. A sort of breathless tenseness hung over the shadows, like an unseen monster holding its breath lest it scare away its prey.
I shook off the sensation—a natural one, considering the eeriness of the place and its evil reputation—and made my way through the wood, experiencing a most unpleasant sensation that I was being followed, and halting once, sure that something clammy and unstable had brushed against my face in the darkness.
I came out into the glade and saw the tall monolith rearing its gaunt height above the sward. At the edge of the woods on the side toward the cliffs was a stone which formed a sort of natural seat. I sat down, reflecting that it was probably while there that the mad poet, Justin Geoffrey, had written his fantastic People of the Monolith. Mine host thought that it was the Stone which had caused Geoffrey's insanity, but the seeds of madness had been sown in the poet's brain long before he ever came to Stregoicavar.
A glance at my watch showed that the hour of midnight was close at hand. I leaned back, waiting whatever ghostly demonstration might appear. A thin night wind started up among the branches of the firs, with an uncanny suggestion of faint, unseen pipes whispering an eerie and evil tune. The monotony of the sound and my steady gazing at the monolith produced a sort of self-hypnosis upon me; I grew drowsy. I fought this feeling, but sleep stole on me in spite of myself; the monolith seemed to sway and dance, strangely distorted to my gaze, and then I slept.
I opened my eyes and sought to rise, but lay still, as if an icy hand gripped me helpless. Cold terror stole over me. The glade was no longer deserted. It was thronged by a silent crowd of strange people, and my distended eyes took in strange barbaric details of costume which my reason told me were archaic and forgotten even in this backward land. Surely, I thought, these are villagers who have come here to hold some fantastic conclave—but another glance told me that these people were not the folk of Stregoicavar. They were a shorter, more squat race, whose brows were lower, whose faces were broader and duller. Some had Slavic and Magyar features, but those features were degraded as from a mixture of some baser, alien strain I could not classify. Many wore the hides of wild beasts, and their whole appearance, both men and women, was one of sensual brutishness. They terrified and repelled me, but they gave me no heed. They formed in a vast half-circle in front of the monolith and began a sort of chant, flinging their arms in unison and weaving their bodies rhythmically from the waist upward. All eyes were fixed on the top of the Stone which they seemed to be invoking. But the strangest of all was the dimness of their voices; not fifty yards from me hundreds of men and women were unmistakably lifting their voices in a wild chant, yet those voices came to me as a faint indistinguishable murmur as if from across vast leagues of Space—or time.
Before the monolith stood a sort of brazier from which a vile, nauseous yellow smoke billowed upward, curling curiously in a swaying spiral around the black shaft, like a vast unstable snake.
On one side of this brazier lay two figures—a young girl, stark naked and bound hand and foot, and an infant, apparently only a few months old. On the other side of the brazier squatted a hideous old hag with a queer sort of black drum on her lap; this drum she beat with slow light blows of her open palms, but I could not hear the sound.
The rhythm of the swaying bodies grew faster and into the space between the people and the monolith sprang a naked young woman, her eyes blazing, her long black hair flying loose. Spinning dizzily on her toes, she whirled across the open space and fell prostrate before the Stone, where she lay motionless. The next instant a fantastic figure followed her—a man from whose waist hung a goatskin, and whose features were entirely hidden by a sort of mask made from a huge wolf's head, so that he looked like a monstrous, nightmare being, horribly compounded of elements both human and bestial. In his hand he held a bunch of long fir switches bound together at the larger ends, and the moonlight glinted on a chain of heavy gold looped about his neck. A smaller chain depending from it suggested a pendant of some sort, but this was missing.