“While I,” said Justin Bryce, “am not so much worried as intrigued, not to say hopeful. Maurice Seton’s disappeared. I’m afraid it may only be a publicity stunt for his next thriller and that we shall see him among us again all too soon. But let us not look on the gloomy side.”
He did, indeed, look very far from gloomy, squatting on a stool before the fire like a malevolent turtle, twisting his long neck towards the blaze. His had been, in youth, a striking head with its high cheekbones, wide mobile lips and huge luminous grey eyes under the heavy lids. But he was fifty now and becoming a caricature. Though they seemed even larger, his eyes were less bright, and watered perpetually as if he were always fighting against a high wind. The receding hair had faded and coarsened to dull straw. The bones jutted through his skin, giving him the appearance of a death’s head. Only his hands were unchanged. He held them out now to the fire, soft-skinned, white and delicate as those of a girl. He smiled at Dalgliesh: “Lost, believed safe. One middle-aged detective writer. Nervous disposition. Slight build. Narrow nose. Buck teeth. Sparse hair. Prominent Adam’s apple. Finder, please keep… So we come to you for advice, dear boy. Fresh, as I understand it, from your latest triumph. Do we wait for Maurice to make his reappearance and then pretend we didn’t notice that he got lost? Or do we play it his way and ask the police to help us find him? After all, if it is a publicity stunt, it would only be kind to co-operate. Poor Maurice needs all the help in that direction he can get.”
“It’s not a joking matter, Justin.” Miss Calthrop was severe. “And I don’t for one moment think that it’s a publicity stunt. If I did, I wouldn’t come worrying Adam at a time when he particularly needs a peaceful, quiet holiday to recover from the strain of that case. So clever of you, Adam, to catch him before he did it again. The whole case makes me feel sick, physically sick! And now what will happen to him? Kept in prison for a few years at the State’s expense, then let out to murder some other child? Are we all mad in this country? I can’t think why we don’t hang him mercifully and be done with it.”
Dalgliesh was glad that his face was in shadow. He recalled again the moment of arrest. Pooley had been such a small man, small, ugly and stinking with fear. His wife had left him a year before and the inexpert patch which puckered the elbow of his cheap suit had obviously been his own work. Dalgliesh had found his eyes held by that patch as if it had the power to assert that Pooley was still a human being. Well, the beast was caged now and the public and press were free to be loud in their praise of the police work in general and of Superintendent Dalgliesh in particular. A psychiatrist could explain, no doubt, why he felt himself contaminated with guilt. The feeling was not new to him and he would deal with it in his own way. After all, he reflected wryly, it had seldom inconvenienced him for long and never once had it made him want to change his job. But he was damned if he was going to discuss Pooley with Celia Calthrop.
Across the room his aunt’s eyes met his. She said quietly: “What exactly do you want my nephew to do, Miss Calthrop? If Mr. Seton has disappeared, isn’t that a matter for the local police?”
“But is it? That’s our problem!” Miss Calthrop drained her glass as if the Amontillado had been cooking sherry, and automatically held it out to be refilled. “Maurice may have disappeared for some purpose of his own, perhaps to collect material for his next book. He’s been hinting that this is to be something different-a departure from his usual classical detective novel. He’s a most conscientious craftsman and doesn’t like to deal with anything outside his personal experience. We all know that. Remember how he spent three months with a travelling circus before he wrote Murder on the High Wire? Of course, it does imply he’s a little deficient in creative imagination. My novels are never restricted to my own experience.”
Justin Bryce said: “In view of what your last heroine went through, Celia darling, I’m relieved to hear it.”
Dalgliesh asked when Seton had last been seen. Before Miss Calthrop could answer, Sylvia Kedge spoke. The sherry and the warmth of the fire had put some colour into her cheeks and she had herself well under control. She spoke directly to Dalgliesh and without interruption.
“Mr. Seton went to London last Monday morning to stay at his club, that’s the Cadaver Club in Tavistock Square. He always spends a week or two there in October. He prefers London in the autumn and he likes to do research for his books in the club library. He took a small suitcase with him and his portable typewriter. He went by the train from Halesworth. He told me that he was going to make a start on a new book, something different from his usual style, and I got the impression he was rather excited about it although he never discussed it with me. He said that everyone would be surprised by it. He arranged for me to work at the house for mornings only while he was away and said he would telephone me about ten o’clock if he had any messages. That’s the usual arrangement when he’s working at the club. He types the manuscript in double spacing and posts it to me in instalments and I make a fair copy. Then he revises the whole book and I type it ready for the publishers. Of course, the instalments don’t always connect. When he’s in London he likes to work on town scenes-I never know what’s going to arrive next. Well, he telephoned on Tuesday morning to say that he hoped to post some manuscript by Wednesday evening and to ask me to do one or two small mending jobs. He sounded perfectly all right, perfectly normal then.”
Miss Calthrop could contain herself no longer. “It was really very naughty of Maurice to use you for jobs like darning his socks and polishing the silver. You’re a qualified shorthand typist and it’s a dreadful waste of skill. Goodness knows, I’ve enough stuff on tape waiting for you to type. However, that’s another matter. Everyone knows my views.”
Everyone did. There would have been more sympathy with them if people hadn’t suspected that dear Celia’s indignation was chiefly on her own account. If there was any exploiting to be done she expected priority.
The girl took no notice of her interruption. Her dark eyes were still fixed on Dalgliesh. He asked gently: “When did you next hear from Mr. Seton?”
“I didn’t, Mr. Dalgliesh. There was no call on Wednesday when I was working at Seton House but, of course, that didn’t worry me. He might not telephone for days. I was there again early this morning to finish some ironing when Mr. Plant rang. He’s the caretaker at the Cadaver Club and his wife does the cooking. He said they were very worried because Mr. Seton had gone out before dinner on Tuesday and hadn’t returned to the club. His bed hadn’t been slept in and his clothes and typewriter were still there. Mr. Plant didn’t like to make too much fuss at first. He thought that Mr. Seton might have stayed out for some purpose connected with his work-but he got worried when a second night went by and still no message. So he thought he’d better telephone the house. I didn’t know what to do. I couldn’t contact Mr. Seton’s half-brother because he recently moved to a new flat and we don’t know the address. There aren’t any other relations. You see, I wasn’t sure whether Mr. Seton would want me to take any action. I suggested to Mr. Plant that we should wait a little longer and we agreed to phone each other the minute there was any news, and then just before lunchtime, the post arrived and I got the manuscript.”
“We have it here,” proclaimed Miss Calthrop. “And the envelope.” She produced them from her capacious handbag with a flourish and handed them to Dalgliesh. The envelope was the ordinary commercial, buff-coloured, four-by-nine-inch size and was addressed, in typing, to Maurice Seton, Esq., Seton House, Monksmere, Suffolk. Inside were three quarto sheets of inexpert typescript, double spaced.