That was when she saw it.
You slick son of a bitch, she thought.
You missed something.
5
After Musicman logged on at the Earthling Café, the first thing he did was check his mail.
There were two messages from CRZYGRL12@ synerG.net.
Fingers tapping rapidly on the table, he tried to think it through. Hard, because his mind was rushing a mile a minute. Although his rage had not abated one bit, he felt the overwhelming need to know what happened.
Out front, another police car went by, this one from the sheriff’s department.
He tapped his fingers some more and then brought her picture up on the screen. Maybe he could find a clue in her eyes.
The waitress, a scarf-haired girl wearing heavy white linen tied around her waist, set his iced tea down. She glanced at the picture. “That your daughter?”
He lowered the laptop lid so she couldn’t see. “Uh-huh.”
“Pretty girl.”
He nodded, acknowledging but not friendly. She took the hint and threaded her way back through the cramped cafe to the stand-up counter. Only then did he push the laptop’s lid back up.
She smiled out at him—his girl.
Like a tidal wave, the desire—the need—came rumbling up from deep inside him. He could feel it in the trembling of his hands, the prickling saliva in the corners of his mouth. The adrenaline rush, the beating of his heart, the answering chime in his groin.
If she was his girl.
He had to know. No way could he leave it like this—not when he was this close.
He opened the first message.
Where wer u? I waited 1 hr. I thought for sure this was the day and I walked 3 Miles. Did I get the wrong day? Let me know. Luv, Your Muse. PS I looked it up, it’s really cool to be your muse.
He closed the first email without replying and opened the second one.
Y haven’t I heard from u? Write me!
The same. She was the same. Or at least she seemed the same.
Another cop car went by, lights on but silent. That was seven, total, since he’d been here. He poured two packets of sugar into his glass and stirred, having to use a regular teaspoon because they didn’t have the long ones.
Suddenly, he wanted to throw the goddamn spoon across the room.
His girl. Who was he fooling?
He wasn’t stupid—far from it. He knew he couldn’t dismiss what he’d seen. There came a time when you had to trust your instincts. He had always been fully aware of the dangers, and that was why he was so careful. He’d always had a sixth sense for trouble.
Until now.
6
Dusk had fallen by the time one of the lab techs, Danny Urquides, motioned to Laura from the band shell stage. “The ME’s gonna take her now.”
For the last half hour, Laura had been waiting for the crime scene techs to finish their work. Now she realized how dry her lips were—a chronic problem. She fumbled in the pocket of her slacks, momentarily afraid she’d left her lip balm in the car, relieved and grateful when her hand closed around the small tin. When she worked a crime scene her field of vision narrowed so much she forgot about things like thirst, hunger, and dry lips.
It had been a very long day. There had been so much to do, and she trusted no one else to do it—even the stuff some might label scutwork—because this was her case and she had to build it painstakingly. In her mind she thought of it as a Popsicle-stick house, placing one piece of evidence atop another until she had a case so tight no defense attorney could knock it down.
One thing Frank Entwistle had drummed into her: Think about the end game. In police work, the end game was a conviction. Whatever she uncovered would have to stand up in court.
Since this morning, she had walked the crime scene twice. She had marked and collected evidence, measured and drawn the crime scene to scale, and shot seventeen rolls of film from the ground and an additional two from the DPS helicopter. Laura hated flying in general, and flying in helicopters—where the world tilted crazily—in particular. But it was part of her job and she white-knuckled it.
Laura dropped the lip balm into her slacks pocket and went up to supervise the removal of the body.
A tech from the medical examiner’s office was in the process of gently moving the girl away from the wall. Laura photographed the part of her that had been concealed until now, from head to heels. Other than residue from the dirty wall, there was nothing new. The one thing the killer had missed—a mesquite leaf Laura had found on the girl’s neck—had already been photographed, bagged, and removed.
By this time, they had made a positive identification: The girl was indeed Jessica Parris. Victor Celaya had made the notification earlier in the afternoon.
A familiar twinge started in the small of her back. At five feet nine, she was on the tall side and had a long waist. A car accident during her time at the Highway Patrol had weakened her back despite the doctors’ assurances to the contrary, and she felt it every time the job required long hours and standing around. She couldn’t even lean against a wall until they were done with the crime scene.
It had rained scantily off and on for about an hour—not much of a storm. The air smelled of wet earth and wet cement, nothing like the seductive perfume of the creosote desert where she lived. But it had cooled her down, blown some fresh air into her.
As they lifted the girl, Laura looked at her face. Despite the deterioration already beginning to erode the hopeful image of youth, the face that once belonged to Jessica Parris seemed unconcerned with the indignities of death—as if she were already an angel.
Laura thought of the parents, glad they could not see her now. How did you deal with the death of your own child?
Anguish stormed up into her chest, the wanton destruction getting to her. Why? Why take this girl’s life? She knew the conventional wisdom, the explanations given by psychologists and FBI profilers, the charts and statistics and probabilities, but at this moment they rang hollow.
The firestorm of emotion took her unawares, blowing up through her soul like a crown fire. Just as quickly, it burned out, leaving only cold, bitter anger.
You think you can get away with it, she said to him. But you won’t.
I will find you. I swear to God I will.
I will make you pay.
Going back down Brewery Gulch, she passed the bar she’d gone by this morning, what seemed like a hundred years ago. Heavy metal music spilled out along with the beer smell. Several Harleys were parked out in front of the bar. Bikers, tourists, and stray dogs populated the shadowy street, flickering in and out of lights from open doorways. They were joined by hippie types who seemed at the same time flamboyant and insubstantial, slipping through the night like ghosts of a long-gone era.
Laura was tired, dirty, drained, and hungry. Earlier today she’d seen the sign in the Copper Queen Hotel lobby for prime rib. She hoped the restaurant would still be open after the briefing at the Bisbee Police Department. Maybe grab a bite with Victor. She hadn’t seen him since this morning. He’d spent most of his time canvassing the streets around the park or up at the Copper Queen Hotel conference room, doing what he did best: talk. Interviewing witnesses, being interviewed himself by the news crews from the Tucson and Phoenix network affiliates. He could have them.
Laura was almost past a red brick building when she saw something in the store window, partly shielded by an old-fashioned canvas awning, its candy-stripes faded to pink. A doll, propped up against a metal trunk, legs splayed, hands together on her lap. She wore a Victorian-style little girl’s dress. The dress looked like it had once been white, but had been faded by the sun.
The sign above the door said: COOGER & DARK’S PANDEMONIUM SHADOW SHOW AND EMPORIUM. The antique shop sold twentieth-century kitsch. Melmac, Buck Rogers space ships. A dim light came from the back of the store.