The bookseller’s name was Charles Burchell; he turned out to be the grandson of C. J. Burchell, the legendary maritime lawyer who’d led the court-room attack on the Mont Blanc’s captain and pilot. When Jack told Charles that he thought he’d been born in the St. Paul’s Parish House, Charles told Jack that the vestry of the church had been used as an emergency hospital in the days following the Halifax Explosion; the bodies of hundreds of victims had been laid in tiers around the walls.
Charles was kind enough to take Jack on a tour of the harbor. Jack wanted to see the ocean terminals, particularly the pier where the immigrants landed. Charles also drove Jack to the Fairview Lawn Cemetery. Jack was curious to see the Titanic grave site. Halifax had seen its share of disasters.
Jack walked with Charles among the gravestones.
ERECTED TO THE MEMORY
OF AN
UNKNOWN CHILD
WHOSE REMAINS
WERE RECOVERED
AFTER THE
DISASTER TO
THE “TITANIC”
APRIL 15, 1912
There were many more.
ALMA PAULSON
AGED 29 YEARS
LOST WITH FOUR CHILDREN
Some were just names with their ages.
TOBURG DANDRIA AGED 8
PAUL FOLKE AGED 6
STINA VIOLA AGED 4
GOSTA LEONARD AGED 2
Others were just numbers.
DIED
APRIL 15, 1912
227
A small headstone marked J. DAWSON had the largest number of flowers—bouquets of flowers dwarfed the headstone, almost obscuring the oddly familiar name. Charles told Jack why the name was familiar. The character Leonardo DiCaprio played in the Titanic movie was named Jack Dawson.
“You don’t mean he was real,” Jack said.
“I have no idea,” Charles said.
The J. DAWSON on the headstone could have been a different Dawson. Jack Dawson, DiCaprio’s character, might have been invented. But since the movie had been released, visitors to the Titanic grave site put flowers on J. DAWSON’s headstone because they believed he was that character. Worse—whether or not Jack Dawson in the movie was related to J. DAWSON on the headstone, the young girls bringing flowers thought there was someone in that grave who had once looked like Leonardo DiCaprio.
“Movies,” Jack said with disgust. Charles laughed.
But Jack saw it then—this was where that hair-faced novelist and screenwriter had gotten the idea to make a love story out of the Halifax Explosion. It was a bad idea to begin with, but it hadn’t even been McSwiney’s idea. He’d stolen it from the Titanic movie; he’d ripped it off from a graveyard full of children!
“Does Doug McSwiney come from Halifax?” Jack asked Charles Burchell. Since Charles was a bookseller, Jack knew that Charles would know.
“Born and raised,” Charles said. “He’s an awful man—he’s always punching people.”
The Titanic grave site gave Jack additional grounds for wanting to kick the crap out of McSwiney, and Jack still had a headache. (As cheap shots go, a blow to someone’s temple is asking for trouble.)
Jack went back to the hotel and took a short nap. He probably did have a concussion, mild or not, because he wasn’t feeling well. He was wondering why Michele Maher hadn’t called him—just to say she was looking forward to lunch or dinner, or whatever. Maybe she was shy; probably she was busy. Jack didn’t sleep very soundly, or for long. At the first ring of the wake-up call, he sat up too suddenly and saw stars. The stars continued to twinkle while he brushed his teeth.
A separated shoulder would be a justifiable injury to inflict on Doug McSwiney, Jack was thinking. Given that McSwiney had hit Jack with a left hook, he was probably right-handed; if so, a separated right shoulder would be a good idea.
Jack called Dr. Maher’s office and once again got Michele’s nurse, Amanda, on the phone. “Hi, Amanda—it’s Jack Burns. I’m calling to confirm breakfast, lunch, and dinner.”
He could tell right away that something was wrong; the formerly friendly Amanda was ice-cold to him. “Dr. Maher is with a patient,” the nurse said.
“What’s with the Dr. Maher, Amanda?”
“No breakfast, no lunch, no dinner,” Amanda said. “Dr. Maher doesn’t want to see you—she won’t even talk to you. I canceled your reservation at the Charles.”
“Maybe I’ve misunderstood you,” Jack said. “I have a concussion.”
“That girl gave you a concussion?” Amanda asked.
“What girl?”
“I’m talking about the Lucy business—the photographs, the whole story. Don’t they have news in Canada?”
Jack could see that flaming paparazzo as if the photographer were still standing at the foot of the driveway, snapping away. One of the sleazier movie magazines had bought the photographs. The story, and the tamer of the photos, had also been on television.
“You don’t come off very well,” Amanda explained.
“I did not have sex with that young woman!” he told her.
“I’m sure you didn’t,” Amanda said. “The girl just knew that you wanted to, and that you definitely would have had sex if she hadn’t called her mother.”
“That’s not true! I called the cops and asked them to come get her! I waited outside my own house until the police came!”
“You had a naked eighteen-year-old in your bed—you even have the same psychiatrist,” Amanda pointed out. “You knew Lucy when she was a child—you beat up her father! And why did you keep her thong, and those terrible pictures? There was a photo of what looked like another naked eighteen-year-old on your desk! There were photographs of a naked woman’s tattooed breast on your refrigerator!”
“I threw all that away!” Jack shouted.
“Where? On your front lawn?” the nurse asked.
“Please let me speak to Michele,” he begged her.
“Michele said, ‘If Jack calls, tell him he’s just too weird for me.’ That’s what the doctor said,” Amanda told him, hanging up the phone.
Jack turned on the television in his hotel room. It took him a while to find an American network among the Canadian TV channels, although (as Leslie Oastler would soon inform him) the Lucy story had already been picked up by the Canadian media. When he found Headline News, Jack discovered that he was the lead item in the entertainment segment.
When Lucy was told that her pink thong had been recovered from Jack’s trash—together with those incriminating photographs, which Lucy had earlier described to reporters—she speculated that Jack must have wanted to have some keepsake of her visit and had therefore hidden her thong from the police. Apparently, he’d had second thoughts and had thrown out the thong with the other “evidence.” (The thong looked really small on TV; it appeared that Jack had stolen it from a child.)
Jack needed to see the sleazy magazine itself before he could understand everything that was incriminating about the photographs—that is, the ones not fit for television. He left the hotel and walked over to The Book Room. Charles Burchell was a bookseller; Charles would know where every newsstand in Halifax was. Naturally, Charles already had a copy of the movie magazine.