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His name is An Li, but he has been known for a long time as Roshan.

He is hated by a great many, but there are those who adore him, as passionately, as intensely.

The emperor is one who loves him, and Jian, the Precious Consort, has even adopted him as her son—though he is past twice her age—in a child's game, a mockery of ceremony, seen by some as an abomination.

Earlier this spring the women of her entourage, thirty or forty of them, giggling amid clouds of incense and the scent of mingled perfume, had stripped him of his garments as he lay upon the floor in the women's quarters, and then they had powdered and swaddled and pinned him like a newborn in vast cloths. Jian, entering, laughing and clapping with delight, had fed him milk, pretending—with exposed breasts some said—it was her own.

The emperor, it was whispered, had come into the room that day in the women's quarters, where the gross man who had been—and in many ways still was—the most formidable general in the empire was wailing and crying like a newborn babe, lying on his back, fisting small eyes with his hands, while sleek, scented women of the Ta-Ming Palace laughed themselves into raptures of amusement to see Jian and Roshan so merrily at play at the centre of the world.

Everyone in Xinan knew that story. Other tales were whispered about the two of them which were unspeakably dangerous to say aloud in the wrong company. In any company, really.

To speak out, as Roshan does this evening, just as Wen Jian's dance begins, is a violent breach of protocol. For those who understand such things it is also a ferociously aggressive display of confidence.

He is uncouth and illiterate—proudly declares it himself—born into a tribe bordering desert dunes, among a people who had learned to survive raising sheep and horses, and then robbing merchants on the Silk Roads.

His father had served in the Kitan army on the frontier, one of many barbarian horsemen filling that role as the imperial army evolved. They had stopped the raiding, made the long roads safe for commerce and the growth of Xinan and the empire. The father had risen to middling rank—preparing the way for a son who had not always been so vast.

An Li, in turn, had been a soldier and an officer, then a senior one, whose soldiers left mounds of enemy skulls on his battlefields for the wolves and carrion birds, subduing swaths of territory for Kitai. Following upon these conquests he'd been made a general and then, not long after, a military governor in the northeast, with honours beyond any of the other governors.

He assumes a licence, accordingly, to behave in ways no other man would dare, not even the heir. Perhaps especially the heir. He amuses Taizu. In the view of some in this room, he acts this way deliberately, interrupts crudely, to show others that he can. That only he can.

Among those with this opinion is the first minister, the new one: Wen Zhou, the Precious Consort's favoured cousin, holding office because of her intercession.

The last prime minister, the gaunt, unsleeping one who died in the autumn—to the relief of many and the fear and grief of others—was the only man alive Roshan had visibly feared.

Chin Hai, who had steadily promoted the gross barbarian, and kept him in check, has gone to his ancestors, and the Ta-Ming Palace is a different place, which means the empire is.

Eunuchs and mandarins, princes and military leaders, aristocrats, disciples of both the Sacred Path and the Cho Master—all of them watch the first minister and the strongest of the military governors, and no one moves too quickly, or calls attention to himself. It is not always a good thing to be noticed.

Among those observing Jian's first slow, sensuous motions—her cream-and-gold silk skirt sweeping the floor, then beginning to rise and float as her movements grow swifter, wider—the most suspicious view of Roshan is shared by the prime minister's principal adviser.

This figure stands behind Zhou in the black robes (red belt, gold key hanging from the belt) of a mandarin of the highest, ninth degree.

His name is Shen Liu, and his sister, his only sister, is a great distance north by now, beyond the Long Wall, serving his needs extremely well.

He has a cultured appreciation for dancing such as this, for poetry, good wine and food, painting and calligraphy, gems and brocaded liao silk, even architecture and the subtle orientation of city gardens. More, in all these cases, than the first minister does.

There is also a sensual side to his nature, carefully masked. But watching this particular woman, Liu struggles to resist private imaginings. He frightens himself. The very fact that he cannot help but picture her in a room alone with him, those slender hands upraised, wide sleeves falling back to show long, smooth arms as she unpins night-black hair, makes him tremble, as if an enemy might somehow peer into the recesses of his thought and expose him on a precipice of danger.

Impassive, outwardly composed, Liu stands behind First Minister Wen, beside the chief of the palace eunuchs, watching a woman dance. A casual observer might think him bored.

He is not. He is hiding desire, and frightened by Roshan, perplexed as to what the man's precise ambitions might be. Liu hates being unsure of anything, always has.

The first minister is also afraid, and they believe they have reason to fear. They have discussed a number of actions, including provoking Roshan into doing something reckless, then arresting him for treason—but the man controls three armies, has the emperor's love, and Jian, who matters in this, is ambivalently positioned.

One of Roshan's sons is here in the palace, a courtier, but also a hostage of sorts, if it comes to that. Liu is privately of the opinion that Roshan will not let that deter him from anything he decides to do. Two of the governor's advisers were arrested in the city three weeks ago at the first minister's instigation: charged with consulting astrologers after dark, a serious crime. They have denied the accusations. They remain incarcerated. Roshan has appeared serenely indifferent to the matter.

The discussions will continue.

There is a rustling sound. A lean cleric of the Path, an alchemist, appears beside the throne bearing a jade and jewelled cup upon a round golden tray. The emperor, his eyes never leaving the dancer, whose eyes never leave his, drinks the elixir prescribed him for this hour. She will take hers later.

He might never need his tomb. He might live with her forever, eating golden peaches in pavilions of sandalwood, surrounded by tended lacquer trees and bamboo groves, gardens of chrysanthemums beside ponds with lilies and lotus flowers floating in them, drifting amid lanterns and fireflies like memories of mortality.

Tai looked across the raised platform at the poet, and then away towards a lamp and its shadow on the wall. His eyes were open, but seeing nothing more than shapes.

Sima Zian had finished the tale, what he knew. What was, he'd said, beginning to be known among people with links to court or civil service.

It was a story that could easily have reached the scholars-in-waiting, come to the ears of Tai's friends: two princesses to be sent as wives to the Bogu in exchange for urgently needed horses for stock breeding and the cavalry, and increased numbers of the nomads to serve for pay in the Kitan army. One of the princesses a true daughter of the imperial family, the other, in the old, sly trick...

It is about your sister, the poet had said.

A great deal had become clear in this softly lit reception chamber of a courtesan house, late at night in a provincial town far from the centre of power. From where Tai's older brother, trusted confidant and principal adviser to First Minister Wen Zhou, had achieved... what people would regard as something brilliant, spectacular, a gift to their entire family, not just himself.