It was striking, and very stylish, and nothing like any gown Christine had ever owned, or even seen up close. Certainly the opera costumes were all beautiful and bejeweled and ornate—the better to be seen from the boxes and the stalls—but they were too heavy and fancy to wear in the real world.
"I bullied Tiline into letting you borrow it," Madame explained. "Her Monsieur Boulan has girted her with many lovely gowns as of late."
It was a dinner gown of deep garnet satin trimmed with gold lace that gathered in soft folds at the tops of her arms. The lace made a narrow vee from shoulder to shoulder in front and back, and where the dark red bodice gathered over her breasts, more gold lace hung along its lower edges.
The skirt was nearly as heavy as the costume Christine had been wearing, and fell in generous folds that were gathered up into a huge bustle at the base of her spine. A wide swath of gold satin draped from each side of the front of the skirt and was fastened over the bustle with a huge bow made from more gold lace festooned with white and red satin roses.
When she saw herself in the mirror, she hardly recognized herself as shy, lonely little Christine Daaé.
"Thank you, madame," she said as she left the room at last.
Outside of her dressing room, the passageway was empty. Still, shadowed, silent… so unlike what Christine was used to, with the comings and goings of actors and costumiers and musicians, prop hands and stagehands… it was quiet and lonely. As she had been, it seemed, forever.
But now, tonight, she was a star. Everyone wanted to see her, speak to her, be with her. No longer the shy mouse of a girl, she was sought after by a vicomte! Even if he was an old friend, he would not have sought her out if he did not wish to see her.
She was no innocent girl. Madame Giry had seen to it that none of her little dancers—called rats de l'opera for the fact that they often came to the theater young and straggly, and were seen as always being underfoot—were innocent ingenues, though they might appear to be. She instructed them in more than simply ballet. Madame felt each of the young rats was her responsibility, for many of them had chosen the profession over being a schoolmistress or working in manual labor, upon being orphaned or because their family became destitute.
The theater was a profession, Madame told them, that allowed a woman quite a bit of control over her life, including her choice of lover or protector—if she was young and pretty, or at least if she was talented both onstage and in the boudoir. Thus Madame had ensured that none of her charges were waiting to be deflowered and left with nothing to show for it. Her rats were taught how to take advantage, rather than be taken advantage of. She instructed them how to attract and select a good protector who would not be physically cruel in the boudoir and who would otherwise treat them well.
But Christine could not fathom that Raoul—good, handsome, polite Raoul, who had dashed into the surf to retrieve her scarf when it blew away—would dare have the thought of being a protector. It made her warm to even think of it.
Raoul did not fit the image of one. Christine had met the older gentlemen that took care of the two former dancers Tiline and Régina when those two began to have solos of their own and thus attracted attention to themselves. Their protectors had bloated cheeks, were pompous, and had squinting, beady eyes that seemed always to be looking right through the girls' costumes—yet they patted the girls on the heads and brought them gifts and trinkets whenever they visited. If one did not look in their eyes, one might think they were no more than a father or favored uncle. But of course, that was not so, and Christine, who had not been a virgin since her sixteenth birthday, recognized all too well that the looks in their eyes were anything but paternal.
Now the two girls, who hardly had time any longer for the other dancers in the corps de ballet from which they had so recently graduated, complained of having to juggle the attentions of the older men, who paid for their costumes and jewelry and for their own small flats, with their interest in younger, more attractive and virile men who did not have the pocketbook… but had other amenities.
Christine herself had never been in a position to attract the attention of a possible protector. Even if she had, she would have taken care before doing so, for she was known as one of Madame Giry's most virtuous girls. She was one who did not flirt, who did not make promises with her eyes, who took care that her bosom didn't show and her ankles didn't flash.
But perhaps tonight had changed everything. Now she had attracted great attention! Perhaps that was why Raoul had made his way so quickly backstage, and barricaded them in her dressing room. Perhaps he was merely trying to protect her from any other men who'd found her sudden, triumphant debut of interest.
No, she did not place Raoul in the same category as those pudgy, false-fatherly gentlemen who scanned the dancers and singers and actresses as if they were clusters of horseflesh… but neither did she dismiss him. Not at all. For he had been handsome and charming, and quite obviously pleased to see her.
Now, Christine should have been hurrying along the passageway toward the back door that led into the side alley, where Raoul would be waiting for her… but instead, she found herself moving back toward the stage. The place of her triumph.
She had rarely had occasion to be on the stage when the room, with its vast rows of seats and high, domed ceiling, was empty of everything but… echoes. Echoes of performances past, echoes of smoke from the doused lights, echoes of perfume and applause.
She wasn't sure what drew her, but she heeded the innate call and walked out onto the stark wooden-planked stage. Her footsteps, nearly silent in slippers, took her to the monstrous stage's center, and Christine stood, facing the invisible audience.
A whisper of air stirred, raising the hair all along her arms and at the base of her neck. She resisted the urge to look behind her; instead, she smoothed one hand up along her arm, then down, over her long glove, and then back up again. Waiting.
A sudden beam of limelight shot down from above, circling her in its white glow, cutting her off from the darkness around her. The sphere was compact, just large enough that she might walk two small steps before moving out of it and back into the empty black if she chose. It was warm; even though it had not pounded on her for long, the heat from the light above played across her bare shoulders and bosom, and over the upper parts of her arms that were not covered by her gloves.
The light dulled her eyesight as it did when she performed. She could not see the shadowy seats in the theater, nor could she see the red velvet curtains swagged at the edge of the proscenium. All she could see was the white beam of light; all she could feel was its increasing warmth.
"Christine…"
The sound of her name, faint, hollow, erotic, came from behind. Or perhaps above. She wasn't sure.
"Ange?" she managed to ask. Her heart was suddenly thumping madly.
Before she could turn to look, she felt him behind her again, just as he had been in her dressing room. He had spoken to her, taught her, sung with her… but he had never appeared to her before. And now twice in one day.
His hands closed over her shoulders, the supple, tacky leather of his gloves grabbing at her delicate skin as he moved his palms down over her arms, pulling at the low, sweeping neckline of her gown. The fabric tightened over her breasts, uncovering her suddenly hard, sharp nipples, baring her skin to the heat of the light above.
"You pleased me greatly tonight," he murmured in that low, melodious voice. It burned in her ear and sent waves of sharp prickles along her neck, down her arms, over her breasts and nipples, to her belly, and lower.