snazzy digital watch — it isn’t that he has things to do, it’s more that he feels overpowered: in Leicester Square, where black bags are heaped, flies buzzing around them, and so I stick my tongue between sloppily tied rabbit’s ears to seek out the shape of the bits of my parents discorporated by the Luftwaffe, then discarded . . — I’m not keeping you, Zack, am I? — No, no, please. . Enoch, it’s only that I’m overpowered by your — I don’t what to call it — your diligence? Enthusiasm? Mboya has been using a banana with which to indicate moral aments and their negativism, and now he tries to peel it, but the overripe skin buckles, so he slits it deftly with a thumbnail, saying, I’m not a prophet, Zack. Busner starts. — What? Events are taking a sinister turn . .but Mboya chews on. — I’m not a prophet, Zack — you said that we’re both prophets, but in the Bible Enoch wasn’t a prophet, he foretold no rivers of blood, nor did he circle the walls of this asylum blowing his trumpet to bring them down. . the banana skin fingers his. . He was the son of Jared and the great-grandfather of Noah and Methuselah’s father — in Hebrew the name means initiated, disciplined. . dedicated. That you are, my friend, but why? Mboya leans forward across the table and Busner twitches shamefacedly. — Miss Down does the music-therapy session on Tuesday afternoons in the room above the chapel — I’ve taken Mister Ostereich and Miss Yudkin, who’s on 20. She plays that Scott Joplin rag — the one in the film — the whole time, and our pair respond terribly to it, all their tics get much, much worse — the music jerks them about, da-da-da-dadda-da-dum-da-dum! If Miss Down plays a military march it’s even worse — but the other day she played this piece and it was very slow, stately, I’d call it, and they both began to dance, swaying this way and that so fluently — these patients who’re catatonic most of the time, dancing about. . I was so struck by it when she’d finished I asked Miss Down what the piece was and she said it was by Brahms, one of his six pieces for piano, opus something-or-other, so I went and got an LP with it on, Doo-d’doo, doo d’doo, doo-d’-dooo, doo-d’-dooo. . Busner is nonplussed by Mboya’s complete lack of self-consciousness, humming away in the staff canteen. . Well, you get the picture — not my sort of thing, but I sort of got what it was they were responding to, the slowness, the gentle swing. . If you wanted, I could make a cassette of it and bring it in — I bet it’d work on them if you played it to other post-encephalitics. — It was a long speech, and now it was done Mboya seemed a little embarrassed, which was, Busner thought, understandable, for while there was diligence here there was also a great deal of passion. Passion the stately Kikuyu takes away with him as he turns west out of the canteen doors and heads for Ward 14, his almost-Afro spinning down the rifled corridor — west, because it makes no sense to speak of left or right at Friern, any more than it does in politics, which is the sort of thing Whitcomb might say at a wine-and-cheese party in the Hampstead Garden Suburb, where he stands with a beaker full of the wine merchant’s contempt and perving some peanuts, while his partner in intercourse asks him above jerks and spasms of middle-class hilarity, But what do you think, Doctor Whitcomb — do you believe Lord Longford may actually have a point? An inquiry initiated not because he is a psychiatrist, and thus should be expected to have an opinion on the criminality or otherwise of the insane, but inspired solely by the close resemblance he bears hairy topiary, skin lawn to Packenham, Frank that was. That, Busner thinks contemptuously, is how it is with Whitcomb. They sit low and more or less opposite one another in their armless Danish Modern easy chairs: soft, oblong slabs joined in at obtuse angles. Over Whitcomb’s shoulder clambers an examination couch covered in black vinyl. There’s a brown button in the notch behind his carefully shaved jawbone, and when Busner looks away to suppress the urge to lean forward and press it, all at once he cannot remember what Whitcomb so much as looks like. The consultant says with uncharacteristic bluntness, Why? And Busner says, It seems to me there’s a genuine opportunity to be grasped here — both a therapeutic one, and possibly a research one as well. Whitcomb murmurs, A genuine opportunity. . He compulsively repeats your words — it’s a tic! Nowadays, Busner notices these everywhere. . well, I appreciate that, Busner, but I confess I’m surprised, it’s been — what? — only six months since you came to us and then you were definite about no longer wishing to pursue your research work after the, um, debacle of your, ah, therapeutic community. Whitcomb isn’t so hidebound that he doesn’t conduct his own therapy groups — Busner has sat in on one of these milieus, as the consultant calls them, and found it to be a miserable business, the patients pressured by him into confessing to relationships and other — in all likelihood — non-existent errors, then subjected to all sorts of criticism by their brow-beaten peers. Whitcomb sitting there, Red-Guarding it over them, his