We all pointed out to Fat that hopefully the Book of Life -- inwhich the names of all who were saved had been inscribed -- would prove too heavy for one man to lift; a winch and power crane would be necessary. Fat wasn't amused.
"Wait'll the Supreme Judge sees my dead cat," Kevin said.
"You and your goddam dead cat," I said. "We're tired of hearing about your dead cat."
After listening to Fat disclose his sly plans to seek out the Savior -- no matter how far he had to travel to find him -- I realized the obvious: Fat actually was in search of the dead girl Gloria, for whose death he considered himself responsible. He had totally blended his religious life and goals with his emotional life and goals. For him "savior" stood for "lost friend." He hoped to be reunited with her, but this side of the grave. If he couldn't go to her, on the other side, he would instead find her here. So although he was no longer suicidal he was still nuts. But this seemed to me to be an improvement; thanatos was losing out to eros. As Kevin put it, "Maybe Fat'll get laid by some fox somewhere along the way."
By the time Fat took off on his sacred quest he would be searching for two dead girls: Gloria and Sherri. This updated version of the Grail saga made me wonder if equally erotic underpinnings had motived the Grail knights at Montsavat, the castle where Parsifal wound up. Wagner says in his text that only those who the Grail itself calls find their way there. The blood of Christ on the cross had been caught in the same cup from which he had drunk at the Last Supper; so literally it had wound up containing his blood. In essence the blood, not the Grail, summoned the knights; the blood never died. Like Zebra, the contents of the Grail were a plasma or, as Fat termed it, plasmate. Probably Fat had it down somewhere in his exegesis that Zebra equaled plasmate equaled the sacred blood of the crucified Christ.
The spilled blood of the girl broken and dying on the pavement outside the Oakland Synanon Building called to Fat, who, like Parsifal, was a complete fool. That's what the word "parsifal" is supposed to mean in Arabic; it's supposed to have been derived from "Falparsi" an Arabic word meaning "pure fool." This of course isn't the actual case, although in the opera Parsifal, Kundry addresses Parsifal this way. The name "Parsifal" is in fact derived from "Perceval," which is just a name. However, one point of interest remains: via Persia the Grail is identified with the pre-Christian "lapis exilix," which is a magical stone. This stone shows up in later Hermetic alchemy as the agent by which human metamorphosis is achieved. On the basis of Fat's concept of interspecies symbiosis, the human being crossbonded with Zebra or the Logos or plasmate to become a homoplasmate, I can see a certain continuity in all this. Fat believed himself to have crossbonded with Zebra; therefore he had already become that which the Hermetic alchemists sought. It would be natural, then, for him to seek out the Grail; he would be finding his friend, himself and his home.
Kevin held the role of the evil magician Klingsor by his continual lampooning of Fat's idealistic aspirations. Fat, according to Kevin, was horny. In Fat, thanatos -- death -- fought it out with eros -- which Kevin identified not with life but with getting laid. This probably isn't far off; I mean Kevin's basic description of the dialectical struggle surging back and forth inside Fat's mind. Part of Fat desired to die and part desired life. Thanatos can assume any form it wishes; it can kill eros, the life drive, and then simulate it. Once thanatos does this to you, you are in big trouble; you suppose you are driven by eros but it is thanatos wearing a mask. I hoped Fat hadn't gotten into this place; I hoped his desire to seek out and find the Savior stemmed from eros.
The true Savior, or the true God for that matter, carries life with him; he is life. Any "savior" or "god" who brings death is nothing but thanatos wearing a savior mask. This is why Jesus identified himself as the true Savior -- even when he didn't want to so identify himself -- by his healing miracles. The people knew what healing miracles pointed to. There is a wonderful passage at the very end of the Old Testament where this matter is clarified. God says, "But for you who fear my name, the sun of righteousness shall rise with healing in his wings, and you shall break loose like calves released from the stall."
In a sense Fat hoped that the Savior would heal what had become sick, restore what had been broken. On some level, he actually believed that the dead girl Gloria could be restored to life. This is why Sherri's unrelieved agony, her growing cancer, baffled him and defeated his spiritual hopes and beliefs. According to his system as put forth in his exegesis, based on his encounter with God, Sherri should have been made well.
Fat was in search of a very great deal. Although technically he could understand why Sherri had cancer, spiritually he could not. In fact, Fat could not really make out why Christ, the Son of God, had been crucified. Pain and suffering made no sense to Fat; he could not fit it into the grand design. Therefore, he reasoned, the existence of such dreadful afflictions pointed to irrationality in the universe, an affront to reason.
Beyond doubt, Fat was serious about his proposed quest. He had squirreled away almost twenty thousand dollars in his savings account.
"Don't make fun of him," I said to Kevin one day. "This is important to him."
His eyes gleaming with customary cynical mockery, Kevin said, "Ripping off a piece of ass is important to me, too."
"Come off it," I said. "You're not funny."
Kevin merely continued to grin.
A week later, Sherri died.
Now, as I had foreseen, Fat had two deaths on his conscience. He had been unable to save either girl. When you are Atlas you must carry a heavy load and if you drop it a lot of people suffer, an entire world of people, an entire world of suffering. This now lay over Fat spiritually rather than physically, this load. Tied to him the two corpses cried for rescue -- cried even though they had died. The cries of the dead are terrible indeed; you should try not to hear them.
What I feared was a return by Fat to suicide and if that failed, then another stretch in the rubber lock-up.
To my surprise when I dropped by Fat's apartment I found him composed.
"I'm going," he told me.
"On your quest?"
"You got it," Fat said.
"Where?"
"I don't know. I'll just start going and Zebra will guide me."
I had no motivation to try to talk him out of it; what did his alternatives consist of? Sitting by himself in the apartment he and Sherri had lived in together? Listening to Kevin mock the sorrows of the world? Worst of all, he could spend his time listening to David prattle about how "God brings good out of evil." If anything were to put Fat in the rubber lock-up it would be finding himself caught in a cross-fire between Kevin and David: the stupid and pious and credulous versus the cynically cruel. And what could I add? Sherri's death had torn me down, too, had deconstructed me into basic parts, like a toy disassembled back to what had arrived in the gaily-colored kit. I felt like saying, "Take me along, Fat. Show me the way home."
While Fat and I sat there together grieving, the phone rang. It was Beth, wanting to be sure Fat knew that he had fallen behind a week in his child support payment.
As he hung up the phone, Fat said to me, "My ex-wives are descended from rats."
"You've got to get out of here," I said.