I opened my mouth to tell Gwillam to take his sanctimonious shit somewhere private and render it unto himself, but he hadn’t quite finished. ‘Yehoshua!’ he said, almost in a sing-song voice. ‘Yehoshua, of all men king and of all men brother, I praise Thee and live in Thine eyes! The vessels being diverse, one from another. What shall we do unto her, according to the law? And when it was day, He departed. Even unto Simon’s house.’
I was too slow out of the gate. I didn’t guess what Gwillam was doing until I glanced sideways at Juliet, realising suddenly that there was a tension in her stillness. She was standing rigidly erect, completely unmoving, though the muscles in her neck stood out like cords.
‘That was the cantrip that binds her,’ Gwillam said. ‘Should I speak the cantrip that destroys her?’
I took an involuntary step towards him. The submachine guns’ muzzles converged on me like the eyes of snakes, targeting on movement. I stopped, realising that I wouldn’t reach him alive.
‘Should I speak the—?’
‘No,’ I said. ‘Don’t. Don’t do that.’
I would never have believed that he could have got the measure of Juliet so fast. But her very power lay in filling your eyes and your nose and your mind with her essence: if you’re dealing with an exorcist, that’s a high-risk strategy. You take him out quickly, or you find that you’ve given him all the ammo he needs.
‘Then give me the locket,’ said Gwillam.
I looked down at the locket in my hand, but did nothing. The tableau stood still for the space of three heartbeats.
‘Castor—’ Gwillam murmured warningly.
‘You take the locket, and then you leave?’
‘As opposed to killing both you and your demon whore, which I so clearly could? Yes. Take it. It’s the best offer you’re going to get.’
He was right there. I threw the locket across to him and he caught it one-handed. Juliet’s eyes narrowed, but that was the only move she made: the only move she could make.
Gwillam signalled to his men – a clockwise rotation of his index finger in the air which clearly meant ‘pack up the tents’. They started to file away in good order, two of them carrying Zucker, just as the stained-glass windows to either side of the church door blew out in party-coloured shards, vomiting smoke and fire up into the night.
Gwillam went last of all, and he lingered for a moment as if there was something else on his mind.
‘I told you that we investigated Ditko two years ago – very shortly after you signed him in at the Charles Stanger clinic,’ he said.
‘Yeah. You told me that.’
‘It might make you feel a little better about your part in all of this if I tell you something we found out at that time.’ I didn’t say anything that could have been interpreted as ‘Oh, do tell’ but Gwillam went on anyway, looking at me thoughtfully. ‘Fanke had a mistress back then – dead now. In his sexual liaisons he’s always favoured the young and stupid: he seems – seemed, I should say – to take a certain pleasure in imprinting his own will on people too weak or vapid to resist.
‘Her name was Jane – plain Jane – but she’d rechristened herself Guinevere when she joined the Satanist Church. Obviously she was living out some romantic fantasy of her own. Most people still called her Jane, in spite of all her efforts, but she was introduced as Guinevere to Rafael Ditko and he usually shortened it to Ginny.’
Memory sideswiped me like a truck. Did Ginny see all this? Where is she? Is she outside?
‘My Christ!’ I breathed.
Gwillam nodded, seeing that I’d made the connection. ‘When Ditko raised Asmodeus that night, it was a move in a game – a game that Fanke was playing against God. Abbie Torrington was another such move. Perhaps she was originally destined to be sacrificed on a different altar, to a different devil. But Ditko failed, and you . . . well, you did what you did. He chose his own path, of course, but your choices were made for you a long time ago, Castor. You’re one of Heaven’s soldiers too, whether you believe that or not. You’re the brand that he takes from the fire, already burning, to smite his foes. Perhaps when he’s done with you there’ll still be something left to save.’
‘Go fuck yourself,’ I snarled. As clever ripostes go, I had to admit, it lacked something. Actually, it lacked pretty much everything.
Gwillam turned and walked away, his steps ringing on the cobbles until the whoop of approaching sirens drowned them out. It sounded like Detective Sergeant Basquiat had finally checked her messages.
I didn’t have my whistle, but I didn’t need it for this. I whistled a few bars between my teeth for Juliet, ragged and halting: the notes that cut the strings Gwillam had laid on her. When she could, she turned to face me, her gaze deep and searching.
‘Debriefing comes later,’ I said. ‘No smutty double meanings intended. Right now, if I were you, I’d be somewhere else.’
Juliet glanced at the first of the police cars as it turned the corner and came belting towards us. Then, in the glare of its headlights, she turned back to me and nodded once, as if to say that there’d be answers she’d insist on.
When the cars rattled to a halt on the cobbles to either side of me, I was the last man standing.
23
In the secure unit at the Whittington, I’d at least had a magazine – along with a phone on a trolley, all the small change I could pick up off the floor and a werewolf-themed cabaret. In the remand cells at the Uxbridge Road cop shop, all I had were the clothes I stood up in, minus belt and jacket.
The graffiti on the cell wall were varied and imaginative, but even they palled after a while. Kicking on the door got no response except for muffled swear words from the guy in the cell next door, who muttered and raved to himself in a variety of different voices in between times. Even the cockroaches, bred in the wild and proud of spirit, refused to race. After three hours or so I began to understand why they’d taken the belt: if I’d still had it, I’d have hanged myself. Alternatively, if there’d been any sheets on the cot bunk, I’d have slept.
Basquiat arrived some time towards morning, with Fields tagging along as usual to hold her coat and feed her straight lines. The guard on duty unlocked the door for her and signed her in, then set one of the interview tape recorders down on the floor and left, giving her a respectful nod.
She left the tape recorder where it was, though, signalling for me to sit down on my bunk while she took the edge of the table and Fields stood by the door, ignored.
‘So,’ she said.
I waited for something more solid to go on.
‘A burning church full of dead men in black gowns. Another one, in red, lying dead outside. And you, kneeling next to a woman who’s been tied up with duct tape.’
‘I admit that looks fairly suspicious at first glance,’ I said.
Basquiat smiled coldly. ‘Just a little, yeah. But then we start to look at the small print. The guy in red checks out as Anton Fanke, so I guess he got tired of Belgium.’
‘A man who’s tired of Belgium . . .’
‘Don’t get smart, Castor. I like you better when you’re scared and desperate. And besides, I didn’t get to the good part yet. Fanke was carrying a gun that my friends in ballistics greeted like a long-lost friend. It’s the one that killed Melanie Torrington. And one of the corpses in the church had a knife with Abigail Torrington’s blood on the blade. A whole lot of fingerprints, including Fanke’s – but not yours.
‘So my case against you for those earlier murders starts to look a little shaky. I’ve still got you for Peace, of course – you at the scene of the crime, and your prints on the gun that killed him. But that duct-taped woman has been telling us all kinds of things about the late Mister Fanke. Stuff that you wouldn’t believe.’