collar getting rounder, and higher: the cadre responsible for this suburban Erewhon, where the sick are punished and their criminal persecutors sympathised with . .I’m not saying the Board’s offer of the position was conditional on your not doing research, but I think we both know it was assumed that you would. . need an aerial photograph for reconnaissance. The one on Whitcomb’s wall shows the hospital from around five thousand feet? its façade picked out by the full glare of a summer day, the oaks, London plains and mulberries massyalong the front wall and main drive, the lawns striped. . Presumably it came with the office and was taken by some flyboy shrink, who, after the war, got his RAF pals to do a sortie from Hendon armed with a camera. But why, Busner muses, would anyone want such a thing? The only way to cope with Friern is to lose yourself in it so the hospital becomes a world entire — this comforting prospect of a vast country house, sited on the bluffs of North London, is not the real hospital at all. The truth demands no elevation — but a plan: the fuselage of the central block, the outstretched wings — the bomber droning over the city, ready to release its psychotic payload . . — The war had been, Marcus had told him, a nadir among low points — the patients weren’t on the ration, they got only job lots of whatever was available. There had been a cargo of corn flour, so that’s what they were given: cornbread, three times a day, until ulcers appeared on stick legs, hair fell from swollen heads and some bright spark realised they had pellagra! A deficiency disease illustrated in the literature by pictures of poor Negroes in the Deep South. The doctors and nurses went to the war — and the only ones left to serve beneath the campanile were the patients, who were mostly Jews, for the Hatch had become the laager for any Jew in the LCC area who showed symptoms of mental illness — a thousand of them, who clustered there and waited, as the Victorian buildings, so cheery from the air, sopped up mould from the damp ground. The lavatories blocked up with their dysenteric diarrhoea, the bacon-curing plant fell doubly redundant, the shoe and upholstery workshops lay idle, the brewery and the bakery too — the entire Samuel Smiles pride of the place declined into self-helplessness as the war came to it, stray bombs obliterating three of the villas used to isolate tubercular patients, and another rogue one shattering all the windows at the back of the second range on the women’s side. The war came to the hospital and eventually the patients fled. Busner doubted the existence of spontaneous remission in wartime — it was more likely, he thinks, that the scream of ordnance became louder than the voices, so they fled for the safety of the deep-level tube platforms where their miserable faces were indistinguishable from those of the other humped figures. They fled — yet there were always more to take their place: the shattered, the traumatised and the abandoned, vulnerable enough to be preyed upon by the building itself, sucked down into its century-old swamp, where their mouths filled with barbiturates and paraldehyde — for these weren’t rationed either. Outside in the mizzle stood the Unknown Pauper Lunatic, verdigris in his eyes, so what could he see? Surely not the world-in-a-droplet at the end of a needle that, plunging down from above, injected glucose into the hospital’s grey hide and so awakened it to the daymare of now — from which it is impossible to. . desist. Busner maintains my cool. — Well, as I say, the research aspect is only a possibility — and I absolutely appreciate the Board’s position. It’s much more that I think I can do something for these post-encephalitic patients if I can get them in one place. Just now, he smiles, I spend quite a lot of my day running from one end of the hospital to the other —. As soon as the words are out he wishes he could snaffle ’em back up. Whitcomb smells. . Brutal — he must be sporty, so slaps it all over to mask the sweat acquired behind the chain links. . thwock! Oh, well played —! The consultant says tersely: Others of our colleagues seem to manage perfectly well, this is a very, ah, extensive hospital — you knew this when you joined us. . Busner waits to be certain this is all Whitcomb has to say, he’s loopy enough to believe in insubordination, then makes a cleverer gambit: There are costs to consider. I mean, I can’t guarantee anything, but I think that concentrating the post-encephalitics will both make caring for them easier — and therefore cheaper — and also allow us to look into the possibility of discharging some of them —. — Discharging some! Whitcomb flings up his hands and says, Well, good luck to you there! Busner presses what he hopes is his Advantage Busner: We’ve had one death on 20 this week already and there’s a second patient who isn’t thriving. I’m not expecting to do this all at once, just piecemeal. . Up go the hands again, it is, Busner realises, Whitcomb’s minstrelsy — Lordy-lordy! You’ve worn me down, man, but one thing, don’t expect me to deal with Admin over this, let alone the medical staff — this is your baby, Busner, you deal with it.