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A still horror brooded over the silent house as we went up the stairs. A faint breeze stole in from somewhere and set the heavy velvet hangings rustling, and I visualized stealthy taloned fingers drawing aside the tapestries, to fix red gloating eyes upon us. Once I thought I heard the indistinct clumping of monstrous feet somewhere above us, but it must have been the heavy pounding of my own heart.

The stairs debouched into a wide dark corridor, in which our feeble candle cast a faint gleam which but illuminated our pale faces and made the shadows seem darker by comparison. We stopped at a heavy door, and I heard Conrad's breath draw in sharply as a man's will when he braces himself physically or mentally. I involuntarily clenched my fists until the nails bit into the palms; then Conrad thrust the door open.

A sharp cry escaped his lips. The candle dropped from his nerveless fingers and went out. The library of John Grimlan was ablaze with light, though the whole house had been in darkness when we entered it.

This light came from seven black candles placed at regular intervals about the great ebony table. On this table, between the candles—I had braced myself against the sight. Now in the face of the mysterious illumination and the sight of the thing on the table, my resolution nearly gave way. John Grimlan had been unlovely in life; in death he was hideous. Yes, he was hideous even though his face was mercifully covered with the same curious silken robe, which, worked in fantastic bird- like designs, covered his whole body except the crooked claw-like hands and the bare withered feet.

A strangling sound came from Conrad. "My God!" he whispered; "what is this? I laid his body out on the table and placed the candles about it, but I did not light them, nor did I place that robe over the body! And there were bedroom slippers on his feet when I left—"

He halted suddenly. We were not alone in the death-room.

At first we had not seen him, as he sat in the great armchair in a farther nook of a corner, so still that he seemed a part of the shadows cast by the heavy tapestries. As my eyes fell upon him, a violent shuddering shook me and a feeling akin to nausea racked the pit of my stomach. My first impression was of vivid, oblique yellow eyes which gazed unwinkingly at us. Then the man rose and made a deep salaam, and we saw that he was an Oriental. Now when I strive to etch him clearly in my mind, I can resurrect no plain image of him. I only remember those piercing eyes and the yellow, fantastic robe he wore.

We returned his salute mechanically and he spoke in a low, refined voice, "Gentlemen, I crave your pardon! I have made so free as to light the candles—shall we not proceed with the business pertaining to our mutual friend."

He made a slight gesture toward the silent bulk on the table. Conrad nodded, evidently unable to speak. The thought flashed through our minds at the same time, that this man had also been given a sealed envelope—but how had he come to the Grimlan house so quickly? John Grimlan had been dead scarcely two hours and to the best of our knowledge no one knew of his demise but ourselves. And how had he got into the locked and bolted house?

The whole affair was grotesque and unreal in the extreme. We did not even introduce ourselves or ask the stranger his name. He took charge in a matter-of-fact way, and so under the spell of horror and illusion were we that we moved dazedly, involuntarily obeying his suggestions, given us in a low, respectful tone.

I found myself standing on the left side of the table, looking across its grisly burden at Conrad. The Oriental stood with arms folded and head bowed at the head of the table, nor did it then strike me as being strange that he should stand there, instead of Conrad who was to read what Grimlan had written. I found my gaze drawn to the figure worked on the breast of the stranger's robe, in black silk—a curious figure, somewhat resembling a peacock and somewhat resembling a bat, or a flying dragon. I noted with a start that the same design was worked on the robe covering the corpse.

The doors had been locked, the windows fastened down. Conrad, with a shaky hand, opened the inner envelope and fluttered open the parchment sheets contained therein. These sheets seemed much older than those containing the instructions to Conrad, in the larger envelope. Conrad began to read in a monotonous drone which had the effect of hypnosis on the hearer; so at times the candles grew dim in my gaze and the room and its occupants swam strange and monstrous, veiled and distorted like an hallucination. Most of what he read was gibberish; it meant nothing; yet the sound of it and the archaic style of it filled me with an intolerable horror.

"To ye contract elsewhere recorded, I, John Grymlann, herebye sweare by ye Name of ye Nameless One to keep goode faithe. Wherefore do I now write in blood these wordes spoken to me in thys grim & silent chamber in ye dedde citie of Koth, whereto no mortal manne hath attained but mee. These same wordes now writ down by mee to be rede over my bodie at ye appointed tyme to fulfill my parte of ye bargain which I entered intoe of mine own free will & knowledge beinge of rite mynd & fiftie years of age this yeare of 1680, A. D. Here begynneth ye incantation:

"Before manne was, ye Elder ones were, & even yet their lord dwelleth amonge ye shadows to which if a manne sette his foote he maye not turn vpon his track."

The words merged into a barbaric gibberish as Conrad stumbled through an unfamiliar language—a language faintly suggesting the Phoenician, but shuddery with the touch of a hideous antiquity beyond any remembered earthly tongue. One of the candles flickered and went out. I made a move to relight it, but a motion from the silent Oriental stayed me. His eyes burned into mine, then shifted back to the still form on the table.

The manuscript had shifted back into its archaic English.

"—And ye mortal which gaineth to ye black citadels of Koth & speaks with ye Darke Lord whose face is hidden, for a price maye he gain hys heartes desire, ryches & knowledge beyond countinge & lyffe beyond mortal span even two hundred and fiftie yeares."

Again Conrad's voice trailed off into unfamiliar gutturals. Another candle went out.

"—Let not ye mortal flynche as ye tyme draweth nigh for payement & ye fires of Hell laye hold vpon ye vytals as the sign of reckoninge. For ye Prince of Darkness taketh hys due in ye endde & he is not to bee cozened. What ye have promised, that shall ye deliver. Augantha ne shuba —"

At the first sound of those barbaric accents, a cold hand of terror locked about my throat. My frantic eyes shot to the candles and I was not surprised to see another flicker out. Yet there was no hint of any draft to stir the heavy black hangings. Conrad's voice wavered; he drew his hand across his throat, gagging momentarily. The eyes of the Oriental never altered.

"—Amonge ye sonnes of men glide strange shadows for ever. Men see ye tracks of ye talones but not ye feete that make them. Over ye souls of men spread great black wingges. There is but one Black Master though men calle hym Sathanas & Beelzebub & Apolleon & Ahriman & Malik Tous—"

Mists of horror engulfed me. I was dimly aware of Conrad's voice droning on and on, both in English and in that other fearsome tongue whose horrific import I scarcely dared try to guess. And with stark fear clutching at my heart, I saw the candles go out, one by one. And with each flicker, as the gathering gloom darkened about us, my horror mounted. I could not speak, I could not move; my distended eyes were fixed with agonized intensity on the remaining candle. The silent Oriental at the head of that ghastly table was included in my fear. He had not moved nor spoken, but under his drooping lids, his eyes burned with devilish triumph; I knew that beneath his inscrutable exterior he was gloating fiendishly—but why—why?

But I knew that the moment the extinguishing of the last candle plunged the room into utter darkness, some nameless, abominable thing would take place. Conrad was approaching the end. His voice rose to the climax in gathering crescendo.